Collection
Easy Soloing for Jazz Guitar
56 pieces in this collection.
- Arpeggio Blues
- Bb Minor Blues Progression
- C Blues Progression
- C Harmonic Minor Blues
- C Minor Blues
- Call and Response
- Combining Scales, Arpeggios, and Concepts
- Combining Target Tones and Approach Tones
- Diatonic Harmony of the Harmonic Minor Scale
- F Blues Progression
- Fretboard Diagrams
- G Blues Progression
- Getting a Jazz Sound in Your Improvised Lines
- Identifying Key Center Changes
- Improvising With Arpeggios
- In the Style of "So What"
- In the Style of "Tune Up"
- Intro to Target Tones
- Intro to the Dorian Mode
- Intro to the Mixolydian Mode
- Introduction
- Major Scale Theory
- Mixolydian Improvisation
- Modes of the Major Scale
- Motivic Development
- Phrasing
- Play/Rest
- Repetition
- Sequences
- Soloing Over a Blues Progression
- Soloing Over a Blues Progression with the Blues Scale
- Soloing Over a Blues Progression with the Major Pentatonic Scale
- Soloing Over a I-vi-ii-V Progression with the Major Scale
- Soloing Over a ii-V-i Progression with the Major Pentatonic Scale
- Soloing Over a ii-V-i Progression with the Major Scale
- Soloing Over a Minor Blues Progression
- Soloing Over a Minor Blues Progression with the Blues Scale
- Soloing Over Modulating Progressions
- Soloing Over the Minor Blues with the Harmonic Minor Scale
- Soloing Over Two-Chord Progressions
- Soloing with the Minor Pentatonic Scale
- Swing Feel
- Tablature
- Tablature (TAB)
- The Blues Scale
- The Final Bar
- The Harmonic Minor Scale
- The Major Pentatonic Scale
- The Major Scale
- The Minor ii-V-i Progression
- The Minor Pentatonic Scale
- Use of Approach Tones
- Using Arpeggios in Improvisation
- Using the Dorian Mode in Improvisation
- Using the Mixolydian Mode in Improvisation
- Using the Relative Dorian Minor to Improvise Over a Dominant 7th Chord