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Collection

Flamenco Music Theory

90 pieces in this collection.

  1. 1. Form
  2. 2. Melody
  3. 2. Rhythm
  4. 3. Harmony
  5. 4. Contemporary Flamenco and Flamenco "Fusion"
  6. Alegrias
  7. Andalusian Cadence
  8. Basic Form of a Cante
  9. Bibliography
  10. Bimodality or Dual Modality: The Flamenco Relative Major
  11. Buleria
  12. Cantes de Ida y Vuelta Family
  13. Categories of Flamenco Songs
  14. Characteristic Melodies
  15. Chord Variations
  16. Colombiana
  17. Definition of the Flamenco Term: Compas
  18. El Polo y La Cana
  19. Fandangos
  20. Fandangos "A compass" (In Strict Rhythm)
  21. Fandangos and Cantes from the Levante Family
  22. Flamenco Cadence
  23. Flamenco Harmony
  24. Flamenco Melodies
  25. Flamenco Meters
  26. Flamenco Mode Key Signature
  27. Flamenco Mode Perfect Cadence, or Resolving Cadence
  28. Flamenco Mode Perfect Cadences or Resolving Cadence
  29. Flamenco Rhythms and Compases
  30. Flamenco Tonalities, or Keys
  31. Flamencoized Cantes Family
  32. Flexible, or "Elastic". Meter
  33. Foreward By Claude Worms
  34. Foreward By Oscar Herrero
  35. Formal Components of the Instrumental Accompaniment
  36. Garrotin y Farruca
  37. General Categories of Cantes by Families
  38. General Characteristics of
  39. GUAJIRA
  40. Guajira, Petenera and Others
  41. Harmony of the Most Representative Cantes
  42. Instrumental Options, Other Types of Fusion and Future Prospects
  43. Introduction
  44. Ionian Mode and Cantes in the Ionian Mode
  45. Jazz-Flamenco and Flamenco-Jazz Fusion
  46. Key Signature for the Phygian Mode
  47. Keys and Modes of the Cantes
  48. Listening Guides
  49. Liviana, Serrana y Cabales
  50. Major-Phygian Mode
  51. Melodies in "Unaccompanied" Cantes
  52. Microtonalism
  53. Mixed-Mode Cantes or Cantes that Modulate
  54. Modal System and Tonal System
  55. Modes Used in Flamenco Music
  56. Musical Systems and
  57. Natural Fandangos, Malaguena, rondena, Granaina, and Cantes from Levante
  58. Other Characteristic "Inflections" or Modulations: The Cambio (Change)
  59. Petenera
  60. Phrygian Cantes and Major-Phygian Cantes
  61. Phygian Mode
  62. Representative Cantes
  63. Rhythm and Compas (Meter and Time Signature)
  64. Rhythm and Compas (Meter and Time Signature)
  65. Rhythm, Pulse and Accents
  66. Rhythmic Classification of the Cantes
  67. Rhythmic Classification of the Cantes (Songs)
  68. Rhythmic Families With A Twelve-Beat Compas:
  69. Second Tetrachord of the Flamenco Mode: Scale Degrees V, VI, and VII
  70. Secondary Dominants
  71. SEGUIRIYA
  72. Sevillanas
  73. Solea
  74. Substitute Chords
  75. Tangos
  76. Tangos Tonales
  77. Tangos y Tientos
  78. Tanguillos
  79. Terminology: Cante , Palo , Tercio
  80. Terminology: Cante (song), Palo (song form), Tercio (verse)
  81. The "Apparently Free" Meter Family
  82. The Binary (Duple-Meter) Family: Representative Cantes
  83. The Binary (Duple-Meter) Family: Representative Cantes
  84. The Flamenco "Clock"
  85. The Flamenco Mode
  86. The Flamenco Mode and Cantes in the Flamenco Mode
  87. The Ternary (Or Triple-Meter) Family: Representative Cantes
  88. The Ternary (Or Triple-Meter) Family: Representative Cantes
  89. Twelve-beat Compas (Meter)
  90. Twelve-beat Compas (Meter)
  91. Types of Twelve-Beat Meter
  92. Variations within the Flamenco Cadence
  93. Vocal Melodies of Modal Cantes
  94. Vocal Sections