Collection
Aaron Shearer Learning the Classic Guitar Part 3
49 pieces in this collection.
- Applying Note-Grouping and Phrasing
- Applying Rubato and Dynamics
- Approaching Expression through Vocalization
- Approaching Expressive Interpretation
- Approaching Performance Development (Performance Anxiety and Negative Concerns, Dealing With Errors During Performance, Replacing Negative Concerns with Positive Concerns, Summary)
- Approaching the Formal DP
- Attractions
- Before You Begin
- Beginning Performance Development
- Beginning to Play Expressively: Observing Melodic Contour
- Carrying the Guitar
- Creating Mood and Spin
- Dealing with Errors During Performance
- Defining Note-Grouping and Phrasing
- Developmental Performance Procedure
- Downbeat Grouping
- Establishing Your Concentration
- Evaluating Your Situation
- Expression and Technique
- Expression and the Score
- Further Application of Upbeat Grouping
- Guidelines for Bowing
- Guidelines for Walking to the Chair
- Harmonic Attraction
- Introduction (The Cause of Performance Anxiety, Evaluating Your Situation, Regarding Technique and Memorization)
- Learning Effective Stage Conduct
- Melodic Attraction
- Note-Grouping in Quadruple Meter
- Organizing Rhythmic Cpntrasts: Note-Grouping and Phrasing
- Performance Anxiety and Negative Concerns
- Pieces for Study
- Practicing a Formal DP
- Questions for Review
- Regarding Early Music
- Regarding Technique and Memorization
- Replacing Negative Concerns with Positive Concerns
- Rhythmic Attraction
- Rubato
- Summary
- The Basis of Expressive Playing Enhancing and Creating Musical Contrast
- The Cause of Performance Anxiety
- The Expressive Musician
- The Expressive Performance (EP)
- The Figure
- The Moving and Shaping Forces of Music
- The Phrase
- The Practice Performance
- The Two Kinds of Performances
- Upbeat Grouping