JustSheetMusic

Collection

Classic Chicago Blues Harp #1

65 pieces in this collection.

  1. 12 Bar Blues & Positions
  2. 12 Bar Blues Phrasing
  3. 12 Bar Blues Root Note Exercises
  4. 12 Bar Jam 1A-1C
  5. 12 Bar Jam 2A & 2B
  6. 12 Bar Jams 3A-3D
  7. 12 Bar Jams 4A, 4B, & 4C
  8. 12 Bar Jams 5A, 5B, & 5C
  9. 2nd Position & It's Root Notes
  10. A Means to and End
  11. Baby Please Don't Go, By Mary Johnson
  12. Bending Exercises
  13. Blow Bends
  14. Blues Break & Song Endings
  15. Book Structure
  16. Chapter 1 - Up Front
  17. Chapter 2 - Getting Familiar with your Harmonica
  18. Chapter 2 Review
  19. Chapter 3 - Getting Started with Notation
  20. Chapter 3 Review
  21. Chapter 4 - A Musical Foundation for the Soloist
  22. Chapter 4 Review
  23. Chapter 5 - Straight Forward Blues: Part 1
  24. Chapter 5 Review
  25. Chapter 6 - Bending: Part 1
  26. Chapter 6 Review
  27. Chapter 7 - Straight Forward Blues: Part 2
  28. Chapter 8 - Bending: Part 2
  29. Chapter 9 - Section 1 Review
  30. Choosing a Harmonica
  31. CLASSIC CHICAGO BLUES SONGS
  32. Draw Bending
  33. Exercises
  34. Extra Help & Common Bending Problems
  35. Fast Track Lesson Plan
  36. Harmonica Construction and Pitch Set
  37. Harmonica Notation
  38. Harmonica Reference & Position Chart
  39. Holding Your Harmonica Embouchure
  40. Hot Licks & Blues Bits 3
  41. Hot Licks & Blues Bits 5
  42. Hot Licks 8 Blues Bits 2
  43. Hot Licks K Blues Bits 1
  44. I'm Ready, By Willie Dixon
  45. Lower Cross Harp Scale
  46. Natural Pitch Set & Bending
  47. New Technique: Bending for Expression
  48. New Technique: Stopping at the Bottom
  49. New Technique: The Dip Send
  50. New Techniques:
  51. Out of Breath, By David Barrett
  52. Playing in 1st Position
  53. Rhythm Training
  54. Starting at the Bottom
  55. Straight Rhythms
  56. Swing Eighths
  57. The Glissando & Phrasing
  58. The Throat Vibrato
  59. Thoughts from the Author
  60. Triplet Exercises
  61. Turnarounds 8 V-IV-I Transitions
  62. Two Hole Shakes
  63. Upper Cross Harp Scale
  64. What is a Bend?
  65. Why do I Have to Read Notated Rhythms?