Collection
Smooth Jazz Piano
49 pieces in this collection.
- "Double Fourth" Shapes and Chord Voicings
- "Double Fourth" Shapes and Chord Voicings
- "Four-Part-Over-Root" Chord Voicings
- "Four-Part-Over-Root" Chord Voicings
- "Seven-Three" Extended Chord Voicings
- "Seven-Three" Extended Chord Voicings
- "Target Note" and "Scale Source" Concepts
- "Target Note" and "Scale Source" Concepts
- "Triad-Over-Root" Chord Voicings
- "Triad-Over-Root" Chord Voicings
- 1. Live Inside Your Love
- 1. Live Inside Your Love
- 1. What Is Smooth Jazz?
- 1. What Is Smooth Jazz?
- 2. On the Slopes
- 2. Scales and Chords
- 2. Scales and Chords
- 3. Smooth Jazz Keyboards Harmony and Voicings
- 3. Smooth Jazz Keyboards Harmony and Voicings
- 3. Sweetest Dreams
- 4. Jacket and Tie
- 4. Smooth Jazz Progression and Somping
- 4. Smooth Jazz Progression and Somping
- 5. Listen to Me
- 5. Smooth Jazz Melodies and Soling
- 5. Smooth Jazz Melodies and Soling
- 6. Gotta Groove
- 6. Style File
- 6. Style File
- 7. Night Games
- Combining All Soloing Techniques
- Combining All Soloing Techniques
- Major Scales and Modes
- Major Scales and Modes
- Major Seventh Chord Inversions
- Major Seventh Chord Inversions
- Major Triad Inversions
- Major Triad Inversions
- Melodies Using Major andMinor Scales
- Melodies Using Major andMinor Scales
- Melodies Using Minor Pentatonic and Blues Scales
- Melodies Using Minor Pentatonic and Blues Scales
- Minor Seventh Chord Inversions
- Minor Seventh Chord Inversions
- Minor Triad Inversions
- Minor Triad Inversions
- Natural and Melodic Minor Scales
- Natural and Melodic Minor Scales
- Ninth Chords and Alterations
- Ninth (Five-Part) Chords and Alterations
- Pentatonic and Blues Scales
- Pentatonic and Blues Scales
- Rhythmic Concepts
- Rhythmic Concepts
- Seventh Chords and Alterations
- Seventh (Four-Part) Chords and Alterations
- Soling with Altered Scales over Dominant Chords
- Soling with Altered Scales over Dominant Chords
- Soling with Blues and Pentatonic Scales
- Soling with Blues and Pentatonic Scales
- Soling with Dorian and Mixolydian Modes
- Soling with Dorian and Mixolydian Modes
- Straight Eighths Groove #1 - Style of "Stevie Wonderful"
- Straight Eighths Groove #1 - Style of "Stevie Wonderful"
- Straight Eighths Groove #2 - Style of "She Likes to Watch"
- Straight Eighths Groove #2 - Style of "She Likes to Watch"
- Straight Sixteenths Groove #1 - Style of "Chopsticks"
- Straight Sixteenths Groove #1 - Style of "Chopsticks"
- Straight Sixteenths Groove #2 - Style of "Baby Come to Me"
- Straight Sixteenths Groove #2 - Style of "Baby Come to Me"
- Straight Sixteenths Groove #3 - Style of "Roome of Breathe"
- Straight Sixteenths Groove #3 - Style of "Roome of Breathe"
- Straight Sixteenths Groove #4 - Style of "Just to be Loved"
- Straight Sixteenths Groove #4 (ballad) - Style of "Just to be Loved"
- Swing Eighthts Groove #1 - Style of "I Meant What I Said"
- Swing Eighthts Groove #1 - Style of "I Meant What I Said"
- Swing Sixteenths Groove #1 - Style of "Get It On"
- Swing Sixteenths Groove #1 - Style of "Get It On"
- Swing Sixteenths Groove #2 - Style of "Rejoyce"
- Swing Sixteenths Groove #2 - Style of "Rejoyce"
- Swing Sixteenths Groove #3 - Style of "PCH"
- Swing Sixteenths Groove #3 - Style of "PCH"
- Triads
- Triads
- Voicing Concepts
- Voicing Concepts