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Portrait of August Wenzinger

Composer

August Wenzinger

Swiss viola da gamba performer and conductor (1905–1996)

1905–1996

20 works in the index

Born
1905
Died
1996
Birthplace
Basel
Place of death
Metzerlen-Mariastein
Citizenship / historical state
Switzerland
Period (estimated from birth year)
Modern

Biography

August Wenzinger (14 November 1905 - 25 December 1996) was a prominent cellist, viol player, conductor, teacher, and music scholar from Basel, Switzerland. He was a pioneer of historically informed performance, both as a master of the viola da gamba and as a conductor of Baroque orchestral music and operas.

Wenzinger received his basic musical training at the Basel Conservatory, then went on to study cello with Paul Grümmer and music theory with Philipp Jarnach at the Hochschule für Musik in Cologne. He then took private cello lessons with Emanuel Feuermann in Berlin. Wenzinger served as first cellist in the Bremen City Orchestra (1929–1934) and the Basel Allgemeine Musikgesellschaft (1936–1970).

By 1925 Wenzinger had mastered the viola da gamba, an instrument then usually considered obsolete. He joined the Kabeler Kammermusik (Kabel Chamber Music), a circle of musicians interested in authentic Baroque performance, sponsored by paper manufacturer Hans Eberhard Hoesch in Hagen, Germany. In 1930 he and flautist Gustav Scheck also founded the Kammermusikkreis Scheck-Wenzinger (Scheck-Wenzinger Chamber Music Circle), considered the leading early music ensemble until the 1950s.

In 1933 Wenzinger assumed the leadership of the Kabeler Kammermusik, but the group was soon phased out under political pressure. Wenzinger moved to Basel the same year to accept an appointment to teach cello and viola da gamba at the newly founded Schola Cantorum Basiliensis.

Wenzinger was one of the first musicians to make recordings with the viola da gamba. In 1968, together with the noted Swiss viola da gamba player Hannelore Mueller, he founded the Schola Cantorum Basiliensis viola da gamba trio. He taught many acclaimed violists, including Jordi Savall, who succeeded him in 1974 as professor of viola da gamba, and Hannelore Mueller who succeeded him as professor of viola da gamba and baroque cello, at the Schola Cantorum Basiliensis. Wenzinger also taught at Harvard and Brandeis universities in the United States. In 1960 he received an honorary doctorate from the University of Basel.

Wenzinger was also an acclaimed conductor, and in 1949 he led a recording of the Brandenburg Concertos performed on original instruments for the Archiv record label. From 1954 to 1958 he led the Capella Coloniensis, the baroque orchestra of West German Radio in Cologne. In 1955 Wenzinger directed this orchestra in one of the first recordings of the opera L'Orfeo by Claudio Monteverdi. He led performances of Baroque operas at Herrenhausen in Hanover, Germany, from 1958 to 1966.

Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.

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Life and musical career

Occupations
conductor; music educator; cellist; editor; music arranger; viol player; composer; musician
Education
Hochschule für Musik und Tanz Köln
Teachers
Paul Grümmer; Emanuel Feuermann; Philip Jarnach
Career institutions / employers
Harvard University; Brandeis University
Instruments played
cello
VIAF ID
46948131
ISNI
0000000110262053
GND ID
102199612
Library of Congress ID
n82090940
MusicBrainz ID
90e0a9d4-b733-4e7b-8da4-995c5a543583

Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.

In this catalogue

Common listed instruments
Viola, Viola da gamba
Works with composition dates
0 of 20

These details describe the indexed sheet music, including arrangements.

Catalogue

Works

Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.

Works and available sheet music details
WorkYear composedCatalogue / opusKey in titleListed instrumentsGenreEditions
Die Molltonarten — —— —— 0
Der Bindebogen — —— —— 0
Vorubungen zur Haltung — —— —— 0
Die ersten Streichubungen — —— —— 0
Greifen und Streichen zusammen — —— —— 0
Das Spiel auf einer Saite — —— —— 0
Der Saitenwechsel. Das Spiel auf zwei Saiten — —— —— 0
Stricharten im Dreitakt — —— —— 0
Die A-Saite. Das Spiel auf drei Saiten — —— —— 0
Die Atempause — —— —— 0
Die D-Saite. Das Spiel auf vier Saiten — —— —— 0
Saitenwechsel und Stricharten — —— —— 0
Die Achtelnoten — —— —— 0
Das Spiel auf der G-Saite — —— —— 0
Die punktierte Viertelnote — —— —— 0
Das Spiel auf der tiefen D-Saite — —— —— 0
Die zweite Lage — —— —— 0
Die Ausgestaltung des Bogenstriches: Der Bogenwechsel / Schwing- und Schuttelbewegungen / Das "sprechende" Spiel — —— Viola da gamba, Viola— 0
Die Ausbildung der linken Hand:Die Ruckung der linken Hand vom ersten zum zweiten Bund / Zusammenziehen der linken Hand / Strecken der linken Hand — —— Viola da gamba, Viola— 0
Der Lagenwechsel: Allgemeine Regel / Neufassen einer Lage / Lagenwechsel durch Zusammenziehen und Strecken / Lagenwechsel durch Gleiten der Finger / Zusammengesetzter Lagenwechsel: Gleiten und Strecken / Gleiten und Zusammenziehen — —— Viola da gamba, Viola— 0

Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 46948131.