Composer
Carl Ruggles
American composer (1876-1971)
1876–1971
12 works in the index
- Born
- 1876
- Died
- 1971
- Birthplace
- Marion
- Place of death
- Bennington
- Citizenship / historical state
- United States
- Period (estimated from birth year)
- Modern
Biography
Carl Ruggles (born Charles Sprague Ruggles; March 11, 1876 – October 24, 1971) was an American composer, painter and teacher. His pieces employed "dissonant counterpoint", a term coined by fellow composer and musicologist Charles Seeger to describe Ruggles' music. His method of atonal counterpoint was based on a non-serial technique of avoiding repeating a pitch class until a generally fixed number of eight pitch classes intervened. He is considered a founder of the ultramodernist movement of American composers that included Henry Cowell and Ruth Crawford Seeger, among others. He had no formal musical education, yet was an extreme perfectionist—writing music at a painstakingly slow rate and leaving behind a very small output.
Famous for his prickly personality, Ruggles was nonetheless close friends with Cowell, Seeger, Edgard Varèse, Charles Ives, and the painter Thomas Hart Benton. His students include the experimental composers James Tenney and Merton Brown. Conductor Michael Tilson Thomas has championed Ruggles' music, recording the complete works with the Buffalo Philharmonic and occasionally performing Sun-Treader with the San Francisco Symphony. Especially later in life, Ruggles was also a prolific painter, selling hundreds of paintings during his lifetime.
Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.
Life and musical career
- Education
- Harvard University
- Recorded memberships
- American Academy of Arts and Letters
- Instruments played
- violin
- Genres
- classical music
- Languages used
- English
- VIAF ID
- 64197414
- ISNI
- 0000000081438231
- GND ID
- 119051818
- Library of Congress ID
- n84042582
- MusicBrainz ID
- b51be115-29c4-40f8-84bc-9b2b336cbfaf
Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.
In this catalogue
- Common listed instruments
- Piano, Flute
- Works with composition dates
- 0 of 12
These details describe the indexed sheet music, including arrangements.
Catalogue
Works
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Ii. Son Of Mine (Meltzer) [Text by C.H. Meltzer] | — | — | — | Flute | — | 3 |
| I | — | — | — | Piano | — | 1 |
| II | — | — | — | Piano | — | 1 |
| III | — | — | — | Piano | — | 1 |
| IV | — | — | — | Piano | — | 1 |
| I. Parting At Morning (Browning) [Text by Robert Browning] | — | — | — | Flute | — | 1 |
| Iii. A Clear Midnight (Whitman) [Text by Walt Whitman] | — | — | — | Flute | — | 1 |
| Evocations - I. Largo | — | — | — | Piano | — | 1 |
| Evocations - II. Andante con Fantasia | — | — | — | Piano | — | 1 |
| Evocations - III. Moderato Appassionato | — | — | — | Piano | — | 1 |
| Evocations - IV. Adagio Sostenuto | — | — | — | Piano | — | 1 |
| Angels | — | — | — | Piano | — | 1 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 64197414. Portrait: Unknown author Unknown author, Public domain, via Wikimedia Commons.