JustSheetMusic
Portrait of Francesco Suriano

Composer

Francesco Suriano

Italian composer of the Renaissance, born 1548 or 1549, died 29 July 1621 (1549–1621)

1549–1621

1 work in the index

Born
1549
Died
1621
Birthplace
Soriano nel Cimino
Place of death
Rome
Citizenship / historical state
Papal States
Period (estimated from birth year)
Renaissance

Biography

Francesco Soriano (1548 or 1549, in Soriano nel Cimino – 19 July 1621, in Rome) was an Italian composer of the Renaissance. He was one of the most skilled members of the Roman School in the first generation after Palestrina.

Soriano was born in Soriano, near Viterbo. He studied at the Basilica di San Giovanni in Laterano in Rome with several people including Palestrina, and became a priest in the 1570s. By 1580 he was maestro di cappella at S. Luigi dei Francesi, also in Rome. In 1581 he moved to Mantua, taking a position at the Gonzaga court there; but in 1586 he moved back to Rome where he spent the rest of his life working as choirmaster at three separate churches, including the Cappella Giulia at St. Peter's. He retired in 1620.

Soriano worked with Felice Anerio to revise the Roman Gradual in accordance with the needs of the Counter-Reformation; this work was left incomplete by Palestrina.

Stylistically, Soriano's music is much like Palestrina's, but shows some influence from the progressive trends prevalent around the turn of the century. He adopted the polychoral style, while retaining the smooth polyphonic treatment of Palestrina, and he had a liking for homophonic textures, which generally made it easier to understand the sung text.

He wrote masses, motets (some for eight voices), psalms (one collection, published in Venice in 1616, is for 12 voices and basso continuo), settings of the Passion according to each of the four gospels (Matthew, Mark, Luke, and John), Marian antiphons, and several books of madrigals. His Passion settings are significant predecessors of the more famous settings from the Baroque era, for instance, those by J.S. Bach; they are set in a restrained but dramatic style, with some attempt at characterization. In some ways they are a predecessor of the oratorio, mixing solo voice, chorus, and non-acted character roles, but in a style more related to Palestrina than to anything Baroque.

Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.

Source revision used for this excerpt

Life and musical career

Occupations
composer; musician
Teachers
Giovanni Pierluigi da Palestrina; Giovanni Maria Nanino
VIAF ID
197705
ISNI
000000008079594X
GND ID
101382243
Library of Congress ID
n87816287
MusicBrainz ID
f2b0d2e6-d777-4dad-aec4-173d56c1d410

Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.

In this catalogue

Common listed instruments
Alto, Tenor
Works with composition dates
0 of 1

These details describe the indexed sheet music, including arrangements.

Catalogue

Works

Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.

Works and available sheet music details
WorkYear composedCatalogue / opusKey in titleListed instrumentsGenreEditions
Regina Caeli — —— Tenor, Alto— 0

Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 197705. Portrait: Anonymous Unknown author, Public domain, via Wikimedia Commons.