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Portrait of George Frideric Handel

Composer

George Frideric Handel

1685–1759

5,874 works in the index

George Frideric Handel, born in Halle, grew up as the son of a barber-surgeon who wanted his boy to study law. Young Handel successfully rebelled, and by 1703 was playing violin and keyboard in Hamburg’s opera orchestra.

Handel spent four years it Italy (1706-1710), where he moved amidst the musical elite of the day – meeting Corelli, Scarlatti, and Pasquini – and received the nickname “il caro Sassone” (the dear Saxon). According to historian Paul Henry Lang, Handel learned more from Italy than its musicians alone could teach. He learned from the Renaissance paintings that there is a “disciplined passion [in] the resolution of powerful conflicts,” and his later music reflects the search for the auditory equivalent.

For much of his life, Handel lived as an Englishman, and his greatest works belong to those years, including the operas Orlando (1733) and Alcina (1735), both dramatizations of Ariosto’s Orlando Furioso, and the oratorios Messiah (1741) and Jeptha (1752).

Catalogue

Works page 114 of 123

Sonata In E Minor, Op. 1, No. 1a - HWV 379

George Frideric Handel

Sonata In E Minor, Op. 1, No. 1b - HWV 359b

George Frideric Handel

Sonata In G Minor, Op. 1, No. 2 - HWV 360

George Frideric Handel

Sonata In A Minor, Op. 1, No. 4 - HWV 362

George Frideric Handel

Sonata In G Major, Op. 1, No. 5 - HWV 363b

George Frideric Handel

Sonata In C Major, Op. 1, No. 7 - HWV 365

George Frideric Handel

Sonata In B Minor, Op. 1, No. 9 - HWV 367b

George Frideric Handel

Sonata In F Major, Op. 1, No. 11 - HWV 369

George Frideric Handel

Rejouissance, La from The Fireworks Music

George Frideric Handel

Water Music - Hornpipe #6

George Frideric Handel

Early version of single movements (appendix)

George Frideric Handel

Allegro in G Minor from Suite No. 7, HWV432

George Frideric Handel

Arrival of the Queen of Sheba, The from the Oratorio ÒSolomonÓ

George Frideric Handel

Scena I

George Frideric Handel

1. Aria: Vezzi, lusinghe

George Frideric Handel

Recitativo: Ami dunque, o Signora?

George Frideric Handel

Scena II

George Frideric Handel

Recitativo: Ginevra? Tanto ardire?

George Frideric Handel

2. Aria: Orrida agli occhi miei

George Frideric Handel

Scena III

George Frideric Handel

Recitativo: Orgogliosa beltade!

George Frideric Handel

3. Aria: Apri le luci

George Frideric Handel

Recitativo: Mie speranze, che fate?

George Frideric Handel

4. Aria: Coperta la frode

George Frideric Handel

5. Aria: Qui d'amo nel suo linguaggio

George Frideric Handel

Recitativo: T'amero dunque sempre

George Frideric Handel

6. Duetto: Prendi da questa mano

George Frideric Handel

Scena VI

George Frideric Handel

Recitativo: Non vi turbate

George Frideric Handel

7. Aria: Volate, amori

George Frideric Handel

Scena VII

George Frideric Handel

Recitativo: Vanne pronto, Odoardo

George Frideric Handel

8. Aria: Voli colla sua tromba

George Frideric Handel

Scena VIII

George Frideric Handel

Recitativo: Oh! felice mio core!

George Frideric Handel

9. Aria: Con l'ali di costanza

George Frideric Handel

Scena IX

George Frideric Handel

Recitativo: Conosco il merto tuo

George Frideric Handel

10. Aria: Spero per voi, si, si

George Frideric Handel

Scena X

George Frideric Handel

Recitativo: Dalinda, in occidente

George Frideric Handel

11. Aria: Del mio sol vezzosi rai

George Frideric Handel

Scena XI

George Frideric Handel

Recitativo: Ah! che quest'alma amante

George Frideric Handel

12. Il primo ardor

George Frideric Handel

Scena XII

George Frideric Handel

Recitativo: Pare, ovunque mi aggiri

George Frideric Handel

Scena XIII

George Frideric Handel