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Portrait of Michel Pignolet De Monteclair

Composer

Michel Pignolet De Monteclair

French composer

1667–1737

1 works and musical collections

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Born
1667
Died
1737
Birthplace
Andelot-Blancheville
Place of death
Domont
Citizenship / historical state
France
Period (estimated from birth year)
Baroque

Biography

Michel Pignolet de Montéclair (4 December 1667 – 22 September 1737) was a French composer of the baroque period.

He was born Michel Pignolet in Andelot, Champagne (province), France, and only later added "Montéclair" (the name of a fortress in his home town) to his name. Little is known of his life, and no official portraits exist. He was the son of a weaver; his entrance into the choir school at the age of nine may have been the only chance of escaping the poverty of a weaver's life. In 1687, he went to Paris and joined the orchestra of the Opera, where he played the basse de violon. In Paris he studied with Jean-Baptiste Moreau.

At some point between 1687 and the early years of the new century, he seems to have been maître de musique to the Prince de Vaudémont and to have followed him to Italy. It was probably from there that he brought the idea to add the double bass to the opera orchestra.

All the time Montéclair must have worked as a music teacher of high regard: among his pupils were the daughters of his colleague François Couperin. Montéclair's approach to teaching was fresh and almost modern. He published books on teaching music (e.g., in 1709), and around 1730 he published Recueil de brunettes, which contains vocal music adapted for flute. The collection was expressly intended as a pedagogical tool to teach French style, and for this reason the music is underlaid with the text. He opened a music shop in 1721, retired from teaching in 1735, and gave up his position in the opera orchestra shortly before his death. He died in Domont in 1737.

Montéclair was not greatly productive as a composer, but was an innovator in orchestration who had a significant influence on the development of the art form. His work was later taken up by Jean-Philippe Rameau. His specialty was using certain instruments to enhance the stage scene, e.g., letting horns play softly behind the stage to simulate a faraway hunt. Among his stage works are Festes de l'été and Jephté, which was considered difficult by contemporaries.

Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.

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Life and musical career

Occupations
composer
Teachers
Jean-Baptiste Moreau; Nicolas Goupillet
Instruments played
violin
Genres
opera
Movements
classical music; Baroque music
Languages used
French
VIAF ID
37103128
ISNI
0000000121283669
GND ID
121852989
Library of Congress ID
n82155099
MusicBrainz ID
f4a9ca9c-0a86-4d76-9217-687c6e490fef

Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.

In this catalogue

Source entries with composition dates
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These details describe the indexed sheet music, including arrangements.

Catalogue

Sheet music catalogue

Instruments describe listed editions, including arrangements. Composition dates and keys appear where recorded; collection pages show their individual contents.

Works and musical collections with sheet music details
Title Work details Listed instruments Sheet music
Ruisseaux, qui serpentez - G-Dur/G major See work details See edition details View sheet music Work & edition details

Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 37103128.