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Portrait of Thomas Baltzar

Composer

Thomas Baltzar

German violinist and composer

1630–1663

1 work in the index

Born
1630
Died
1663
Birthplace
Lübeck
Place of death
London
Citizenship / historical state
Germany
Period (estimated from birth year)
Baroque

Biography

Thomas Baltzar (c. 1630 – 24 July 1663) was a German violinist and composer. He was born in Lübeck to a musical family; his father, grandfather, and great-grandfather were all musicians. Sources suggest an array of music teachers who may have taught him in his early years. According to the writings of Samuel Hartlib, composer and violinist Johann Schop was one of those instructors. Baltzar may have studied the violin with Gregor Zuber and composition with Franz Tunder. He may have also received instruction from composer and violinist Nicolaus Bleyer, who taught Baltzar's younger brother.

Through contacts at Germany's embassy in Sweden (where, by 1653, Baltzar was employed), he may have come in contact with English musicians accompanying Bulstrode Whitelocke's mission to Queen Christina. This possible encounter may have been the impetus for Baltzar's decision to emigrate to England in 1655, leaving behind his newly attained position of Ratslutenist of Lübeck (he had returned briefly to his home city, probably shortly after Christina's abdication in June 1654). Hartlib's writings indicate that the Swedish ambassador to England, Christer Bonde, took in Baltzar.

Baltzar's arrival in England was met with acclaim. On 4 March 1656 he performed the violin at the residence of Roger L'Estrange, where John Evelyn was in attendance. Evelyn wrote in his Diary that night:

This night I was invited by Mr. Rog: L'Estrange to heare the incomperable Lubicer on the Violin, his variety upon a few notes & plaine ground with that wonderfull dexterity, as was admirable, & though a very young man, yet so perfect & skillful as there was nothing so crosse & perplext, which being by our Artists, brought to him, which he did not at first sight, with ravishing sweetenesse & improvements, play off, to the astonishment of our best Masters: In Summ, he plaid on that single Instrument a full Consort, so as the rest, flung-downe their Instruments, as acknowledging a victory.

In September 1656, Baltzar was listed as one of the musicians who helped premiere The Siege of Rhodes in London, thought to have been the first all-sung English opera. Two years later, according to Anthony Wood, he was employed as a private musician for Sir Anthony Cope at Hanwell House in Banbury. Wood, who had heard Baltzar play at a performance in Warden John Wilkins's lodgings at Wadham College, Oxford, described his "very great astonishment" at the German's skill. "[I] saw him run his fingers to the end of the finger-board of the violin, and run them back insensibly," he wrote, "and all with alacrity and in very good tune, which [I] nor any in England saw the like before." Also in attendance was John Wilson, a professor of music at the University of Oxford, who, according to Wood, bowed at Baltzar's feet after the performance. However, Wood also observed of Baltzar that "he was given to excessive drinking."

Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.

Source revision used for this excerpt

Life and musical career

Occupations
composer; violinist; musician
Instruments played
violin
Genres
Baroque music
Movements
Baroque music
Languages used
German
VIAF ID
48273725
ISNI
0000000078830312
GND ID
136259928
Library of Congress ID
n87113471
MusicBrainz ID
b1543aac-9332-451b-9d88-f083db8f61c5

Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.

In this catalogue

Common listed instruments
violin
Works with composition dates
0 of 1

These details describe the indexed sheet music, including arrangements.

Catalogue

Works

Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.

Works and available sheet music details
WorkYear composedCatalogue / opusKey in titleListed instrumentsGenreEditions
A Prelude for the Violin — —— violin— 1

Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 48273725.