Composer
Thomas Baltzar
German violinist and composer
1630–1663
1 work in the index
- Born
- 1630
- Died
- 1663
- Birthplace
- Lübeck
- Place of death
- London
- Citizenship / historical state
- Germany
- Period (estimated from birth year)
- Baroque
Biography
Thomas Baltzar (c. 1630 – 24 July 1663) was a German violinist and composer. He was born in Lübeck to a musical family; his father, grandfather, and great-grandfather were all musicians. Sources suggest an array of music teachers who may have taught him in his early years. According to the writings of Samuel Hartlib, composer and violinist Johann Schop was one of those instructors. Baltzar may have studied the violin with Gregor Zuber and composition with Franz Tunder. He may have also received instruction from composer and violinist Nicolaus Bleyer, who taught Baltzar's younger brother.
Through contacts at Germany's embassy in Sweden (where, by 1653, Baltzar was employed), he may have come in contact with English musicians accompanying Bulstrode Whitelocke's mission to Queen Christina. This possible encounter may have been the impetus for Baltzar's decision to emigrate to England in 1655, leaving behind his newly attained position of Ratslutenist of Lübeck (he had returned briefly to his home city, probably shortly after Christina's abdication in June 1654). Hartlib's writings indicate that the Swedish ambassador to England, Christer Bonde, took in Baltzar.
Baltzar's arrival in England was met with acclaim. On 4 March 1656 he performed the violin at the residence of Roger L'Estrange, where John Evelyn was in attendance. Evelyn wrote in his Diary that night:
This night I was invited by Mr. Rog: L'Estrange to heare the incomperable Lubicer on the Violin, his variety upon a few notes & plaine ground with that wonderfull dexterity, as was admirable, & though a very young man, yet so perfect & skillful as there was nothing so crosse & perplext, which being by our Artists, brought to him, which he did not at first sight, with ravishing sweetenesse & improvements, play off, to the astonishment of our best Masters: In Summ, he plaid on that single Instrument a full Consort, so as the rest, flung-downe their Instruments, as acknowledging a victory.
In September 1656, Baltzar was listed as one of the musicians who helped premiere The Siege of Rhodes in London, thought to have been the first all-sung English opera. Two years later, according to Anthony Wood, he was employed as a private musician for Sir Anthony Cope at Hanwell House in Banbury. Wood, who had heard Baltzar play at a performance in Warden John Wilkins's lodgings at Wadham College, Oxford, described his "very great astonishment" at the German's skill. "[I] saw him run his fingers to the end of the finger-board of the violin, and run them back insensibly," he wrote, "and all with alacrity and in very good tune, which [I] nor any in England saw the like before." Also in attendance was John Wilson, a professor of music at the University of Oxford, who, according to Wood, bowed at Baltzar's feet after the performance. However, Wood also observed of Baltzar that "he was given to excessive drinking."
Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.
Life and musical career
- Instruments played
- violin
- Genres
- Baroque music
- Movements
- Baroque music
- Languages used
- German
- VIAF ID
- 48273725
- ISNI
- 0000000078830312
- GND ID
- 136259928
- Library of Congress ID
- n87113471
- MusicBrainz ID
- b1543aac-9332-451b-9d88-f083db8f61c5
Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.
In this catalogue
- Common listed instruments
- violin
- Works with composition dates
- 0 of 1
These details describe the indexed sheet music, including arrangements.
Catalogue
Works
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| A Prelude for the Violin | — | — | — | violin | — | 1 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 48273725.