Composer
William Cole
English conductor, composer and organist (1909-1997)
1909–1997
18 works in the index
- Born
- 1909
- Died
- 1997
- Birthplace
- Camberwell
- Citizenship / historical state
- United Kingdom; United Kingdom of Great Britain and Ireland
- Period (estimated from birth year)
- Modern
Biography
William Charles Cole LVO, DMus, FSA, FRAM, FRCM, FRCO (9 October 1909 in Camberwell, London – 9 May 1997) was an English conductor, composer and organist.
Cole went to Saint Olave's Grammar School, where he in fact almost lost his scholarship there because 'his music was getting in the way of his studies'. He also studied at the Royal Academy of Music in London, where he won the Stewart Macpherson Prize in 1933. His appointment in 1930 as organist at St Martin's Church, Dorking and music master at Dorking County School a year later, led to his conducting local choirs at the neighbouring Leith Hill Musical Festival, founded by Ralph Vaughan Williams. The two became close friends and Vaughan Williams played the organ at Cole's first marriage in 1933.
The war years were spent at the Air Ministry, though he continued his choral conducting in his spare time, and in 1945 he succeeded to the Chair of Harmony and Composition at the Royal Academy of Music where he remained until 1962. While there, he directed the People's Palace Choral Society from 1947 to 1963 and succeeded Vaughan Williams as conductor of the Leith Hill Festival in 1954. By this time, Cole was an authority on the composer's music, having worked with him since pre-war days and been his assistant since 1947 - conducting the works that were not to Vaughan Williams' liking - and for the next twenty-three years the Festival went from strength to strength under Cole's leadership. He will, however, be best remembered in musical circles for his work as Master of the Music at the Queen's Chapel of the Savoy from 1954 to 1994; during forty years of sustained work he trained the Savoy choir (the choirboys are also provided by Saint Olave's Grammar School) and composed many pieces for them - a Te Deum, Lord's Prayer and State Prayers (of which copies still exist in his handwriting), not to mention 'A Prelude on While Shepherd's Watched' for organ. He also gave an annual Bach organ recital, and this recital, along with two others, continues at the Savoy every summer.
Outside of music, Cole's main interest was stained glass, and largely as a result of his expertise in this field he was elected a Fellow of the Society of Antiquaries (FSA) in 1979. In 1993 he published a book entitled A Catalogue of Netherlandish and North European Roundels in Britain.
Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.
Life and musical career
- Occupations
- conductor; composer; organist; art historian; music educator
- Education
- Royal Academy of Music
- Career institutions / employers
- Royal Academy of Music
- Recorded memberships
- Society of Antiquaries of London
- Instruments played
- organ
- Genres
- classical music
- Languages used
- English
- VIAF ID
- 7478450
- ISNI
- 0000000079822509
- GND ID
- 1178829413
- Library of Congress ID
- no91030753
Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.
In this catalogue
- Works with composition dates
- 0 of 18
These details describe the indexed sheet music, including arrangements.
Catalogue
Works
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Chapter 1 - Introduction | — | — | — | — | — | 1 |
| Chapter 2 - Phrase And Cadence | — | — | — | — | — | 1 |
| Chapter 3 - Simple Binary And Ternary Forms | — | — | — | — | — | 1 |
| Chapter 4 - Ternary Form And Its Simple Extensions - Rondo Form | — | — | — | — | — | 1 |
| Chpater 5 - Sonata Form | — | — | — | — | — | 1 |
| Chapter 6 - Varied Types Of Sonata Form | — | — | — | — | — | 1 |
| Chpater 7 - The Complete Sonata | — | — | — | — | — | 1 |
| Chapter 8 - The Concerto | — | — | — | — | — | 1 |
| Chapter 9 - The Overture | — | — | — | — | — | 1 |
| Chapter 10 - The Suite | — | — | — | — | — | 1 |
| Chapter 11 - The Early Sonata | — | — | — | — | — | 1 |
| Chapter 12 - The Early Contrapuntal Forms | — | — | — | — | — | 1 |
| Chapter 13 - Fugue | — | — | — | — | — | 1 |
| Chapter 14 - Air With Variations | — | — | — | — | — | 1 |
| Chapter 15 - Later Trends | — | — | — | — | — | 1 |
| Index Of References To The Historical Anthology Of Music | — | — | — | — | — | 1 |
| Index Of Composers And Compositions | — | — | — | — | — | 1 |
| Index Of Music Examples | — | — | — | — | — | 1 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 7478450.