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Portrait of William Sterndale Bennett

Composer

William Sterndale Bennett

British musician (1816-75)

1816–1875

14 works and musical collections

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Born
1816
Died
1875
Birthplace
Sheffield
Place of death
Greater London
Citizenship / historical state
United Kingdom of Great Britain and Ireland
Period (estimated from birth year)
Romantic

Biography

Sir William Sterndale Bennett (13 April 1816 – 1 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was admitted to the London Royal Academy of Music (RAM), where he remained for ten years. By the age of twenty, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for his compositions. Bennett spent three winters composing and performing in Leipzig.

In 1837 Bennett began to teach at the RAM, with which he was associated for most of the rest of his life. For twenty years he taught there, later also teaching at Queen's College, London. Among his pupils during this period were Arthur Sullivan, Hubert Parry, and Tobias Matthay. Throughout the 1840s and 1850s he composed little, although he performed as a pianist and directed the Philharmonic Society for ten years. He also actively promoted concerts of chamber music. From 1848 onward, his career was punctuated by antagonism between himself and the conductor Michael Costa.

In 1858, Bennett returned to composition, but his later works, though popular, were considered old-fashioned and did not arouse as much critical enthusiasm as his youthful compositions had done. He was Professor of Music at the University of Cambridge from 1856 until 1875. In 1866 he became Principal of the RAM, rescuing it from closure, and remained in this position until his death. He was knighted in 1871. He died in London in 1875 and was buried in Westminster Abbey.

Bennett had a significant influence on English music, not solely as a composer but also as a teacher, as a promoter of standards of musical education and as an important figure in London concert life. In recent years, appreciation of Bennett's compositions has been rekindled and a number of his works, including a symphony, his piano concerti, some vocal music and many of his piano compositions, have been recorded. In his bicentenary year of 2016, several concerts of his music and other related events took place.

Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.

Source revision used for this excerpt

Life and musical career

Occupations
composer; music educator; university teacher; conductor; pianist; organist
Education
Royal Academy of Music; St John's College; King's College School
Teachers
William Henry Holmes; Cipriani Potter; William Crotch
Career institutions / employers
Royal Academy of Music; University of Cambridge
Instruments played
piano
Genres
opera
Awards
Royal Philharmonic Society Gold Medal; Knight Bachelor
Languages used
English
VIAF ID
34720795
ISNI
0000000110247291
GND ID
119404532
Library of Congress ID
n79072702
MusicBrainz ID
4844cd51-00c4-4609-bec4-fb89b6d9693c

Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.

In this catalogue

Common listed instruments
Piano, Recorder, Voice
Source entries with composition dates
9

These details describe the indexed sheet music, including arrangements.

Catalogue

Sheet music catalogue

Instruments describe listed editions, including arrangements. Composition dates and keys appear where recorded; collection pages show their individual contents.

Works and musical collections with sheet music details
Title Work details Listed instruments Sheet music
Piano Sonata in F minor Op.13
Catalogue / opus
Op.13
Year composed
1836-37
Key in title
F minor
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Sestett, Op.8
Catalogue / opus
Op.8
  • Piano
View sheet music Work & edition details
3 Musical Sketches, Op.10
Catalogue / opus
Op.10
Year composed
1835-36
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2 Etudes, Op.29
Catalogue / opus
Op.29
Year composed
1841
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Piano Sonata in A flat Major "The Maid of Orleans"
Year composed
1869 ca.
Key in title
A-flat major
See edition details View sheet music Work & edition details
3 Pieces for Piano, Op.28
Catalogue / opus
Op.28
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Rondo 'Pas triste, pas gai', Op.34
Catalogue / opus
Op.34
Year composed
1854
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Sonata Duo for Piano and Cello, Op.32
Catalogue / opus
Op.32
Year composed
1852
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Toccata, Op.38
Catalogue / opus
Op.38
  • Piano
View sheet music Work & edition details
Rondeau à la Polonaise, Op.37
Catalogue / opus
Op.37
Year composed
1857
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Rondo piacevole, Op.25
Catalogue / opus
Op.25
Year composed
1842
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Geneviève, Romance for Piano
Year composed
1839
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Come Live With Me See work details
  • Recorder
View sheet music Work & edition details
His Salvation Is Nigh That Fear Him See work details
  • Voice
View sheet music Work & edition details

Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 34720795. Portrait: Thomas Oldham Barlow / After John Everett Millais, Public domain, via Wikimedia Commons.