Composer
William Sterndale Bennett
British musician (1816-75)
1816–1875
14 works and musical collections
- Born
- 1816
- Died
- 1875
- Birthplace
- Sheffield
- Place of death
- Greater London
- Citizenship / historical state
- United Kingdom of Great Britain and Ireland
- Period (estimated from birth year)
- Romantic
Biography
Sir William Sterndale Bennett (13 April 1816 – 1 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was admitted to the London Royal Academy of Music (RAM), where he remained for ten years. By the age of twenty, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for his compositions. Bennett spent three winters composing and performing in Leipzig.
In 1837 Bennett began to teach at the RAM, with which he was associated for most of the rest of his life. For twenty years he taught there, later also teaching at Queen's College, London. Among his pupils during this period were Arthur Sullivan, Hubert Parry, and Tobias Matthay. Throughout the 1840s and 1850s he composed little, although he performed as a pianist and directed the Philharmonic Society for ten years. He also actively promoted concerts of chamber music. From 1848 onward, his career was punctuated by antagonism between himself and the conductor Michael Costa.
In 1858, Bennett returned to composition, but his later works, though popular, were considered old-fashioned and did not arouse as much critical enthusiasm as his youthful compositions had done. He was Professor of Music at the University of Cambridge from 1856 until 1875. In 1866 he became Principal of the RAM, rescuing it from closure, and remained in this position until his death. He was knighted in 1871. He died in London in 1875 and was buried in Westminster Abbey.
Bennett had a significant influence on English music, not solely as a composer but also as a teacher, as a promoter of standards of musical education and as an important figure in London concert life. In recent years, appreciation of Bennett's compositions has been rekindled and a number of his works, including a symphony, his piano concerti, some vocal music and many of his piano compositions, have been recorded. In his bicentenary year of 2016, several concerts of his music and other related events took place.
Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.
Life and musical career
- Occupations
- composer; music educator; university teacher; conductor; pianist; organist
- Career institutions / employers
- Royal Academy of Music; University of Cambridge
- Instruments played
- piano
- Genres
- opera
- Languages used
- English
- VIAF ID
- 34720795
- ISNI
- 0000000110247291
- GND ID
- 119404532
- Library of Congress ID
- n79072702
- MusicBrainz ID
- 4844cd51-00c4-4609-bec4-fb89b6d9693c
Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.
In this catalogue
- Common listed instruments
- Piano, Recorder, Voice
- Source entries with composition dates
- 9
These details describe the indexed sheet music, including arrangements.
Catalogue
Sheet music catalogue
Instruments describe listed editions, including arrangements. Composition dates and keys appear where recorded; collection pages show their individual contents.
| Title | Work details | Listed instruments | Sheet music |
|---|---|---|---|
| Piano Sonata in F minor Op.13 |
| See edition details | View sheet music |
| Sestett, Op.8 |
|
| View sheet music |
| 3 Musical Sketches, Op.10 |
| See edition details | View sheet music |
| 2 Etudes, Op.29 |
| See edition details | View sheet music |
| Piano Sonata in A flat Major "The Maid of Orleans" |
| See edition details | View sheet music |
| 3 Pieces for Piano, Op.28 |
| See edition details | View sheet music |
| Rondo 'Pas triste, pas gai', Op.34 |
| See edition details | View sheet music |
| Sonata Duo for Piano and Cello, Op.32 |
| See edition details | View sheet music |
| Toccata, Op.38 |
|
| View sheet music |
| Rondeau à la Polonaise, Op.37 |
| See edition details | View sheet music |
| Rondo piacevole, Op.25 |
| See edition details | View sheet music |
| Geneviève, Romance for Piano |
| See edition details | View sheet music |
| Come Live With Me | See work details |
| View sheet music |
| His Salvation Is Nigh That Fear Him | See work details |
| View sheet music |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 34720795. Portrait: Thomas Oldham Barlow / After John Everett Millais, Public domain, via Wikimedia Commons.