Composer
Wolfgang Amadeus Mozart
1756–1791
11,841 works in the index
- Era
- Classical
- Nationality
- Prince-Archbishopric of Salzburg
- Born in
- Salzburg
Mozart wrote across every form available to him in a career of barely thirty years, and the catalogue reflects it: symphonies, concerti, opera, chamber music, sacred works and a body of keyboard music that has been the backbone of piano teaching ever since.
The sonatas are where most players start, and they are harder than they look — the writing is thin enough that every note is exposed and nothing can be hidden behind pedal. K.545 is the famous "easy" one and is still a genuine test of evenness. Singers come to him through the operas; the concert arias are unfairly neglected and often more approachable.
Works are identified by K. numbers, from Köchel's catalogue, which has been revised repeatedly — you will meet the same piece under more than one number in older editions. Where a listing gives a K. number, that is the most reliable way to confirm you are buying the piece you meant.
Catalogue
Works page 222 of 247
Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto
Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik"
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": IV. Adagio
Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro)
Die Zauberflöte, K. 620: Act I, Scene I. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
Exsultate, jubilate, KV 165/158a
Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. "Laudate dominum"
Klavierfantasie in d-Moll, KV 397
La clemenza di Tito, K. 621: Ouverture
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te"
Concerto for Piano no. 20 in D minor, K. 466
Rondo for Piano in D major, K. 485. Allegro
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis"
Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino)
Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca"
Sonata for Piano no. 16 in C major, K. 545 "Sonata semplice"
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est"
Requièm Mass in D minor K. 626: IV. Offertorium: a. "Domine Jesu Christie" (choir with solo quartet)
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
Konzertrondo für Klavier und Orchester D-Dur, KV 382
12 Variations on French Traditional: "Ah, vous dirai-je, Maman" for Piano in C major, K. 300e/265
Rondo for Piano no. 3 in A minor, K. 511: Andante
Symphony no. 29 for Orchestra in A major, K. 186a / 201
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus"
Symphony no. 41 for Orchestra in C major, K. 551 "Jupiter"
Fugue for Piano G minor, K. 375e/401 (fragment)
Der Schauspieldirektor, K. 486: Ouverture
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu"
Die Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Coro, Pamina, Papageno)
Requièm Mass in D minor K. 626: III. Sequentia: a. "Dies irae" (choir)
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina)
Requièm Mass in D minor K. 626: III. Sequentia: c. "Rex tremendae makestatis" (choir)
Requièm Mass in D minor K. 626: III. Sequentia: e. "Confutatis maledictis" (choir)
Requièm Mass in D minor K. 626: III. Sequentia: b. "Tuba mirum" (soprano, contralto, tenor, bass solo)
Requièm Mass in D minor K. 626: III. Sequentia: d. "Recordare, Jesu pie" (soprano, contralto, tenor, bass solo)
Requièm Mass in D minor K. 626: IV. Offertorium: b. "Versus: Hostias et preces" (choir)
Die Entführung aus dem Serail, K. 384: Ouvertüre
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2]
Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great": I. Kyrie
Adagio for Piano in B minor, K. 540
Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
Exsultate, jubilate, KV 165/158a: I. Exsultate, jubilate
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great": V. Benedictus
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum"
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus"
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi"
Dates, era and nationality from Wikidata, matched on name and verified against any dates already held here. The biography above is our own. Portrait: Barbara Krafft, Public domain, via Wikimedia Commons.