JustSheetMusic

Collection

Classical Guitar Pedagogy

102 pieces in this collection.

  1. Accuracy in Fast Passages
  2. Additional Exercises
  3. Advanced Bar Techniques (Hinge Bar and Split Bar)
  4. Afterword to Book I
  5. Alternation
  6. Appagado
  7. Appendix I: Troubleshooting Checklist for Teachers
  8. Appendix II: Sample 16-Week Lesson Outline
  9. Appendix III: Suggested Methods, Studies and Pieces
  10. Appendix IV: Suggested Magazines
  11. Appendix V: Selected Research Source Materials
  12. Arpeggiating Chords
  13. Arpeggios (Individual Full Plant, Full Plant, Sequential Plant and Free Arpeggio techniques)
  14. Articulation
  15. Author's Biography
  16. Bars
  17. BOOK I: PRINCIPLES OF TECHNIQUE
  18. BOOK II: PRINCIPLES OF PEDAGOGY
  19. BOOK III: MUSICIANSHIP
  20. Cadential Arpeggiation
  21. Chapter Eight - The Teacher
  22. Chapter Eighteen - Mental Control Over the Sound
  23. Chapter Eleven - Additional Subjects for Advanced Students
  24. Chapter Fifteen - Arranging a Private Studio
  25. Chapter Five - The Right Hand
  26. Chapter Four - The Left Hand
  27. Chapter Fourteen - Teaching Children
  28. Chapter Nine - Practicing
  29. Chapter Nineteen - Phrasing: "The Strong-Weak Maxim"
  30. Chapter One - Sitting
  31. Chapter Seven - The Right and Left Hands
  32. Chapter Seventeen - Physical Control Over the Sound
  33. Chapter Six - The Left Hand
  34. Chapter Sixteen - The Middle-Man - An Introduction to Aesthetics
  35. Chapter Ten - Additional Subjects for Intermediate Students
  36. Chapter Thirteen - On Stage
  37. Chapter Three - The Right Hand
  38. Chapter Twelve - Performing
  39. Chapter Twenty - Schenker Analysis for Interpretation
  40. Chapter Twenty-One - Temporal Modes in Music
  41. Chapter Two - Anatomical Function of the Hands
  42. Coaching
  43. Developing Speed (Right and Left Hand Speed Development)
  44. Dynamics
  45. Epilogue
  46. Exercises - "The Basic Seven"
  47. Finger Movement
  48. General Anatomical Terms
  49. General Warning About Injuries
  50. Guitar-related Injuries
  51. Harmonics (Natural and Artificial)
  52. Introduction
  53. Introduction to Book I
  54. Introduction to Book II
  55. Introduction to Book III
  56. Left Hand Fingering - "The Fourth-Finger Approach"
  57. Left Hand Split Trills
  58. Media
  59. Mental Dynamics
  60. Mental Orchestration
  61. Mental Practicing
  62. Movement of the Left Hand Fingers
  63. Moving Exercise
  64. Nails vs. Flesh
  65. Phrasing
  66. Playing with the Flesh
  67. Position and Movement of the Right Hand (Closed and Open Techniques)
  68. Position and Movement of the Right Hand (Closed and Open Techniques)
  69. Position and Movement of the Thumb
  70. Position of the Arms
  71. Position of the Instrument
  72. Position of the Left Hand (Turned Hand and Flat Hand Positions)
  73. Position of the Left Hand (Turned Hand and Flat Hand Positions)
  74. Position of the Legs
  75. Position of the Wrist
  76. Practicing
  77. Practicing for Performances
  78. Preface
  79. Publishing Credits
  80. Pulsing
  81. Releasing Exercise
  82. Rest Stroke Melodies in Arpeggios
  83. Rhythmic Variants of "The Basic Seven"
  84. Right Hand Cross Alternation
  85. Right Hand Fingering
  86. Right Hand String Crossing with P
  87. Scales
  88. Scratching Exercise
  89. Shape of the Nails
  90. Singing
  91. Stage Etiquette
  92. Stage Fright
  93. Stage Presence
  94. Subito Piano Slurs
  95. Tamboura
  96. Teaching (Research, Reading, and Memorization)
  97. The Art
  98. The Artist
  99. The Left Hand
  100. The Thumb