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Guitar Atlas: Complete, Volume 1

159 pieces in this collection.

  1. * Appendix 1 - Alternate Tuning Guide
  2. * Appendix 2 - Accompaniment Style
  3. * Appendix: Middle Eastern Tonal Systems
  4. * Chapter 1 - Fundamentals
  5. * Chapter 1 - Getting Started
  6. * Chapter 1 - Introduction
  7. * Chapter 1 - Introduction to Traditional Italian Music
  8. * Chapter 1 - Palm Wine Pickers
  9. * Chapter 2 - Folk Music of India
  10. * Chapter 2 - Highlife and Juju
  11. * Chapter 2 - Northern Music
  12. * Chapter 2 - Styles Based on One-Bar Rhythms
  13. * Chapter 2 - The Maqam Phenomena
  14. * Chapter 3 - Arranging for Brazilian Guitar
  15. * Chapter 3 - Central Music
  16. * Chapter 3 - Congolese, Rumba, and Soukous
  17. * Chapter 3 - Devotional Music in India
  18. * Chapter 3 - Wasn Rhythm
  19. * Chapter 4 - Baiao
  20. * Chapter 4 - Hindustani Music - The Classical Music of North India
  21. * Chapter 4 - Music of the Manding Griots
  22. * Chapter 4 - Musical Forms and Styles
  23. * Chapter 4 - Southern Music
  24. * Chapter 5 - Malian Blues
  25. * Chapter 5 - Modern Middle Eastern Styles
  26. * Chapter 5 - Samba: the Two-Bar Pattern
  27. * Chapter 5 - Sicilian and Sardinian Music
  28. * Chapter 6 - Bossa Nova
  29. * Chapter 6 - Popular Italian Standards
  30. * Chapter 6 - Shamisen Music of Kabuki Theater
  31. * Chapter 6 - South African Pickers and Strummers
  32. * Chapter 7 - Zimbabwe Rumba
  33. * Chapter 8 - Zimbabwe Mbira
  34. * Chapter 9 - Miracles of Madagascar
  35. * Final Word
  36. * Pronunciation Guide
  37. 2:30 AM
  38. A Brief History
  39. About the Drone
  40. About this Book
  41. Acknowledgements
  42. Afoxe and Pandeiro Samba
  43. Africa
  44. Alternate Guitar Tunings Used in This Book
  45. Appendix
  46. Bagpipe Piece from Calabria
  47. Ballo Tondo (Round Dance)
  48. Basic Belly Dance Rhythms
  49. Bella Ciao
  50. Belly Dance Excerpt
  51. Binzasara
  52. Brazil
  53. Bring Out the Melody
  54. Cade l'uliva (The Olive Falls)
  55. Cafe Shohor 9
  56. Central Italy
  57. Chapter 1 - Brief History of Japanese Music
  58. Chapter 2 - Traditional Instruments of Japan
  59. Chapter 3 - Traditional Scales and Modes
  60. Chapter 4 - Folk Music (Minyo)
  61. Chapter 5 - Classical Music of Okinawa
  62. Chapter 7 - Koto Music (Sokyoku)
  63. Chol Mini Assam Jabo (Come Let Us Go to Assam)
  64. Choro
  65. Choro - Tio Leonel
  66. Classification of Ragas
  67. Conca d'Oro (Valley of Gold)
  68. Conclusion
  69. Dadra
  70. Dafne's Dilemma
  71. Etude of O Violao de Sete Cordas
  72. Folksong from Rajasthan
  73. Form of a Raga
  74. Frascalittata
  75. Geography: Four Regions
  76. Guitar Fingerings
  77. Harmonic Major/Harmonic Minor Modulation
  78. History
  79. How the Maqamat Are Created (Tetrachords)
  80. India
  81. Indian Music Appreciation 101
  82. Italy
  83. Japan
  84. Juju Music
  85. La Ricciola (The Curly Haired Girl)
  86. La Ricciola (The Curly Haired Girl): Harmony
  87. La Ricciola (The Curly Haired Girl): Melody
  88. Lipa Ma Marica (My Beautiful Maria)
  89. Maqam Playable by the Guitar
  90. Maqsum Belly Dance
  91. Maxixe Etude
  92. Midare (Disorder)
  93. Middle East
  94. Minor Pentatonic Duets
  95. Morrocan 6
  96. Musical Diversity of the Four Regions
  97. Northern Italy
  98. Nosso Encontro
  99. Notation
  100. Om Jai Jagdish Hare (Praise be The Almighty)