Composer
Carl Maria von Weber
German Romantic composer (1786–1826)
1786–1826
440 works in the index
- Born
- 1786
- Died
- 1826
- Birthplace
- Eutin
- Citizenship / historical state
- Prince-Bishopric of Lübeck
- Period (estimated from birth year)
- Romantic
Biography
Carl Maria von Weber — German Romantic composer (1786–1826). Carl Maria von Weber was born in 1786 in Eutin. The recorded year of death is 1826. The biographical record lists citizenship or historical state as Prince-Bishopric of Lübeck.
In this catalogue
- Common listed instruments
- Piano, Clarinet, Flute, harpsichord, violin
- Genres represented
- Classical, Pop, Rock
- Works with composition dates
- 44 of 440
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 1 of 10
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Invitation to the dance, Op.65 | 1819IMSLP | Op.65 | — | Piano, Organ, Cello, Flute, Oboe, violin, Voice, Bassoon, Double Bass, Horn, Clarinet, Trombone, Trumpet, percuss | Classical | 21 |
| Der Freischütz: Akt III. Jägerchor "Was gleicht wohl auf Erden dem Jägervergnügen?" | — | — | — | Piano, Cello, violin, Orchestra, Horn, Tuba, Saxophone, Viola | Classical | 16 |
| Hunting Chorus (From "Der Freischutz") | — | — | — | violin, Trumpet | Classical | 14 |
| Invitation To The Dance, Rondeau Brillant, Op.65 | — | Op.65 | — | Piano | Classical | 8 |
| Song Of The Mermaids (Oberon) | — | — | — | Piano | Classical | 10 |
| Leise, leise, fromme Weise | — | — | — | Flute | Classical | 10 |
| Adagio | 1809IMSLP | — | — | Piano, Bassoon, Horn, Clarinet | Classical | 7 |
| Grand Duo Concertant | 1816Wikidata | — | — | Piano, Clarinet | Classical | 11 |
| Der Freischütz, Op.77 | 1817–21IMSLP | Op.77 | — | Piano, Orchestra | Classical | 7 |
| Momento Capriccioso, Op. 12 | — | Op. 12 | — | Piano | — | 6 |
| Moderato op. 10 Nr. 1 | — | op. 10 Nr. 1 | — | Piano | Classical | 8 |
| Sonata ll | — | — | — | violin | Classical | 8 |
| Grande polonaise | 1808IMSLP | — | — | Piano | Classical | 6 |
| Polacca brillante, Op.72 | 1819/08/25IMSLP | Op.72 | — | Piano | Classical | 7 |
| Weber: Variations on a Gipsy Song C major op. 55 | — | op. 55 | — | harpsichord | Classical | 7 |
| Concertino | — | — | — | Piano, Clarinet | Classical | 4 |
| Sonatine Op.3 No.1 | — | Op.3 No.1 | — | Piano | Classical | 8 |
| Theme and Variation | 1811IMSLP | — | — | Piano | Classical | 5 |
| Home on the Range | — | — | — | Clarinet | Classical | 6 |
| Menuetto | — | — | — | Cello, violin, Viola | Classical | 7 |
| Theme and Variations, op. 33: Theme | — | op. 33 | — | — | Classical | 5 |
| Bassoon Concerto in F, Op.75 | 1811 (November), revised 1822IMSLP | Op.75 | — | — | Classical | 5 |
| Piano Concerto No.2, Op.32 | 1811–12IMSLP | Op.32 | — | — | Classical | 6 |
| Invitation to the Dance (Rondeau Brillant): Op. 6 | — | Op. 6 | — | — | — | 5 |
| Der Freischutz Overture | — | — | — | Piano, Cello, Flute, Oboe, violin, Bassoon, Double Bass, Horn, Clarinet, Trombone, Trumpet, percussion | Classical | 5 |
| Oberon Overture | — | — | — | Piano, Cello, Flute, Oboe, violin, Bassoon, Double Bass, Horn, Clarinet, Trombone, Timpani, Trumpet, percussion | Classical | 6 |
| Sonatine op. 3 Nr. 1 | — | op. 3 Nr. 1 | — | Piano | Classical | 6 |
| Clarinet Concerto No. 3 in B-flat major | — | — | B-flat major | Clarinet | Classical | 6 |
| Overture to Oberon | — | — | — | violin | Classical | 8 |
| Then Does Mem'ry Turn To Days from Harvest Cantata | — | — | — | — | — | 6 |
| Waltz | — | — | — | Piano, Cello, violin, Viola | Classical | 7 |
| Introduction, Theme and Variations | — | — | — | Piano, Clarinet | Classical | 5 |
| Sonate fur Klavier Nr. 2 op. 39 Performed by Carl Maria von Weber | 1814Wikidata | op. 39 | — | Piano | Classical | 6 |
| "Unter ist mein Stern gegangen" | — | — | — | Voice, Choir | Classical | 7 |
| Bourree | — | — | — | Clarinet | Classical | 5 |
| Momento Capriccioso Op.12 | — | Op.12 | — | Piano | Classical | 6 |
| Sonata no. 5 in A Major | — | — | A major | Piano, Flute | Classical | 7 |
| Aufforderung zum Tanze, op. 65 | — | op. 65 | — | Piano | Classical | 6 |
| Concertino for clarinet and orchestra in Es major | 1811/04/02IMSLP | — | — | Piano, Clarinet | Classical | 8 |
| Euryanthe, J.291 | 1822–23, revised 1825IMSLP | — | — | Orchestra | Classical | 5 |
| Mazurka | 1809IMSLP | — | — | Piano | Classical | 6 |
| Piano Sonata No.1 | 1812IMSLP | — | — | — | Classical | 5 |
| Piano Sonata No.3, Op.49 | 1816IMSLP | Op.49 | — | Piano | Classical | 5 |
| Trio for Piano, Flute and Cello, Op.63 | 1818—19IMSLP | Op.63 | — | Piano, Flute | Classical | 5 |
| Turandot, Op.37 | 1804-09IMSLP | Op.37 | — | — | Classical | 5 |
| 7 Variations on a theme from Silvana | 1811IMSLP | — | — | — | Classical | 5 |
| Variations: Op. 33 for clarinet (c. | — | Op. 33 | — | — | — | 4 |
| Variations: Op. 33 for clarinet (e1 | — | Op. 33 | — | — | — | 4 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. This short biography is assembled from the recorded facts. Authority record: VIAF 14959938. Portrait: Caroline Bardua, Public domain, via Wikimedia Commons.