Composer
Claude Debussy
1862–1918
1,795 works in the index
- Born
- 1862
- Died
- 1918
- Birthplace
- Saint-Germain-en-Laye
- Citizenship / historical state
- France
- Period (estimated from birth year)
- Modern
Biography
Debussy changed what the piano could sound like, and his music is notated with unusual precision about pedal, dynamics and voicing because those things are the substance rather than the decoration.
Clair de lune is the most-bought piano piece in this catalogue and one of the most misjudged: it is not difficult to read and it is very difficult to play well, because it depends entirely on control of quiet dynamics and pedal. The Children's Corner suite and the two books of Arabesques are the realistic starting points. The Préludes and Images are advanced.
Editions matter here for an unusual reason: his pedal markings and enharmonic spellings are deliberate and older "improved" editions altered both. Buy an edition that follows the original text, and treat any collection that regularises his notation as a warning sign.
In this catalogue
- Common listed instruments
- Piano, Voice, Clarinet, Flute, Harp
- Genres represented
- Classical, Jazz, Pop, Children, Christmas
- Works with composition dates
- 118 of 1,795
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 1 of 38
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Pour le piano, L. 95: I. Prélude. À Mademoiselle M.W. de Romilly. Assez animé et très rythmé - Tempo di cadenza - Tempo I | 1909-10IMSLP | — | — | Piano, Cello, violin, Orchestra | Classical | 212 |
| Fêtes galantes (Premier recueil), L. 80, CD 86 : III. Clair de lune, mélodie pour voix et piano "Votre âme est un paysage choisi" | — | — | — | Piano, Harp, Organ, Guitar, harpsichord, Cello, Flute, Oboe, violin, Voice, Bassoon, bass, Vocal, Orchestra, Horn | Jazz, Rock, New Age, Classical, Pop, Religious | 218 |
| Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif | — | — | — | Piano, Harp, Organ, harpsichord, Cello, Flute, Oboe, violin, Bassoon, Orchestra, Double Bass, Horn, Clarinet, Sax | Jazz, Classical | 178 |
| Images pour orchestre, L 122: IIc. Ibéria - Le matin d'un jour de fête | 1901-05IMSLP | — | — | Piano, strings, Triangle, Timpani, Snare Drum, Cymbals, Celesta, Xylophone | Rock, Classical | 76 |
| Suite bergamasque, L. 75, CD 82a, pour piano | 1890-1905IMSLP | — | — | Piano | Classical | 113 |
| Children's Corner, L. 113: V. The Little Shepherd | 1906-1908IMSLP | — | — | Piano, Harp, harpsichord, Flute, Oboe, Bassoon, Horn, Clarinet, Recorder, percussion, Saxophone, Accordion | Classical, Pop, Children, Christmas | 83 |
| Rêverie, L. 68, CD 76, pour piano | 1890IMSLP | — | — | Piano | Jazz, Classical | 111 |
| Les angélus | 1892 (February)IMSLP | — | — | Piano, Organ, Voice, Low Voice | Classical | 20 |
| Children's Corner, L. 113: II. Jimbo's Lullaby | 1906-1908IMSLP | — | — | Piano, Harp, harpsichord, Flute, Oboe, Bassoon, Horn, Clarinet, Recorder, percussion, Saxophone | Classical, Children | 64 |
| Préludes, Livre I, L. 117: X. La cathédrale engloutie. Profondément calme | 1909-10IMSLP | — | — | Piano, Organ, harpsichord | Classical | 47 |
| Deux Arabesques, L. 66, CD 74, pour piano : No. 1 en mi majeur, Andantino con moto | — | — | — | Piano, Organ, Flute | Classical | 57 |
| En Bateau | 1886-89IMSLP | — | — | Piano, Harp, Organ, Flute, violin, Clarinet, Timpani, percussion | Classical, Pop | 40 |
| Estampes, L. 100: III. Jardins sous la pluie. Net et vif | — | — | — | Piano, harpsichord | Classical | 36 |
| Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera | — | — | — | Piano, harpsichord | Classical | 30 |
| Suite bergamasque, L. 75, CD 82a, pour piano : II. Menuet | 1886-89IMSLP | — | — | Piano, Harp, Organ, Cello, violin, Orchestra, Timpani, percussion, Saxophone | Classical | 35 |
| Préludes, Livre I, L. 117: VI. Des pas sur la neige. Triste et lent | 1909-10IMSLP | — | — | Piano, harpsichord | Classical | 31 |
| Suite bergamasque, L. 75, CD 82a, pour piano : IV. Passepied | — | — | — | Piano, Harp, harpsichord | Classical | 18 |
| Deux Arabesques, L. 66, CD 74, pour piano : No. 2 en sol majeur, Allegretto scherzando | — | — | — | Piano, Organ, Cello, Flute, violin, Viola | Classical | 37 |
| Doctor Gradus ad Parnassum (Piano solo) | — | — | — | Piano, Harp, Guitar, harpsichord, Flute, Oboe, Bassoon, Horn, Clarinet, percussion, Accordion | Classical | 29 |
| Le petit Nègre, L. 114 | 1909IMSLP | — | — | Piano, Horn, Clarinet, Trombone, Tuba, Saxophone | Classical | 42 |
| Children's Corner, L. 113: III. Serenade for the Doll | — | — | — | Piano, Harp, harpsichord, Flute, Oboe, Bassoon, Horn, Clarinet, Recorder, percussion | Classical, Children | 32 |
| Estampes, L. 100: I. Pagodes. Modérément animé | — | — | — | Piano, harpsichord | Classical | 26 |
| Children's Corner, L. 113: IV. The Snow is Dancing | — | — | — | Piano, Harp, harpsichord, Flute, Oboe, Bassoon, Horn, Clarinet, percussion | Classical, Children | 34 |
| Pour le piano, L. 95: II. Sarabande. À Madame E. Rouart (née Y. Lerolle). Avec une élégance grave et lente | 1894-1901IMSLP | — | — | Piano, Harp, harpsichord, Flute, Oboe, bass, Tenor Saxophone | Classical | 37 |
| Ballade (slave), L. 70, CD 78, pour piano | 1910IMSLP | — | — | Piano, Flute, Voice | Classical | 30 |
| Préludes, Livre I, L. 117: XII. Minstrels. Modéré | — | — | — | Piano, harpsichord, Double Bass | Blues, Jazz, Classical | 25 |
| Valse romantique, L. 71, CD 79, pour piano | 1890IMSLP | — | — | Piano, Harp, Flute | Classical | 29 |
| Berceuse héroïque pour piano, L. 132 | 1914 (November)IMSLP | — | — | Piano | Classical | 25 |
| Images, Livre 1, L. 110: No. 3. Mouvement | 1901-05IMSLP | — | — | Piano | Classical | 21 |
| Préludes, Livre II, L. 123: III. La puerta del Vino. Mouvement de Habanera | — | — | — | Piano, Guitar | Classical | 24 |
| Le Martyre de Saint-Sébastien, L. 124 | 1910IMSLP | — | — | Piano, strings, Orchestra, Trombone, Timpani, Tuba, Tamtam, Cymbals, Drum, Celesta | Classical | 23 |
| Pour le piano, L. 95: III. Toccata. À N.G. Coronio. Vif | — | — | — | Piano, harpsichord, Oboe | Classical | 21 |
| Beau soir, L. 6, CD 84, mélodie pour voix et piano "Lorsque au soleil couchant les rivières sont roses" | 1880 ca., rev.1890-91IMSLP | — | — | Piano, Cello, violin, Voice, Choir, Clarinet, Euphonium, Saxophone, Low Voice, Tenor Saxophone | Classical | 24 |
| Cortege | 1886-89IMSLP | — | — | Piano, Harp, Organ, violin, Timpani, percussion | Classical | 21 |
| L'isle joyeuse, L. 106 | 1903IMSLP | — | — | Piano | Classical | 20 |
| Préludes, Livre I, L. 117: I. Danseuses de Delphes. Lent et grave | 1909-10IMSLP | — | — | Piano, harpsichord, Double Bass | Classical | 19 |
| Images, Livre 1, L. 110: No. 1. Reflets dans l'eau | — | — | — | Piano | Classical | 23 |
| Préludes, Livre II, L. 123: IV. «Les fées sont d'exquises danseuses». Rapide et léger | — | — | — | Piano | Classical | 24 |
| Préludes, Livre I, L. 117: V. Les collines d'Anacapri. Très modéré | — | — | — | Piano, harpsichord | Classical | 23 |
| Préludes, Livre II, L. 123: VIII. Ondine. Scherzando | — | — | — | Piano | Classical | 23 |
| Les Baisers d’amour, L. 48, CD 23, mélodie pour voix et piano "Non, les baisers d’amour" | 1885IMSLP | — | — | Piano, Voice, Low Voice | Classical | 17 |
| Danse | 1890IMSLP | — | — | Piano | Classical | 16 |
| Golliwogg's Cake Walk | — | — | — | Piano, violin, Horn, Trombone, Tuba | Classical | 15 |
| Golliwogg's Cakewalk | — | — | — | Piano, Harp, Guitar, Cello, Clarinet, Trombone, Recorder, percussion, Saxophone | Jazz, Classical, pop | 24 |
| Préludes, Livre I, L. 117: III. Le Vent dans la plaine. Animé | — | — | — | Piano, harpsichord | Classical | 21 |
| Préludes, Livre II, L. 123: XI. Les tierces alternées. Modérément animé | — | — | — | Piano | Classical | 21 |
| Préludes, Livre II, L. 123: X. Canope. Très calme et doucement triste | — | — | — | Piano | Classical | 21 |
| Préludes, Livre II, L. 123: II. Feuilles mortes. Lent et mélancolique | 1912-13IMSLP | — | — | Piano | Classical | 19 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 6219636. Portrait: Adam Cuerden, Public domain, via Wikimedia Commons.