Composer
Felix Mendelssohn
4,109 works in the index
- Birthplace
- Hamburg
- Citizenship / historical state
- Kingdom of Saxony
- Period (estimated from birth year)
- Romantic
Biography
Mendelssohn wrote fluently and early, and his music is unusually grateful to play — it lies well under the hand in a way that his contemporaries' often does not.
The Songs Without Words are the most useful thing in this catalogue for a developing pianist: forty-eight short pieces across a wide range of difficulty, several genuinely accessible, all musically substantial. The Violin Concerto is a cornerstone of that instrument's repertoire, and Elijah of the choral one.
He also wrote a great deal of organ music, including six sonatas, which sits in the small category of nineteenth-century organ repertoire that is neither Bach nor French.
In this catalogue
- Common listed instruments
- Piano, Choir, Voice, Organ, percussion
- Genres represented
- Classical, Christmas, pop, Pop, Jazz
- Works with composition dates
- 120 of 4,109
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 33 of 86
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Symphony No. 5 "Reformation" (4th Movement): 2nd B | — | — | — | Orchestra | — | 2 |
| Meditation From Thais | — | — | — | Flute | Classical | 1 |
| Andante From Piano Concerto In G Minor, Op. 25 | — | Op. 25 | G minor | Piano | Classical, Romantic | 1 |
| Adagio From Organ Sonata No.2, Op. 65 | — | Op. 65 | — | Piano | Classical, Romantic | 1 |
| Symphony No.4 ‘The Italian' | — | — | — | Piano | — | 0 |
| Six Songs, Op. 86, No. 3: "Letter, The" | — | Op. 86, No. 3 | — | Piano, Voice | — | 0 |
| Six Songs, Op. 34, No. 3: "Joy of Spring, The" | — | Op. 34, No. 3 | — | Piano, Voice | — | 0 |
| Variations concertantes in D Major Op.17 | — | Op.17 | D major | Piano, Cello | — | 0 |
| Six Songs, Op. 47, No. 1: "Love Song, A" | — | Op. 47, No. 1 | — | Piano, Voice | — | 0 |
| Four Pieces, Op. 81 - Score | — | Op. 81 | — | String Quartet | — | 0 |
| Come, Let Us Sing , Op. 46: No. 4b, For His Is the Sea | — | Op. 46 | — | Piano | — | 0 |
| Seven Characteristic Pieces, Op.7, No.6 | — | Op.7, No.6 | — | Piano | — | 1 |
| Sonata in Bb Major, Op.106 | — | Op.106 | B-flat major | Piano | — | 1 |
| War of the March Priests | — | — | — | — | — | 1 |
| Hunters Farewell | — | — | — | Horn, Trombone | Classical | 2 |
| Passion / O Haupt Voll Blut Und Wunden | — | — | — | Choir | — | 2 |
| Remembrance | — | — | — | violin, Viola | Classical | 2 |
| He That Shall Endure to the End, #32 From "Elijah" | — | — | — | violin, Trombone, Viola | Classical | 2 |
| Violinkonzert in e-Moll, op. 64: II. Andante | — | op. 64 | — | — | Classical | 1 |
| Elijah, op. 70: So wahr der Herr | — | op. 70 | — | Piano, Voice, Choir | Classical | 1 |
| Elijah, op. 70: Aber der Herr sieht es nicht | — | op. 70 | — | Piano, Voice, Choir | Classical | 2 |
| Elijah, op. 70: Ist nicht des Herrn Wort wie ein Feuer | — | op. 70 | — | Piano, Voice, Choir | Classical | 2 |
| Concert-Arie, Op.94 | 1843IMSLP | Op.94 | — | — | Classical | 1 |
| Feuille d'album, Op.117 | 1837 ca.IMSLP | Op.117 | — | Piano | Classical | 1 |
| 6 Kinderstücke, Op.72 | 1842IMSLP | Op.72 | — | Piano | Classical | 1 |
| 6 Lieder im Freien zu singen, Op.59 | 1837–43IMSLP | Op.59 | — | — | Classical | 1 |
| 3 Lieder, Op.77 | 1836-1847IMSLP | Op.77 | — | — | Classical | 1 |
| 4 Lieder, Op.100 | 1839IMSLP | Op.100 | — | — | Classical | 1 |
| Marsch für Orchester, Op.108 | 1841IMSLP | Op.108 | — | Orchestra | Classical | 1 |
| Phantasie | 1833IMSLP | — | — | Piano | Classical | 1 |
| 2 Romances, WoO.4 | 1833–34IMSLP | — | — | Voice | Classical | 1 |
| Song, Der Blumenkranz, WoO.7 | 1829IMSLP | — | — | — | Classical | 1 |
| 12 Gesänge, Op.8 | 1824–27IMSLP | Op.8 | — | Voice | Classical | 1 |
| 2 Songs, Op.112 | 1835IMSLP | Op.112 | — | Voice | Classical | 1 |
| 2 Songs, WoO.17 | 1832-1835IMSLP | — | — | Voice | Classical | 1 |
| 2 Songs, WoO.18 | 1831-1841IMSLP | — | — | Voice | Classical | 1 |
| Variations Sérieuses Op.54 | 1841IMSLP | Op.54 | — | Piano | Classical | 2 |
| Bridal March: Midsummer Nights Dream: String | — | — | — | — | — | 1 |
| Rondo Capriccioso: Op. 1 | — | Op. 1 | — | — | — | 1 |
| Sehns | — | — | — | — | — | 1 |
| Christmas Piece: Op. 72, No. | — | Op. 72 | — | — | — | 1 |
| Hear our cry, o Baal | — | — | — | Choir, Voice Tenor | Classical | 2 |
| But the Lord from the north | — | — | — | Choir | — | 1 |
| And then shall your light | — | — | — | Choir | — | 1 |
| O be Joyful to the Lord | — | — | — | Voice, Choir | Classical | 2 |
| My Soul doth magnify the Lord | — | — | — | Voice, Choir | Classical | 2 |
| In Paradisum - Requiem (Faure) | — | — | — | Choir | Classical | 2 |
| Hymn of Praise | — | — | — | Choir | — | 1 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 2665666. Portrait: Eduard Magnus, Public domain, via Wikimedia Commons.