Composer
Felix Mendelssohn
4,109 works in the index
- Birthplace
- Hamburg
- Citizenship / historical state
- Kingdom of Saxony
- Period (estimated from birth year)
- Romantic
Biography
Mendelssohn wrote fluently and early, and his music is unusually grateful to play — it lies well under the hand in a way that his contemporaries' often does not.
The Songs Without Words are the most useful thing in this catalogue for a developing pianist: forty-eight short pieces across a wide range of difficulty, several genuinely accessible, all musically substantial. The Violin Concerto is a cornerstone of that instrument's repertoire, and Elijah of the choral one.
He also wrote a great deal of organ music, including six sonatas, which sits in the small category of nineteenth-century organ repertoire that is neither Bach nor French.
In this catalogue
- Common listed instruments
- Piano, Choir, Voice, Organ, percussion
- Genres represented
- Classical, Christmas, pop, Pop, Jazz
- Works with composition dates
- 120 of 4,109
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 35 of 86
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Hymn of Praise English Version of Lobgesang, Op. 52 - 4. All ye that cried unto the Lord | — | Op. 52 | — | Choir | Classical | 2 |
| Psalm 42, Op. 42 - 7. Was betrubst du dich, meine Seele | — | Op. 42 | — | Choir | Classical | 2 |
| Psalm 98, Op. 91 - Singet dem Herrn ein neues Lied | — | Op. 91 | — | Choir | Classical | 2 |
| Psalm 98, Op. 91 - Er wird den Erdkreis richten | — | Op. 91 | — | Choir | Classical | 2 |
| Psalm 114, Op. 51 - Vor dem Herrn bebte die Erde | — | Op. 51 | — | Choir | Classical | 2 |
| Psalm 115, Op. 31 - 3. Er segne euch je mehr | — | Op. 31 | — | Choir | Classical | 2 |
| Is This He? | — | — | — | Choir | — | 2 |
| For So Hath The Lord | — | — | — | Choir | — | 1 |
| Not Only Unto Him | — | — | — | Choir | — | 2 |
| O God, Have Mercy | — | — | — | Choir | — | 2 |
| Now We Are Ambassadors | — | — | — | Choir | — | 3 |
| Zwei geistliche Chore op. 115 (?1833): Beati mortui, "Beati mortui in Domino morientes" Nr. 1 C-Dur op. 115 | — | op. 115 | — | Choir | — | 1 |
| Zwei geistliche Chore op. 115 (?1833): Periti autem, "Periti autem fulgebunt" Nr. 2 D-Dur op. 115 | — | op. 115 | — | Choir | — | 1 |
| For My Soul Thirsteth | — | — | — | Choir | — | 1 |
| Kyrie Eleison | — | — | — | Choir, A Cappella | Classical | 1 |
| He Leaves His Heavenly Portals | — | — | — | Choir | — | 1 |
| Drei geistliche Stucke: "Ave Maria, gratia plena" Nr. 2 op. 23 (1830) | — | op. 23 | — | Choir | — | 1 |
| Drei Motetten: Magnificat, "Mein Herz erhebet Gott, den Herrn" Nr. 3 op. 69 (1847) | — | op. 69 | — | Choir | — | 1 |
| Heilig (Sanctus), "Heilig ist Gott der Herr Zebaoth!" | — | — | — | Choir | — | 1 |
| Wie kann ich froh und lustig sein | — | — | — | Piano, Voice, Timpani, percussion | Classical | 1 |
| Wasserfahrt | — | — | — | Piano, Voice, Timpani, percussion | Classical | 1 |
| Aus dem Lobgesang | — | — | — | Piano, Voice, Timpani, percussion | Classical | 1 |
| Aus "Elias" | — | — | — | Piano, Voice, Timpani, percussion | Classical | 1 |
| Aus der "Hochzeit des Camacho" | — | — | — | Piano, Voice, Timpani, percussion | Classical | 2 |
| Help, Lord! Wilt thou quite destroy us? | — | — | — | Choir, Voice Tenor | Classical | 1 |
| Blessed are the men who fear Him | — | — | — | Choir, Voice Tenor | Classical | 2 |
| Baal! | — | — | — | Choir, Voice Tenor | Classical | 1 |
| Though thousands languish | — | — | — | Choir, Voice Tenor | Classical | 1 |
| Lord Our Creator | — | — | — | Choir, Voice Tenor | Classical | 1 |
| The Poet's Harp, Op. 38, No. 3 | — | Op. 38, No. 3 | — | Piano | Classical | 2 |
| The Departure, Op. 62, No. 2 | — | Op. 62, No. 2 | — | Piano | Classical | 2 |
| Lost Illusions, Op. 67, No. 2 | — | Op. 67, No. 2 | — | Piano | Classical | 2 |
| Opus 19 #1 | — | Opus 19 | — | Piano | Classical | 2 |
| Opus 19 #4 | — | Opus 19 | — | Piano | Classical | 2 |
| Opus 30 #3 | — | Opus 30 | — | Piano | Classical | 2 |
| Opus 30 #5 | — | Opus 30 | — | Piano | Classical | 2 |
| Opus 38 #2 | — | Opus 38 | — | Piano | Classical | 2 |
| Opus 38 #4 | — | Opus 38 | — | Piano | Classical | 2 |
| Opus 53 #2 | — | Opus 53 | — | Piano | Classical | 2 |
| Opus 53 #5 (Volkslied) | — | Opus 53 | — | Piano | — | 1 |
| Opus 62 #1 | — | Opus 62 | — | Piano | Classical | 2 |
| Opus 62 #2 | — | Opus 62 | — | Piano | Classical | 2 |
| Opus 62 #4 | — | Opus 62 | — | Piano | Classical | 2 |
| Opus 67 #2 | — | Opus 67 | — | Piano | Classical | 2 |
| Opus 67 #3 | — | Opus 67 | — | Piano | Classical | 2 |
| Opus 67 #6 (Wiegenlied) | — | Opus 67 | — | Piano | — | 1 |
| Opus 85 #1 | — | Opus 85 | — | Piano | Classical | 2 |
| Opus 85 #4 | — | Opus 85 | — | Piano | Classical | 2 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 2665666. Portrait: Eduard Magnus, Public domain, via Wikimedia Commons.