Composer
Felix Mendelssohn
German composer, pianist, organist and conductor of Jewish descent (1809-1847)
1809–1847
4,109 works in the index
- Born
- 1809
- Died
- 1847
- Birthplace
- Hamburg
- Place of death
- Leipzig
- Citizenship / historical state
- Kingdom of Saxony; Hamburg
- Period (estimated from birth year)
- Romantic
Biography
Mendelssohn wrote fluently and early, and his music is unusually grateful to play — it lies well under the hand in a way that his contemporaries' often does not.
The Songs Without Words are the most useful thing in this catalogue for a developing pianist: forty-eight short pieces across a wide range of difficulty, several genuinely accessible, all musically substantial. The Violin Concerto is a cornerstone of that instrument's repertoire, and Elijah of the choral one.
He also wrote a great deal of organ music, including six sonatas, which sits in the small category of nineteenth-century organ repertoire that is neither Bach nor French.
Life and musical career
- Occupations
- composer; pianist; organist; conductor; musicologist; music educator; university teacher; painter; writer; musician
- Education
- Humboldt-Universität zu Berlin
- Teachers
- Carl Friedrich Zelter; Ludwig Berger; Marie Bigot; Lea Mendelssohn Bartholdy; Franz Lauska; Ignaz Moscheles
- Career institutions / employers
- University of Music and Theatre Leipzig
- Recorded memberships
- Royal Netherlands Academy of Arts and Sciences
- Genres
- opera; classical music; symphonic music
- Movements
- Romantic music
- Notable works
- A Midsummer Night's Dream; Symphony No. 3; Symphony No. 4; Violin Concerto in E minor; The Hebrides; St. Paul; Elijah
- Official website
- https://www.mendelssohn-stiftung.de/de/
- VIAF ID
- 2665666
- ISNI
- 0000000121181195
- GND ID
- 118580779
- Library of Congress ID
- n79139515
- MusicBrainz ID
- 0e85eb79-1c05-44ba-827c-7b259a3d941a
Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.
In this catalogue
- Common listed instruments
- Piano, Choir, Voice, Organ, percussion
- Genres represented
- Classical, Christmas, pop, Pop, Jazz
- Works with composition dates
- 120 of 4,109
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 53 of 86
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Maigl?ckchen und die Bl?melein | — | — | — | Piano, Voice, Timpani, percussion | Classical | 0 |
| Das ?hrenfeld | — | — | — | Piano, Voice, Timpani, percussion | Classical | 0 |
| Lied aus Ruy Blas | — | — | — | Piano, Voice, Timpani, percussion | Classical | 0 |
| Aus Psalm 95 | — | — | — | Piano, Voice, Timpani, percussion | Classical | 0 |
| Prefatory Note / Geleitwort | — | — | — | Piano, Voice High | Classical | 0 |
| Introduction | — | — | — | Piano, Voice High | Classical | 0 |
| Lied zum Geburstage meines guten Vaters | — | — | — | Piano, Voice High | Classical | 0 |
| Lord! Bow Thine ear to our prayer! | — | — | — | Choir, Voice Tenor | Classical | 0 |
| Yet doth the Lord see it not | — | — | — | Choir, Voice Tenor | Classical | 0 |
| Cast Thy Burden Upon The Lord | — | — | — | Piano, Choir, Voice Tenor | Classical | 0 |
| O Thou, who makest thine angels spirits | — | — | — | Choir, Voice Tenor | Classical | 0 |
| Open the heavens and send us relief | — | — | — | Choir, Voice Tenor | Classical | 0 |
| Be not afraid, saith God the Lord | — | — | — | Choir, Voice Tenor | Classical | 0 |
| Woe to him, he shall perish | — | — | — | Choir, Voice Tenor | Classical | 0 |
| He that shall endure to the end, shall be saved | — | — | — | Choir, Voice Tenor | Classical | 0 |
| Behold! God the Lord passed by! | — | — | — | Choir, Voice Tenor | Classical | 0 |
| Then did Elijah the prophet break forth | — | — | — | Choir, Voice Tenor | Classical | 0 |
| And then shall your light break forth | — | — | — | Choir, Voice Tenor | Classical | 0 |
| Chorus StudySpots | — | — | — | Choir, Voice Tenor | Classical | 0 |
| We heard it with our ears | — | — | — | Choir | Classical | 0 |
| A Midsummer Night's Dream Overture, Excerpt | — | — | — | — | — | 0 |
| Fingal's Cave Overture | — | — | — | — | — | 0 |
| Regrets, Op.19, No. 2 | — | Op.19, No. 2 | — | Piano | Classical | 1 |
| Unrest, Op. 30, No. 2 | — | Op. 30, No. 2 | — | Piano | Classical | 1 |
| Lost Happiness, Op. 38, No. 2 | — | Op. 38, No. 2 | — | Piano | Classical | 2 |
| Hope, Op. 38, No. 4 | — | Op. 38, No. 4 | — | Piano | Classical | 1 |
| On The Seashore, Op. 53, No. 1 | — | Op. 53, No. 1 | — | Piano | Classical | 1 |
| The Flight, Op. 53, No. 6 | — | Op. 53, No. 6 | — | Piano | Classical | 1 |
| May Breezes, Op. 62, No. 1 | — | Op. 62, No. 1 | — | — | — | 2 |
| The Shepherd's Complaint, Op. 67, No. 5 | — | Op. 67, No. 5 | — | Piano | Classical | 1 |
| Delirium, Op. 85, No. 3 | — | Op. 85, No. 3 | — | Piano | Classical | 1 |
| The Return, Op. 85, No. 5 | — | Op. 85, No. 5 | — | Piano | Classical | 2 |
| Homeless, Op. 102, No. 1 | — | Op. 102, No. 1 | — | Piano | Classical | 1 |
| Scherzo (From A Midsummer Night's Dream) | — | — | — | — | — | 1 |
| Mendelssohn Bartholdy: Trio d minor op. 49 | — | op. 49 | — | Piano | — | 0 |
| Variations serieuses, op. 54 (Piano solo) | — | op. 54 | — | — | — | 0 |
| Opus 19 #2 | — | Opus 19 | — | Piano | Classical | 1 |
| Opus 30 #1 | — | Opus 30 | — | Piano | Classical | 1 |
| Opus 38 #5 | — | Opus 38 | — | Piano | Classical | 1 |
| Opus 53 #1 | — | Opus 53 | — | Piano | Classical | 1 |
| Opus 53 #3 | — | Opus 53 | — | Piano | Classical | 1 |
| Opus 53 #4 | — | Opus 53 | — | Piano | Classical | 1 |
| Opus 53 #6 | — | Opus 53 | — | Piano | Classical | 1 |
| Opus 67 #4 (Spinnerlied) | — | Opus 67 | — | Piano | Classical | 0 |
| Opus 85 #2 | — | Opus 85 | — | Piano | Classical | 1 |
| Opus 85 #3 | — | Opus 85 | — | Piano | Classical | 1 |
| Opus 102 #1 | — | Opus 102 | — | Piano | — | 1 |
| Opus 102 #2 | — | Opus 102 | — | Piano | — | 1 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 2665666. Portrait: Eduard Magnus, Public domain, via Wikimedia Commons.