Composer
Franz Liszt
1811–1886
2,144 works in the index
- Born
- 1811
- Died
- 1886
- Birthplace
- Raiding
- Citizenship / historical state
- Kingdom of Hungary
- Period (estimated from birth year)
- Romantic
Biography
Liszt wrote more piano music than anyone else worth playing, invented the modern recital, and left a catalogue so large and so revised that identifying which version of a piece you are buying is a real problem.
Most of it is very hard. The exceptions are worth knowing: the Consolations, several of the Années de pèlerinage pieces, and the Liebesträume are within reach of a good amateur. The Hungarian Rhapsodies, the Transcendental Études and the B minor Sonata are not, and no edition marked "simplified" will make them so without removing the point.
He revised constantly and published several versions of the same work — the Transcendental Études exist in three, of increasing difficulty, and editions do not always say which. His transcriptions of other composers are a separate world again: the Schubert song transcriptions are among the finest things he wrote and are frequently catalogued under Schubert.
In this catalogue
- Common listed instruments
- Piano, Voice, Organ, harpsichord, Orchestra
- Genres represented
- Classical, Christmas, pop, Jazz, New Age
- Works with composition dates
- 384 of 2,144
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 21 of 45
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| R. W. - Venezia, S. 201 | — | S. 201 | — | — | Classical | 1 |
| 6 Chants polonais, S. 480: 4. Bacchanal | — | S. 480 | — | Piano | Classical | 8 |
| Pax Vobiscum! | 1885IMSLP | — | — | — | Classical | 1 |
| Vier kleine Klavierstücke | 1865 (1-2)1873 (3)1876 (4)1879 (5)IMSLP | — | — | — | Classical | 1 |
| Piano Concerto No.5 in Eb Major | 1809-10IMSLP | — | E-flat major | — | Classical | 1 |
| Polonaise brillante, by Weber, S.367 | 1819/08/25IMSLP | S.367 | — | — | Classical | 2 |
| Präludium und Fuge über das Thema BACH | 1855IMSLP | — | — | Piano | Classical | 1 |
| Der traurige Mönch, S.348 | 1860IMSLP | S.348 | — | — | Classical | 1 |
| Réminiscences de Robert le Diable - Valse infernale (Meyerbeer) | 1841IMSLP | — | — | Piano | Classical | 2 |
| La Romanesca, S.252a | 1839 (1st version)?1852 (2nd version)IMSLP | S.252a | — | Piano | Classical | 2 |
| Sarabande und Chaconne aus Händels Almira | 1879IMSLP | — | — | Piano | Classical | 1 |
| Schlaflos! Frage und Antwort, S.203 | 1883IMSLP | S.203 | — | Piano | Classical | 1 |
| Song, An Edlitam, S.333 | 1878IMSLP | S.333 | — | Voice | Classical | 1 |
| Song, Bist du, S.277 | 1844 (1st version)1878 (2nd version)IMSLP | S.277 | — | Voice | Classical | 1 |
| Song, Die Fischerstochter, S.325 | 1871IMSLP | S.325 | — | Voice | Classical | 1 |
| Song, Die Zelle im Nonnenwerth, S.274 | 1841 (1st version)1858–60 (4th version)IMSLP | S.274 | — | Voice | Classical | 1 |
| Song, Die stille Wasserrose, S.321 | 1860IMSLP | S.321 | — | — | Classical | 1 |
| Song, Gebet, S.331 | 1878IMSLP | S.331 | — | Voice | Classical | 1 |
| Song, Ich möchte hingehn, S.296 | ?1844–56IMSLP | S.296 | — | Voice | Classical | 1 |
| Song, Il m'aimait tant, S.271 | 1840–42IMSLP | S.271 | — | Voice | Classical | 1 |
| Song, Muttergottes - Sträu | 1857IMSLP | — | — | Voice | Classical | 1 |
| Song, O Meer im Abendstrahl, S.344 | 1881?IMSLP | S.344 | — | — | Classical | 1 |
| Song, Und sprich, S.329 | 1875–79IMSLP | S.329 | — | Voice | Classical | 1 |
| Song, Ungarisches Königslied. Magyar Király-dal, S.340 | 1883 ca.IMSLP | S.340 | — | Voice | Classical | 1 |
| Song, Ungarns Gott. A magyarok Istene, S.339 | 1881IMSLP | S.339 | — | — | Classical | 1 |
| Wer nie sein Brot mit Tränen ass (Goethe) | 1845 (1st version)1849 (2nd version)IMSLP | — | — | Voice | Classical | 2 |
| Drei Stücke aus Legende von der heiligen Elisabeth, S.498a | 1857–62IMSLP | S.498a | — | — | Classical | 1 |
| Tantum ergo | 1869IMSLP | — | — | — | Classical | 1 |
| Tanzmomente von Johann Herbeck | 1868IMSLP | — | — | Piano | Classical | 1 |
| Fünf ungarische Volkslieder (Abranyi) | 1873IMSLP | — | — | Piano | Classical | 1 |
| Ungarischer Sturmmarsch | 1875IMSLP | — | — | Piano | Classical | 1 |
| Ungarns Gott. A magyarok Istene (Petófi) | 1881IMSLP | — | — | Piano | Classical | 1 |
| Variationen über das Motiv von Bach: Basso continuo des ersten Satzes seiner KantateWeinen, Klagen, Sorgen, Zagen und des Crucifixus aus der "h-Moll Messe" | 1862IMSLP | — | — | Piano | Classical | 1 |
| Zwei Vortragsstücke | 1884 (?)IMSLP | — | — | Organ | Classical | 1 |
| Am stillen Herd aus Wagner's oper 'Die Meistersinger' | 1871IMSLP | — | — | Piano | Classical | 2 |
| An den Sonnenschein und Rotes Röslein | 1861IMSLP | — | — | Piano | Classical | 1 |
| Années de Pèlerinage: Deuxième Année, Supplément: Venezia e Napoli | 1859IMSLP | — | — | Piano | Classical | 1 |
| Années de Pèlerinage: Troisiéme Année | 1867–82IMSLP | — | — | Piano | Classical | 1 |
| Ave Verum Corpus de Mozart, S.461a | 1791/06/17IMSLP | S.461a | — | — | Classical | 1 |
| Beethoven Symphonies | 1837-1865IMSLP | — | — | Piano | Classical | 1 |
| Bénédiction et serment: deux motifs de Benvenuto Cellini de Hector Berlioz | 1852–53IMSLP | — | — | Piano | Classical | 1 |
| Buch der Lieder II | 1847IMSLP | — | — | Piano | Classical | 1 |
| Two Csárdás | 1884–85IMSLP | — | — | Piano | Classical | 1 |
| First Elegy | 1874IMSLP | — | — | Piano | Classical | 1 |
| Fantaisie romantique sur deux mélodies suisses | 1835–36IMSLP | — | — | Piano | Classical | 1 |
| Fantaisie sur l'opera hongroise Szép Ilonka de Mosonyi M. | 1865–67IMSLP | — | — | — | Classical | 1 |
| Fantasie über Beethovens Ruinen von Athen | 1852IMSLP | — | — | Piano | Classical | 1 |
| Fantasy on Hungarian Themes | 1849–52IMSLP | — | — | — | Classical | 1 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 64199483. Portrait: Franz Hanfstaengl, Public domain, via Wikimedia Commons.