Composer
George Frideric Handel
1685–1759
5,055 works in the index
- Born
- 1685
- Died
- 1759
- Birthplace
- Halle (Saale)
- Citizenship / historical state
- Kingdom of Great Britain
- Period (estimated from birth year)
- Baroque
Biography
Handel spent most of his career in London writing for the public rather than a court, and it shows in the music: direct, grand and built to work in a large room. The catalogue is dominated by the oratorios, the keyboard suites and a great deal of instrumental music.
Messiah is the most-performed choral work in the language and is sold in a bewildering number of editions, from full scholarly scores to simplified singalong versions — check what you are buying, because they are not interchangeable in a rehearsal. The keyboard suites include the variations known as The Harmonious Blacksmith and are more approachable than Bach's equivalent works.
Much of his instrumental music exists in arrangements for combinations he never wrote for. These are legitimate and often excellent, but the listing does not always make clear which you are getting.
In this catalogue
- Common listed instruments
- Piano, Choir, Organ, Voice, Flute
- Genres represented
- Classical, Rock, Christmas, pop, Jazz
- Works with composition dates
- 153 of 5,055
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 27 of 106
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Atalanta, HWV 35 | 1735-4-22 (end date)IMSLP | HWV 35 | — | — | — | 3 |
| Athalia, HWV 52 | 1733-06-07 (end date)IMSLP | HWV 52 | — | — | — | 2 |
| Belshazzar, HWV 61 | 1744IMSLP | HWV 61 | — | — | — | 2 |
| Cantate a voce sola e basso : libro secondo. | — | — | — | — | — | 2 |
| Cello Sonata | 1705 ca.IMSLP | — | — | — | — | 2 |
| Chaconne in F | — | — | — | Piano, Organ | Classical | 5 |
| Chaconne in G, HWV 435 | — | HWV 435 | — | Piano, harpsichord | — | 2 |
| Deborah, HWV 51 | 1733-02-21 (end date)IMSLP | HWV 51 | — | — | — | 3 |
| Deidamia, HWV 42 | 1740IMSLP | HWV 42 | — | — | — | 2 |
| Esther, HWV 50a | 1718?IMSLP | HWV 50a | — | — | — | 2 |
| Ezio, HWV 29 | 1732IMSLP | HWV 29 | — | — | — | 2 |
| Giulio Cesare in Egitto | 1724IMSLP | — | — | — | — | 2 |
| Imeneo, HWV 41 | 1738-9-20IMSLP | HWV 41 | — | — | — | 2 |
| Jephtha, HWV 70 | 1751-08-30 (end date)IMSLP | HWV 70 | — | — | — | 2 |
| Klavierstücke | 1720 or earlier (except No.3)IMSLP | — | — | — | — | 2 |
| Orlando, HWV 31 | 1732-11-20 (end date)IMSLP | HWV 31 | — | — | — | 3 |
| Ottone, re di Germania, HWV 15 | 1722/08/10IMSLP | HWV 15 | — | — | — | 2 |
| Parnasso in festa, HWV 73 | 1734/03/13IMSLP | HWV 73 | — | — | — | 2 |
| Partenope, HWV 27 | 1730-2-12IMSLP | HWV 27 | — | — | — | 2 |
| Il pastor fido, HWV 8a | — | HWV 8a | — | — | — | 2 |
| Terpsicore | 1734IMSLP | — | — | — | — | 2 |
| Preludes, Air and Lesson | — | — | — | Piano | — | 2 |
| Psalms, 2 | — | — | — | — | — | 2 |
| Psalms, 3 | — | — | — | — | — | 2 |
| Radamisto, HWV 12 | 1720IMSLP | HWV 12 | — | — | — | 2 |
| La Resurrezione, HWV 47 | 1708IMSLP | HWV 47 | — | — | — | 2 |
| Rinaldo, HWV 7a | 1711, revised 1717, 1731IMSLP | HWV 7a | — | — | — | 2 |
| Saul, HWV 53 | 1738IMSLP | HWV 53 | — | — | — | 2 |
| Silla, HWV 10 | ca.April-May, 1713IMSLP | HWV 10 | — | — | — | 2 |
| Supplement 3 | — | — | — | — | — | 2 |
| Tamerlano, HWV 18 | 1724-7-(3-23)IMSLP | HWV 18 | — | — | — | 2 |
| Theodora, HWV 68 | 1749 (28 June to 31 July)IMSLP | HWV 68 | — | — | — | 2 |
| The ways of Zion do mourn, HWV 264 | 1737 (5-12 December)IMSLP | HWV 264 | — | — | — | 2 |
| The Triumph of Time and Truth, HWV 71 | — | HWV 71 | — | — | — | 2 |
| Violin Sonata, HWV 358 | — | HWV 358 | — | — | — | 2 |
| Violin Sonata, HWV 370 | — | HWV 370 | — | — | — | 2 |
| Works for Organ & Harpsichord | — | — | — | — | — | 2 |
| Messiah: Hallelujah Chorus: 3 Clarinets, Bass Cla | — | — | — | — | — | 2 |
| Solomon: Arrival of the Queen of Sheba: Clarinet | — | — | — | — | — | 2 |
| Solomon: Arrival of the Queen of Sheba:2Fl, Vn, P | — | — | — | — | — | 1 |
| Fantasia in A minor: String Quarte | — | — | A minor | — | — | 1 |
| Why do the nations so furiously | — | — | — | Piano, Cello, Flute, Voice, Choir, Clarinet, percussion, Viola | — | 12 |
| There were shepherds abiding in the field | — | — | — | Voice, Choir | — | 6 |
| Then shall be brought to pass | — | — | — | Choir | — | 4 |
| Appendix | — | — | — | Voice, Choir | — | 6 |
| How beautiful are the feet...Break forth into joy | — | — | — | Choir | — | 3 |
| Judas Maccabaeus | — | — | — | Choir | — | 2 |
| But who may abide the day of his coming? (Version I) - Air for Alto | — | — | — | Voice, Choir | — | 3 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 8931159248059304870007. Portrait: Attributed to Balthasar Denner, Public domain, via Wikimedia Commons.