Composer
George Frideric Handel
1685–1759
5,957 works in the index
- Era
- Baroque
- Nationality
- Kingdom of Great Britain
- Born in
- Halle (Saale)
Handel spent most of his career in London writing for the public rather than a court, and it shows in the music: direct, grand and built to work in a large room. The catalogue is dominated by the oratorios, the keyboard suites and a great deal of instrumental music.
Messiah is the most-performed choral work in the language and is sold in a bewildering number of editions, from full scholarly scores to simplified singalong versions — check what you are buying, because they are not interchangeable in a rehearsal. The keyboard suites include the variations known as The Harmonious Blacksmith and are more approachable than Bach's equivalent works.
Much of his instrumental music exists in arrangements for combinations he never wrote for. These are legitimate and often excellent, but the listing does not always make clear which you are getting.
Catalogue
Works page 27 of 125
4. Pastorale
1. Concerto for Organ (No. 10), Op. 7/4 in D minor, HWV 309
With Trumpets And Horns
Sonata in F major, op. 2, no. 1
Zur Edition / Vorwort
3. Musette
Festal March
2. Concerto for Organ (No. 11), Op. 7/5 in G minor, HWV 310
Zur Edition
2. Faramondo
3. Concerto for Organ (No. 12), Op. 7/6 in B-flat, HWV 311
6. Jephta (I)
5. La Gelosia
7. Duette
3. Guistino
Vorwort / Zum vorliegenden Band
2. (Suite Nr. 2) Chaconne G-dur mit 21 Variationen (Fassung IV) HWV 435
4 Faksimiles
Prelude-Capriccio G-dur HWV 571
Holy Art Thou
a-moll HWV 610 / c-moll HWV 610
Erstfassung von Suite Nr. 3, Satz 6 HWV 495a
Preludio ed Allegro HWV 574
1. Atalanta
4. Orlando
6 Faksimiles
3 Faksimiles
9. Suite G-dur (Prelude et Chaconne avec LXII Variations) HWV 442. Anhang: Varianten zur 2.,3.,5.,6.,7. und 9. Suite
Anhang: Ursprunglicher Schlusssatz von Suite Nr. 2 HWV 442/1b
Erstfassung des ursprunglichen Schlusssatzes von Suite Nr. 2 HWV 488
Vorform von Suite Nr. 3, Satz 1 HWV 565
Variante zu Suite Nr. 3, Satz 5
Fruhe Fassung von Suite Nr. 3, Satz 6
Variante zu Suite Nr. 3, Satz 6 HWV 495b
Ursprungliche Fassung von Suite Nr. 4, Satz 2
Originalfassung von Suite Nr. 4, Satz 4, Takte 41-48
Fruhe Fassungen von Suite Nr. 5, Satz 2-4
Autographe Fassung von Suite Nr. 6, Satz 4
5 Faksimiles
Sechs Fugen: g-moll HWV 605 / G-dur HWV 606 / B-dur HWV 607 / h-moll HWV 609
Sonate C-dur HWV 577
Sonata (fur zweimanualiges Cembalo) G-dur HWV 579
Chac
Anhang 1: Fragmente und Fruhfassungen
Anhang 2: Erganzungen von 1711
Anhang 3: Erganzungen von 1717
Anhang 4: Nicht mit Sicherheit "Rinaldo" zuzuordnende Arien. Librettoabdruck in englischer und italienischer Sprache (Libretto-Druck: Thomas Howlatt, London 1711) und deutsche Ubersetzung (wortlich, nicht singbar)
Kritischer Bericht
Dates, era and nationality from Wikidata, matched on name and verified against any dates already held here. The biography above is our own. Portrait: Attributed to Balthasar Denner, Public domain, via Wikimedia Commons.