Composer
George Frideric Handel
1685–1759
5,055 works in the index
- Born
- 1685
- Died
- 1759
- Birthplace
- Halle (Saale)
- Citizenship / historical state
- Kingdom of Great Britain
- Period (estimated from birth year)
- Baroque
Biography
Handel spent most of his career in London writing for the public rather than a court, and it shows in the music: direct, grand and built to work in a large room. The catalogue is dominated by the oratorios, the keyboard suites and a great deal of instrumental music.
Messiah is the most-performed choral work in the language and is sold in a bewildering number of editions, from full scholarly scores to simplified singalong versions — check what you are buying, because they are not interchangeable in a rehearsal. The keyboard suites include the variations known as The Harmonious Blacksmith and are more approachable than Bach's equivalent works.
Much of his instrumental music exists in arrangements for combinations he never wrote for. These are legitimate and often excellent, but the listing does not always make clear which you are getting.
In this catalogue
- Common listed instruments
- Piano, Choir, Organ, Voice, Flute
- Genres represented
- Classical, Rock, Christmas, pop, Jazz
- Works with composition dates
- 153 of 5,055
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 3 of 106
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Presuming slave (Handel-Sampson) | — | — | — | Choir | — | 10 |
| The Holy One of Israel (Handel-Sampson) | — | — | — | Choir | — | 11 |
| Ye sons of Israel (Handel-Sampson) | 1733-02-21 (end date)IMSLP | — | — | Choir | — | 12 |
| Glorious hero! (Handel-Sampson) | — | — | — | Choir | — | 12 |
| Impertinence, HWV 494 | — | HWV 494 | — | Piano, Organ | — | 18 |
| Suite 3, Movement 1 (Early Draft) | — | — | — | Piano | — | 7 |
| Suite 3, Movement 6 (First Version) | — | — | — | Piano | — | 10 |
| Entree (From Suite In G Minor, Hwv 453/Ii) | — | Hwv 453 | G minor | Piano, harpsichord | — | 11 |
| Sonate G-dur HWV 363b (Querflote) | — | HWV 363b | — | Flute | — | 10 |
| Fugue in C Major (originally in Bb) | — | — | C major | Recorder | — | 11 |
| Angels Ever Bright And Fair | — | — | — | Piano, Voice | Classical | 9 |
| Leave Me, Loathsome Light! | — | — | — | Voice, Tenor, Alto | Classical | 6 |
| Gavotte from Il Pastor Fido | — | — | — | Cello, violin, Viola | — | 11 |
| Courante from Theodora | — | — | — | Cello, violin, Viola | — | 10 |
| Sonata for Violin and Piano in A major, op. 1, no. 3, HWV361 | — | op. 1, no. 3; HWV361 | A major | Flute, violin | Classical | 12 |
| And The Glory Of The Lord | — | — | — | Piano, Organ, Guitar, Cello, Flute, Voice, bass, Tenor, Choir, Horn, Clarinet, Trombone, Alto, percussion, Viola | — | 29 |
| Why do the nations so furiously rage together (Version I) | — | — | — | Choir | — | 10 |
| But who may abide the day of his coming (Version II) - Transposed for Soprano | 1741-09-14 (end date)IMSLP | — | — | Choir, Voice | — | 11 |
| The Many Rend The Skies (Alexander's Feast) | 1736-01-17 (end date)IMSLP | — | — | Choir | — | 9 |
| Where E'er You Walk | — | — | — | Piano, Guitar, Flute, Voice, Horn, Clarinet, Trombone, Trumpet, Tuba, English Horn, Low Voice | Classical | 11 |
| Sonata II in G Minor | — | — | G minor | Piano, Flute | — | 9 |
| The enemy said (Handel-Israel in Egypt) | — | — | — | Choir | Classical | 9 |
| How vain is man (Handel-Judas Maccabaeus) | 1746 (8/9 July to 11 August)IMSLP | — | — | Choir | — | 11 |
| 1. Overture | — | — | — | Piano, Organ, harpsichord, Flute, Choir, Horn, Trombone, Timpani, Trumpet, Tuba, percussion, Euphonium, Handbell | — | 7 |
| 2. Adagio | — | — | — | Piano, Cello, violin, Voice, Horn, Trombone, Trumpet, Tuba, Recorder | Classical | 8 |
| Suite 5, Movement 3 (Early Version) | — | — | — | Piano | — | 10 |
| Impertinence | — | — | — | Piano, Guitar, Flute, violin, Double Bass, Recorder, Saxophone, Viola | Classical | 6 |
| Heroes, when with glory burning | — | — | — | Piano, Voice | — | 9 |
| Harmonious Blacksmith | — | — | — | Piano | Classical | 11 |
| Allegro In D (Mozart) | — | — | — | Flute | Classical | 9 |
| Gavotte (From Opus 5 #1) | — | Opus 5 | — | Cello | — | 9 |
| Menuett (From Opus 5 #4) | — | Opus 5 | — | Cello | — | 8 |
| Er Weidet Seine Herde | — | — | — | Piano, Horn, Trombone, Tuba | — | 8 |
| Sonata in F Major HWV 370 | — | HWV 370 | F major | Piano, Organ, Cello, violin | Classical | 8 |
| Aria con Variazioni | — | — | — | Piano, Cornet | — | 7 |
| The Shepherd and His Sheep | — | — | — | Piano | — | 10 |
| Aria, From Suite No.14 | — | — | — | Piano | — | 10 |
| Song For Marcel | — | — | — | Guitar | — | 10 |
| Awful,Pleasing Being,Say | — | — | — | Voice | — | 8 |
| While Shepherds Watched Their Flocks | — | — | — | Guitar, Recorder | — | 8 |
| Sonata for Violin and Piano in E major, op. 1, no. 15, HWV373 | — | op. 1, no. 15; HWV373 | E major | Flute, violin | Classical | 12 |
| "Adagio, Bourr?e and Menuetto from Sonata in G, HWV 363b" | — | HWV 363b | — | Piano, Flute | — | 9 |
| Gavotte In Bb | — | — | — | Piano | — | 7 |
| Thine is The Glory - Cornet 2 | — | — | — | Piano, Vocal | — | 8 |
| Messiah | 1741-09-14 (end date)Wikidata | — | — | Organ, Cello, Oboe, violin, Continuo, Bassoon, bass, Orchestra, Tenor, Choir, Trumpet, Alto, percussion, Viola | — | 17 |
| Their sound is gone out (Version I) | — | — | — | Piano, Flute, Choir, Horn, Clarinet, Trombone | — | 9 |
| Behold, I tell you a mystery | — | — | — | Choir | — | 12 |
| 14. Si tra i ceppi (Berenice) | — | — | — | Voice | Classical | 6 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 8931159248059304870007. Portrait: Attributed to Balthasar Denner, Public domain, via Wikimedia Commons.