JustSheetMusic
Portrait of George Frideric Handel

Composer

George Frideric Handel

German-British Baroque composer (1685–1759)

1685–1759

5,055 works in the index

Born
1685
Died
1759
Birthplace
Halle (Saale)
Place of death
Westminster
Citizenship / historical state
Brandenburg-Prussia; Kingdom of Great Britain; Holy Roman Empire
Period (estimated from birth year)
Baroque

Biography

Handel spent most of his career in London writing for the public rather than a court, and it shows in the music: direct, grand and built to work in a large room. The catalogue is dominated by the oratorios, the keyboard suites and a great deal of instrumental music.

Messiah is the most-performed choral work in the language and is sold in a bewildering number of editions, from full scholarly scores to simplified singalong versions — check what you are buying, because they are not interchangeable in a rehearsal. The keyboard suites include the variations known as The Harmonious Blacksmith and are more approachable than Bach's equivalent works.

Much of his instrumental music exists in arrangements for combinations he never wrote for. These are legitimate and often excellent, but the listing does not always make clear which you are getting.

Life and musical career

Occupations
composer; harpsichordist; organist; violinist; opera composer; impresario; university teacher
Education
Martin Luther University Halle-Wittenberg
Teachers
Friedrich Wilhelm Zachow
Instruments played
pipe organ; harpsichord; oboe
Genres
opera; oratorio; concerto; anthem; classical music; coronation anthem
Movements
Baroque music
Notable works
Messiah; Water Music; Music for the Royal Fireworks; Giulio Cesare in Egitto; Alcina; Serse; Concerti grossi, Op. 6
Official website
http://gfhandel.org
Birth name
Georg Friedrich Händel
Native languages
German
Languages used
German; English; Italian
VIAF ID
5126950
ISNI
0000000122759702
GND ID
118544489
Library of Congress ID
n79129204
MusicBrainz ID
27870d47-bb98-42d1-bf2b-c7e972e6befc

Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.

In this catalogue

Common listed instruments
Piano, Choir, Organ, Voice, Flute
Genres represented
Classical, Rock, Christmas, pop, Jazz
Works with composition dates
153 of 5,055

These details describe the indexed sheet music, including arrangements.

Catalogue

Works page 42 of 106

Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.

Works and available sheet music details
WorkYear composedCatalogue / opusKey in titleListed instrumentsGenreEditions
Sarabande and Variations: Suite No. 4 Dmi: Bras — —— —— 1
Behold the Lamb — —— Cello, Flute, Voice, Choir, Clarinet, percussion, Viola— 11
Let us break their bonds — —— Cello, Flute, Voice, Choir, Clarinet, percussion, Viola— 12
Part Two — —— Voice, Choir— 4
All they that see him laugh him to scorn — —— Voice, Choir— 3
But thou didst not leave his soul in hell — —— Piano, Voice, Choir— 5
And All The People Rejoic'd — —— Organ, Tenor, Choir— 1
Surely he hath borne our griefs - Chorus — —— Voice, Choir— 2
He trusted in God - Chorus — —— Voice, Choir— 2
Their sound is gone out (Version I) - Chorus — —— Choir— 2
If God be for us (Version I) - Air for Soprano — —— Choir— 1
1. Ouverture - Recit. — —— Piano, Voice, Choir— 4
6. The song began from Jove - Recit., accomp. — —— Voice, Choir— 2
8. With ravish'd ears - Air — —— Voice, Choir— 2
9. The praise of Bacchus - Recit. — —— Voice, Choir— 2
22. Revenge, revenge, Timotheus cries - Air — —— Voice, Choir— 2
29. Let's imitate her notes above - Duet — —— Voice, Choir— 2
32. Your voices tune - Additional Chorus — —— Voice, Choir— 2
Atto secondo — —— Flute, Oboe, Bassoon, Choir, Horn, Piccolo, percussion— 2
Atto terzo — —— Flute, Oboe, Bassoon, Choir, Horn, Piccolo, percussion— 2
Let Their Celestial Voices — —— bass, Tenor, Choir, Alto— 0
Exceeding Glad Shall He Be — —— Choir— 2
Ah, spietato — —— Low Voice— 3
Recit: O worse than Death — —— —— 2
Puribondo spira il vento — —— Low Voice— 1
Generoso chi sol brama — —— Low Voice— 1
Recit: I rage, I melt. Aria O ruddier than the cherry — —— Low Voice— 2
Notte Cara (Dear Night) — —— —— 2
Se Fedel Vuoi Ch'io Ti Creda — —— —— 1
Tutta raccolta ancor (Scipione) — —— Piano, Voice— 4
Singe, Seele, Gott zum Preise — —— Piano, Flute, Oboe, violin— 3
The Rejoicing — —— Voice— 2
Care selve' from (Atalanta) — —— Voice High— 1
Tutta raccolta ancor — —— Piano— 0
Cerco in vano (from 'Tamerlano') [B flat - E flat] — —— —— 0
No. 15 And the Angel Said Unto Them — —— violin, Choir— 3
No. 18 Rejoice Greatly, O Daughter of Zion — —— violin, Choir— 3
No. 2 Comfort Ye, My People — —— violin, Choir— 3
No. 21 His Yoke is Easy — —— violin, Choir— 3
No. 29 Thy Rebuke Hath Broken His Heart — —— violin, Choir— 3
No. 42 He That Dwelleth in Heaven — —— violin, Choir— 3
There Were Shepherds Abiding In The Fields — —— Choir— 2
Fields — —— Choir— 2
Angel — —— Choir— 2
Opened — —— Choir— 2
7. But Thou Didst Not Leave His — —— Choir— 1
Non Piu Fra Sassiv (Porpora) — —— Voice High— 0
Bei Jesus' Tod und Leiden — —— Low Voice— 1

Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 8931159248059304870007. Portrait: Attributed to Balthasar Denner, Public domain, via Wikimedia Commons.