Composer
George Frideric Handel
1685–1759
5,055 works in the index
- Born
- 1685
- Died
- 1759
- Birthplace
- Halle (Saale)
- Citizenship / historical state
- Kingdom of Great Britain
- Period (estimated from birth year)
- Baroque
Biography
Handel spent most of his career in London writing for the public rather than a court, and it shows in the music: direct, grand and built to work in a large room. The catalogue is dominated by the oratorios, the keyboard suites and a great deal of instrumental music.
Messiah is the most-performed choral work in the language and is sold in a bewildering number of editions, from full scholarly scores to simplified singalong versions — check what you are buying, because they are not interchangeable in a rehearsal. The keyboard suites include the variations known as The Harmonious Blacksmith and are more approachable than Bach's equivalent works.
Much of his instrumental music exists in arrangements for combinations he never wrote for. These are legitimate and often excellent, but the listing does not always make clear which you are getting.
In this catalogue
- Common listed instruments
- Piano, Choir, Organ, Voice, Flute
- Genres represented
- Classical, Rock, Christmas, pop, Jazz
- Works with composition dates
- 153 of 5,055
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 7 of 106
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Sarabande in F Major | — | — | F major | Piano | — | 8 |
| Grace Thy Fair Brow | 1733-02-21 (end date)IMSLP | — | — | Low Voice | Classical | 6 |
| Long Time Gone | — | — | — | Guitar | — | 7 |
| He Shall Feed His Flock, From The Messiah | — | — | — | violin | — | 8 |
| Theme Performed by George Frideric Handel | — | — | — | Piano, Flute | Classical | 7 |
| Concerto F-Dur HWV 333 | — | HWV 333 | — | — | Classical | 7 |
| Te Deum, HWV 278 | 1714IMSLP | HWV 278 | — | Choir | Classical | 7 |
| Behold, and see if there be any sorrow; But Thou didst leave His soul in hell | — | — | — | — | Classical | 8 |
| Sarabande and Meneutt | — | — | — | Trombone | Classical | 6 |
| With Glad Shouts | 1738IMSLP | — | — | Choir | — | 7 |
| I See A Huntsman | — | — | — | Horn | Classical | 8 |
| Ah! Mio Cor | — | — | — | Piano, Voice | Classical | 6 |
| Fun and Frolic | — | — | — | violin | — | 6 |
| Sonata for Flute and Piano in E minor, op. 1, no. 1b, HWV359b | — | op. 1, no. 1b; HWV359b | E minor | Piano, Flute | Classical | 8 |
| Oboe Concerto in G minor: Sarabande | — | — | G minor | Trombone | — | 8 |
| Menuet in D Minor | — | — | D minor | Piano, Organ | — | 7 |
| Menuet in F Major | 1715-36IMSLP | — | F major | Piano | — | 8 |
| Passepied in A Major | — | — | A major | Piano | — | 8 |
| Awake Thou That Sleepest | — | — | — | Piano, Organ | — | 7 |
| Dance In G Major | — | — | G major | — | Classical | 8 |
| He Was Despised And Rejected | — | — | — | Organ | — | 7 |
| March from Rinaldo | 1711, revised 1717, 1731IMSLP | — | — | Cello, violin, Viola | — | 8 |
| Would You Gain the Tender Creature | 1718, revised 1732, 1739IMSLP | — | — | Piano, Voice | — | 7 |
| 19. Praeludium in F-sharp minor | — | — | F-sharp minor | Organ | — | 7 |
| Trumpet Voluntary | — | — | — | Organ | — | 6 |
| Tanto Amore, Segreto | — | — | — | — | — | 7 |
| Rondo in G Major Additional credits Dennis Alexander | — | — | G major | Piano | — | 4 |
| Overture to 'The Occasional Oratorio' | 1746 (January-February)IMSLP | — | — | Organ | — | 7 |
| Nel riposo e nel contento | — | — | — | — | Classical | 9 |
| I. Aria | — | — | — | — | — | 7 |
| Care selve' from Performed by George Frideric Handel | 1735-4-22 (end date)IMSLP | — | — | Piano, Low Voice | — | 8 |
| See, the Conqu'ring Hero Comes from 'judas Maccabaeus' | — | — | — | Piano, Horn | — | 4 |
| Prelude and Allegro in G Minor | 1720 or before*IMSLP | — | G minor | Piano | — | 7 |
| Bellissima Romilda/Di tacere | — | — | — | — | — | 8 |
| Saria lievo/Il core spera | — | — | — | — | — | 8 |
| 18. Szonata F-dur: Siciliana, Gigue | — | — | — | Organ | — | 8 |
| Suite III Rodrigo, HWV 5 | — | HWV 5 | — | Piano, Organ, harpsichord, Cello, Flute | — | 7 |
| Harp Concerto In Bb | — | — | — | Piano | — | 5 |
| Thine Is the Glory | — | — | — | Piano, Vocal | — | 25 |
| Rejoice Greatly Ye Daughters of Zion | — | — | — | Oboe, Tenor Saxophone | — | 8 |
| Handel's Messiah Selections | — | — | — | Piano, Flute, Oboe, Bassoon, Clarinet | Christmas | 8 |
| Capriccio in F | — | — | — | Piano | Classical | 8 |
| Psalms, 1 | — | — | — | — | — | 5 |
| Sonate da Camera, Op.2 & Op.5 | — | Op.2; Op.5 | — | — | — | 6 |
| Sarabande and Variations: Suite No. 4 in Dmi: Win | — | — | — | — | — | 6 |
| Worthy is the Lamb (Handel-Messiah) | — | — | — | Cello, Flute, Voice, Choir, Clarinet, percussion, Viola | — | 20 |
| And He Shall Purify | — | — | — | Cello, Flute, Voice, Choir, Clarinet, percussion, Viola | — | 18 |
| But Who May Abide(Messiah) | — | — | — | Piano, Cello, Flute, Voice, Choir, Clarinet, percussion, Viola | Classical | 19 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 8931159248059304870007. Portrait: Attributed to Balthasar Denner, Public domain, via Wikimedia Commons.