Composer
Gioachino Rossini
1792–1868
968 works in the index
- Born
- 1792
- Died
- 1868
- Birthplace
- Pesaro
- Citizenship / historical state
- Kingdom of Italy
- Period (estimated from birth year)
- Romantic
Biography
Rossini wrote thirty-nine operas by the age of thirty-seven, stopped, and spent the next four decades writing very little. The catalogue is opera, the overtures, the sacred works, and the late piano miniatures he called his Sins of Old Age.
For singers the coloratura arias are the draw and they are the most technically exposed writing in the standard repertoire — the ornamentation is the piece, not decoration on it. Editions differ on how much of it they print, because some of it was traditionally improvised, and a scholarly edition may give you a plainer line than the recording you learned from.
The overtures — The Barber of Seville, William Tell, The Thieving Magpie — are the most-arranged orchestral music in this index and exist for every ensemble at every grade.
In this catalogue
- Common listed instruments
- Piano, Voice, Orchestra, Choir, Cello
- Genres represented
- Classical, Pop, Children, pop
- Works with composition dates
- 30 of 968
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 1 of 21
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Guillaume Tell, Overture | 1824-29IMSLP | — | — | Piano, Organ, Cello, Flute, Oboe, violin, Voice, Bassoon, Double Bass, Horn, Clarinet, Trombone, Trumpet, Recorde | Classical, Pop, Children | 240 |
| Il barbiere de Siviglia: Atto I, Scena II. No. 2 Cavatina "Largo al factotum" (Figaro) | 1816IMSLP | — | — | Piano, Flute, Oboe, Voice, Bassoon, Orchestra, Horn, Clarinet, Trombone, Trumpet, Tuba, Saxophone | Classical | 92 |
| La Cenerentola, ossia La bontà in trionfo | 1817 at latestIMSLP | — | — | Piano, Cello, Flute, Oboe, violin, Bassoon, Double Bass, Horn, Clarinet, Trombone, Trumpet, percussion | Classical | 43 |
| Petite Messe Solennelle | 1863Wikidata | — | — | Piano, Voice, bass, Tenor, Choir, Alto | — | 6 |
| La Gazza Ladra | 1817Wikidata | — | — | Piano, Cello, Flute, Horn, Trombone, Tuba, Piccolo | Classical | 41 |
| Semiramide Overture | — | — | — | Piano, Cello, Flute, Oboe, violin, Voice, Bassoon, Orchestra, Double Bass, Horn, Clarinet, Trombone, Trumpet, per | Classical | 31 |
| L'italiana in Algeri: Sinfonia | — | — | — | Piano, Cello, Flute, Oboe, violin, Voice, Bassoon, Double Bass, Horn, Clarinet, Trombone, Trumpet, percussion | Classical | 27 |
| Rossini: Soirées Musicales, Volume I (Italian/French) | — | — | — | Voice | — | 16 |
| 7. La Gita in gondola (Barcarola) | — | — | — | Voice | Classical | 9 |
| Il barbiere de Siviglia: Atto I, Scena V. No. 5 "Una voce poco fa" (Rosina) | — | — | — | Piano, Voice, Saxophone | Classical, Pop | 6 |
| The Barber of Seville Overture | — | — | — | Piano, Cello, Flute, Oboe, violin, Bassoon, Double Bass, Horn, Clarinet, Trombone, Trumpet, percussion | Classical | 9 |
| A un dottor (Rossini-Barber of Seville) | 1813IMSLP | — | — | Voice | Classical | 15 |
| The Barber of Seville [Arranged by Mitchell S. Bender] | — | — | — | Piano, Flute, Oboe, Bassoon, Horn, Clarinet, Trombone, Tuba, percussion, Euphonium, Tenor Saxophone | Classical | 11 |
| 2. Il Rimprovero (Canzonetta) | — | — | — | Voice | Classical | 9 |
| Barber Of Seville | — | — | — | Horn | — | 12 |
| Overture to The Barber of Sevilla | — | — | — | — | Classical | 8 |
| 8. La Danza (Tarantella napoletana) | — | — | — | Piano, Organ, Voice, Accordion | Classical | 11 |
| Overture (Barber Of S.) | — | — | — | Piano, Harp, Cello, Orchestra, Timpani, percussion | Classical | 13 |
| Il vecchiotto (Rossini-Barber of Seville) | — | — | — | Voice | Classical | 12 |
| Largo Al Factotum | — | — | — | Voice, Bassoon, Saxophone | Classical | 11 |
| Contro un cor (Rossini-Barber of Seville) | — | — | — | Voice | Classical | 13 |
| Buona sera, mio signore (Rossini-Barber of Seville) | — | — | — | Voice | Classical | 12 |
| Barber of Seville Overture - Tuba 2 | — | — | — | — | — | 9 |
| La calunnia, | — | — | — | — | — | 8 |
| Ecco ridente in cielo (Rossini-Barber of Seville) | — | — | — | Voice | Classical | 11 |
| Semiramide | — | — | — | Orchestra, Horn, Piccolo | Classical | 8 |
| La Scala di seta | 1812IMSLP | — | — | Oboe, Voice, Piccolo | Classical | 8 |
| Theme | — | — | — | Clarinet | Classical | 5 |
| Overture "Semiramis" | 1824-29IMSLP | — | — | Clarinet | Classical | 9 |
| L'invito | — | — | — | Voice | Classical | 6 |
| Un larme - A-Dur/A major | — | — | — | — | Classical | 9 |
| Rossini: Soirées Musicales, Volume II (Italian/French) | — | — | — | Voice | — | 8 |
| Variations for Clarinet and Small Orchestra in C major | 1809IMSLP | — | C major | — | Classical | 7 |
| Tancredi - Act I: 'Di tanti palpiti' (Tancredi) | — | — | — | — | Classical | 7 |
| La calunnia (Rossini-Barber of Seville) | — | — | — | Voice | Classical | 10 |
| Contenta Quest' Alma | — | — | — | — | — | 7 |
| Dall'oriente - A-Dur/A major | — | — | — | Choir | Classical | 7 |
| Extremes | — | — | — | Piano | Classical | 8 |
| Up the Hills | — | — | — | violin | — | 7 |
| Aria from 'The Barber of Seville' | — | — | — | Piano, Saxophone | — | 7 |
| Il Turco in Italia | 1813-14IMSLP | — | — | Horn, Tuba | Classical | 5 |
| Lord! Vouchsafe Thy Loving Kindness | — | — | — | Piano, Voice | — | 6 |
| Rossini: Piano Works, Volume II | — | — | — | Piano | — | 7 |
| Duet in D for Cello and Bass | 1824IMSLP | — | — | — | Classical | 6 |
| Journey to Reims | 1825IMSLP | — | — | — | Classical | 6 |
| Frag' ich mein beklomm'nes Herz | — | — | — | Piano | — | 7 |
| Bel raggio lusinghier | — | — | — | — | — | 6 |
| Pro Peccatis | — | — | — | Choir | Classical | 8 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 34644407. Portrait: Étienne Carjat, Public domain, via Wikimedia Commons.