Composer
Gioachino Rossini
1792–1868
968 works in the index
- Born
- 1792
- Died
- 1868
- Birthplace
- Pesaro
- Citizenship / historical state
- Kingdom of Italy
- Period (estimated from birth year)
- Romantic
Biography
Rossini wrote thirty-nine operas by the age of thirty-seven, stopped, and spent the next four decades writing very little. The catalogue is opera, the overtures, the sacred works, and the late piano miniatures he called his Sins of Old Age.
For singers the coloratura arias are the draw and they are the most technically exposed writing in the standard repertoire — the ornamentation is the piece, not decoration on it. Editions differ on how much of it they print, because some of it was traditionally improvised, and a scholarly edition may give you a plainer line than the recording you learned from.
The overtures — The Barber of Seville, William Tell, The Thieving Magpie — are the most-arranged orchestral music in this index and exist for every ensemble at every grade.
In this catalogue
- Common listed instruments
- Piano, Voice, Orchestra, Choir, Cello
- Genres represented
- Classical, Pop, Children, pop
- Works with composition dates
- 30 of 968
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 2 of 21
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Sancta Mater | — | — | — | Choir | — | 7 |
| Prelude Inoffensif | — | — | — | Piano | Classical | 7 |
| Specimen de l'Ancien Regime | — | — | — | Piano | Classical | 4 |
| Overture (The Barber Of Seville) | — | — | — | Piano, Clarinet | Classical | 8 |
| Mi par d'esser (Rossini-Barber of Seville) | — | — | — | Voice | Classical | 9 |
| Cessa di piu resistere (Rossini-Barber of Seville) | — | — | — | Voice | Classical | 9 |
| Di piacer mi balza il cor | — | — | — | — | — | 8 |
| L'Italiana in Algeri | 1813IMSLP | — | — | Oboe | Classical | 7 |
| Cruda Sorte..Gia So Per Pratica | — | — | — | — | Classical | 6 |
| March | — | — | — | Cello | Classical | 5 |
| Si, si, la vincero | — | — | — | Low Voice | — | 6 |
| Rossini: Opera Overtures (Arranged) | — | — | — | Piano, Hands | — | 6 |
| The Barber of Seville (Overture): Tuba | — | — | — | Piano, Orchestra | — | 6 |
| Rossini: Album of Six Overtures | — | — | — | Piano | — | 6 |
| Il trovatore "Chi m'ascolta il canto usato" | — | — | — | Voice | Classical | 6 |
| La donna del lago | 1819Wikidata | — | — | Orchestra | Classical | 4 |
| 5. L'Invito (Bolero) | — | — | — | Voice | Classical | 6 |
| A un dottor della mia sorte | — | — | — | — | — | 6 |
| Kyrie | — | — | — | — | — | 6 |
| Gloria | — | — | — | — | — | 4 |
| Choeur - g-Moll/G minor | — | — | — | Choir | Classical | 5 |
| Soiree Musicale No. 9 | 1821IMSLP | — | — | Piano | — | 5 |
| Dans Siberienne | — | — | — | Piano | Classical | 6 |
| Whistling | — | — | — | Bassoon, Horn, Tuba, Tenor Saxophone | Classical | 5 |
| Di Piacer Mi Balza | — | — | — | Voice | Classical | 5 |
| Resta immobile from Guglielmo Tell | — | — | — | Voice | Classical | 5 |
| Largo in As - As-Dur/Ab major | — | — | — | — | Classical | 5 |
| Andante molto sostenuto - Es-Dur/Eb major | — | — | — | — | Classical | 5 |
| Quasi Adagio - A-Dur/A major | — | — | — | — | Classical | 5 |
| Tancredi Overture - Tuba 2 | — | — | — | — | — | 3 |
| LaDanza | — | — | — | Piano, Guitar, Voice, Vocal | — | 4 |
| La pastorella "Odia la pastorella" | — | — | — | Piano, Guitar, Voice | Classical | 7 |
| L'Equivoco stravagante | 1811IMSLP | — | — | Orchestra | Classical | 4 |
| Gorgheggi e solfeggi | — | — | — | Voice | Classical | 5 |
| 1. La Promessa (Canzonetta) | — | — | — | Voice | Classical | 6 |
| ---: "In si barbara" (Mezzo-Soprano) | — | — | — | — | — | 4 |
| O salutaris Hostia (Corpus Christi; Holy Communion anthem) | — | — | — | Choir | — | 3 |
| Quando Corpus | — | — | — | Choir | — | 6 |
| Il vecchiotto cerca moglie | — | — | — | — | — | 4 |
| Sono andati (From La Boheme) | — | — | — | Piano | Classical | 6 |
| Siege of Corinth Overture | — | — | — | Piano, Cello, Flute, Oboe, violin, Bassoon, Double Bass, Horn, Clarinet, Trombone, Trumpet, percussion | Classical | 4 |
| Domine Deus (Messe Solennelle) | — | — | — | Piano | Classical | 3 |
| O Come All Ye Faithful | — | — | — | Cello | — | 4 |
| O tranquillo soggiorno from Sigismondo | — | — | — | Voice | Classical | 5 |
| Sombre foret from Guillaume Tell | — | — | — | Voice | Classical | 5 |
| Selva opaca from Guillaume Tell | — | — | — | Voice | Classical | 5 |
| Oh! Che Muso | — | — | — | — | — | 4 |
| Pensa Alla Patria | — | — | — | — | — | 4 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 34644407. Portrait: Étienne Carjat, Public domain, via Wikimedia Commons.