Composer
Giuseppe Verdi
1813–1901
2,449 works in the index
- Born
- 1813
- Died
- 1901
- Birthplace
- Le Roncole
- Citizenship / historical state
- Kingdom of Italy
- Period (estimated from birth year)
- Romantic
Biography
Verdi wrote for the voice above everything else, and his catalogue is dominated by opera — twenty-eight of them, plus the Requiem, which is an opera in all but name and staging.
Singers meet him through the aria anthologies rather than the full scores, and that is the right way in: a vocal score of Rigoletto is several hundred pages of which you may want four. The standard collections are published by voice type, and Verdi is unusually demanding about which — a role written for a spinto soprano does not suit a light lyric voice, whatever the notes look like on the page.
For everyone else there are the choruses, which choirs sing constantly and which are published as individual octavos. The one from Nabucco is effectively Italy's second national anthem and is available in more arrangements than any other chorus in the repertoire.
In this catalogue
- Common listed instruments
- Voice, Piano, Orchestra, Choir, Organ
- Genres represented
- Classical, pop, Pop, Folk, Children
- Works with composition dates
- 41 of 2,449
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 2 of 52
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Dite alla giovine (Verdi-Traviata) | — | — | — | Voice | Classical | 11 |
| Noi siamo zingarelle (Verdi-Traviata) | — | — | — | Voice | Classical | 10 |
| More , Elisa, Lo Stanco Poeta | — | — | — | Piano, Organ, Voice | Classical | 6 |
| In Solitaria Stanza | — | — | — | Piano, Organ, Voice | Classical | 8 |
| Celeste Aida from Aida | — | — | — | Piano, Voice, Tenor | Classical | 7 |
| De Miei Bollenti Spiriti | — | — | — | Piano, Voice | Classical | 6 |
| Caro Nome Performed by Giuseppe Verdi | — | — | — | Piano | Classical | 6 |
| Home To Our Mountains Performed by Giuseppe Verdi | — | — | — | Piano | Classical, pop | 6 |
| Un ballo in maschera: Atto I. "Di' tu se fedele" (Riccardo) | — | — | — | Piano, Voice | Classical | 11 |
| Un ballo in maschera: Atto III. Morrò, ma prima in grazia (Amelia) | — | — | — | Piano, Voice | Classical | 9 |
| Il Trovatore | 1852-53Wikidata | — | — | Voice, Piccolo | Classical | 6 |
| Lacrymosa | — | — | — | Piano, Voice, Choir, Voice Tenor | Classical | 9 |
| 4. Sanctus | — | — | — | Voice, Choir, Voice Tenor | Classical | 10 |
| 5. Agnus Dei | — | — | — | Voice, Choir, Voice Tenor | Classical | 9 |
| Pura siccome (Verdi-Traviata) | — | — | — | Voice | Classical | 8 |
| V'ho ingannato | — | — | — | — | Classical | 8 |
| Addio, Del Passatto | — | — | — | Piano | Classical | 8 |
| Libiamo ne' lieti calici | — | — | — | Piano | Classical | 8 |
| Theme from Falstaff | 1893IMSLP | — | — | Tuba | Classical | 6 |
| Requiem: 'Confutatis' | 1874, rev.1875IMSLP | — | — | — | — | 8 |
| Aida, Act I, Part 1 - Prelude | 1870–71IMSLP | — | — | Voice | Classical | 8 |
| Messa per Rossini: VIId. Responsorium. Libera me, Domine: Libera me | — | — | — | Piano, Voice, Choir, Voice Tenor | Classical | 9 |
| Tuba mirum | — | — | — | Voice, Choir, Voice Tenor | Classical | 7 |
| Quid sum miser | — | — | — | Voice, Choir | Classical | 8 |
| Rex tremendae | — | — | — | Voice, Choir, Voice Tenor | Classical | 7 |
| March (Aida) | — | — | — | Piano | Classical | 11 |
| Parigi, o cara (Verdi-Traviata) | — | — | — | Piano, Voice | Classical | 9 |
| Ritorna vincitor from AIDA | — | — | — | Piano | Classical | 6 |
| Il poveretto (1847) | — | — | — | Piano, Organ, Voice | Classical | 6 |
| Ei fugge!... e con tal foglio from Aroldo | — | — | — | Piano, Voice | Classical | 6 |
| Re Dell'abisso, Affrettati | — | — | — | — | Classical | 8 |
| Oh Patria Mia | — | — | — | Voice | Classical | 5 |
| Don Carlo - Act V: 'Tu che le vanita conoscesti del mondo' Performed by Giuseppe Verde | — | — | — | — | — | 6 |
| Concert Paraphrase of Ernani | 1859?IMSLP | — | — | Piano | Classical | 7 |
| Ah, I Have Sighed To Rest Me | — | — | — | — | Classical | 7 |
| Condetta ella era in ceppi | — | — | — | — | Classical | 6 |
| Aida, Act IV - Scene I: L'abborrita rivale a me sfuggia | — | — | — | Voice | Classical | 7 |
| Ave Maria Othello | — | — | — | Voice | Classical, pop | 7 |
| Alzira | 1845IMSLP | — | — | — | Classical | 5 |
| Macbeth | 1847IMSLP | — | — | — | Classical | 4 |
| Songs for Voice and Piano | — | — | — | Voice | Classical | 5 |
| Mentre gonfiarsi l'anima | — | — | — | Low Voice | Classical | 6 |
| Mina, pensai che un angelo | — | — | — | Voice | Classical | 6 |
| In braccio alle dovizie | — | — | — | Voice | Classical | 6 |
| Sacra la scelta | — | — | — | Voice | Classical | 7 |
| Allor che i forti corrono | — | — | — | — | Classical | 6 |
| Ritorna vincitor! | — | — | — | Voice | Classical | 11 |
| D'amor Sull' Ali Rosee | — | — | — | Voice | Classical | 9 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 22329110. Portrait: Ferdinand Mulnier, Public domain, via Wikimedia Commons.