Composer
Hector Berlioz
1869–1803
445 works in the index
- Born
- 1869
- Died
- 1803
Biography
Berlioz was a key French musician, composer, and litterateur of the Romantic period, and the author of some 4,000 often revealing letters. He flourished during the Second Empire, and though he was a critic of the tumultuous politics that had brought about the reign of Napoleon III, he also wrote: "The life of violent twists and turns suits me so well that I could not endure any other. All I need is time and health...."
Berlioz is known, among much else, as a composer of operas. He has to his name four complete operas: Béatrice et Bénédict; Benvenuto Cellini; Les Troyens; and La Damnation de Faust. He composed parts of a fifth, Les francs-juges. (Although he eventually abandoned that project and destroyed much of the music, a notable overture survives.)
Berlioz died at home, in Paris, surrounded by friends. He was buried, by his own choice, in Montmartre Cemetery. His two wives lie beside him there.
In this catalogue
- Common listed instruments
- Choir, Voice, Piano, Flute, Horn
- Genres represented
- Classical, Christmas, Jazz, New Age, Pop
- Works with composition dates
- 56 of 445
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 2 of 10
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Grand Symphony for Band, op. 15: Recitative and Prayer | 1830IMSLP | op. 15 | — | Trombone | Classical | 6 |
| Overture "Les Francs Juges" | 1844IMSLP | — | — | Clarinet | Classical | 6 |
| The burning flame of love | — | — | — | Piano | Classical | 6 |
| Inutiles regrets | 1856IMSLP | — | — | — | Classical | 6 |
| The Shepherd's Farewell From L'enfance Du Christ | — | — | — | Piano, Clarinet | Classical | 5 |
| "Serenade from Harold in Italy, Op. 16" | 1834IMSLP | Op. 16 | — | Piano, Saxophone | Classical | 7 |
| Harold in Italy | 1834IMSLP | — | — | violin | Classical | 4 |
| Lelio, Op. 14b, Part I - Text | — | Op. 14b | — | Voice, Choir | Classical | 6 |
| Un Bal | — | — | — | Piano | Classical | 4 |
| Requiem, op. 5: IV. Rex tremendae | — | op. 5 | — | Voice, Choir | Classical | 6 |
| Reverie et Caprice | 1841 (March)IMSLP | — | — | — | Classical | 4 |
| Messe solennelle: XI. Sanctus | — | — | — | Voice, Choir | Classical | 5 |
| Les Francs-juges (opera) | 1825–26, rev. 1829, 1833IMSLP | — | — | — | Classical | 4 |
| 4. Chant de bonheur | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, percussion | Classical | 5 |
| Le montagnard exile (Holoman 15) | — | — | — | Voice | Classical | 4 |
| 7. Judex Crederis | — | — | — | Harp, Organ, Voice, Choir, Timpani, percussion, Saxophone | Classical | 4 |
| Sur les Lagunes | — | — | — | Piano, Harp, Flute, Oboe, Voice, Bassoon, Horn, Clarinet, Low Voice | Classical | 5 |
| Thou Must Leave Thy Lowly Dwelling | — | — | — | Organ | Classical | 3 |
| Zur Ausgabe und Vorwort (englisch/franzosisch/deutsch) | — | — | — | Harp, Flute, Oboe, Voice, Bassoon, Choir, Horn, Clarinet, Trombone, Piccolo, English Horn, percussion, Cornet | Classical | 6 |
| 6. Te Ergo Quaesumus | — | — | — | Harp, Organ, Voice, Choir, Timpani, percussion, Saxophone | Classical | 4 |
| Le cinq mai | — | — | — | Choir | Classical | 4 |
| Grande ouverture de Waverley Hol. 26 | 1827IMSLP | — | — | — | Classical | 4 |
| Comme autrefois | — | — | — | — | Classical | 5 |
| Once Upon A Time | — | — | — | Piano | Classical | 5 |
| Certain Rat Dans Une Cuisine | — | — | — | — | Classical | 5 |
| Une puce gentille | — | — | — | — | Classical | 5 |
| Overture "Roman Carnival" | — | — | — | violin | Classical | 4 |
| Lelio, Op. 14b, Part I - II. Choeur d'Ombres | — | Op. 14b | — | Voice, Choir | Classical | 5 |
| Lelio, Op. 14b, Part II - V. La Harpe Eolienne - Souvenirs | — | Op. 14b | — | Voice, Choir | Classical | 5 |
| Romeo and Juliet Part I - 2c. | — | — | — | Voice, Choir | Classical | 5 |
| Requiem, op. 5: III. Quid sum miser | — | op. 5 | — | Choir | Classical | 4 |
| Messe solennelle: II. Kyrie | — | — | — | Piano, Voice, Choir | Classical | 4 |
| La Captive | 1832 (February)IMSLP | — | — | Voice | Classical | 4 |
| La Damnation de Faust, Op.24 | 1845–46IMSLP | Op.24 | — | Flute, Orchestra, Tuba | Classical | 3 |
| La Dépit de la Bergère | 1819–23 ca.IMSLP | — | — | Piano | Classical | 3 |
| Grande messe des morts | 1837 (March – 29 June)IMSLP | — | — | — | Classical | 2 |
| Huit scènes de Faust | 1828–29IMSLP | — | — | Harp | Classical | 3 |
| La mort de Cléopâtre | 1829IMSLP | — | — | Piano, Cello, Flute, Oboe, violin, Bassoon, Double Bass, Horn, Clarinet, Trombone, Trumpet, Voice Soprano, percu | Classical | 3 |
| Les nuits d | 1840–41IMSLP | — | — | Harp, Voice | Classical | 3 |
| 3. Chanson de brigands | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, percussion | Classical | 3 |
| 5. La Harpe eolienne | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, percussion | Classical | 3 |
| Le Spectre de la Rose | — | — | — | Voice, Low Voice | Classical | 5 |
| Le Maure jaloux | — | — | — | Voice | Classical | 3 |
| 2. Tibi Omnes | — | — | — | Harp, Organ, Voice, Choir, Timpani, percussion, Saxophone | Classical | 3 |
| 3. Prelude | — | — | — | Harp, Organ, Voice, Choir, Timpani, percussion, Saxophone | Classical | 4 |
| When Christ Was Born Of Mary Free (John Gardner) | — | — | — | Piano | Classical | 4 |
| Ouverture | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, percussion, Cornet | Classical | 3 |
| Critical Notes (nur englisch) | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, percussion, Cornet | Classical | 3 |