Composer
Hector Berlioz
1869–1803
445 works in the index
- Born
- 1869
- Died
- 1803
Biography
Berlioz was a key French musician, composer, and litterateur of the Romantic period, and the author of some 4,000 often revealing letters. He flourished during the Second Empire, and though he was a critic of the tumultuous politics that had brought about the reign of Napoleon III, he also wrote: "The life of violent twists and turns suits me so well that I could not endure any other. All I need is time and health...."
Berlioz is known, among much else, as a composer of operas. He has to his name four complete operas: Béatrice et Bénédict; Benvenuto Cellini; Les Troyens; and La Damnation de Faust. He composed parts of a fifth, Les francs-juges. (Although he eventually abandoned that project and destroyed much of the music, a notable overture survives.)
Berlioz died at home, in Paris, surrounded by friends. He was buried, by his own choice, in Montmartre Cemetery. His two wives lie beside him there.
In this catalogue
- Common listed instruments
- Choir, Voice, Piano, Flute, Horn
- Genres represented
- Classical, Christmas, Jazz, New Age, Pop
- Works with composition dates
- 56 of 445
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 6 of 10
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Tomorrow Shall Be My Dancing Day | — | — | — | Piano, Organ, Voice, Choir | Classical | — |
| Two Polish Carols (Traditional) | — | — | — | Piano | Classical | — |
| Introduction | — | — | — | — | — | — |
| Kyrie | — | — | — | — | — | — |
| Gloria | — | — | — | — | — | — |
| Gratias | — | — | — | — | — | — |
| Quoniam | — | — | — | — | — | — |
| Credo | — | — | — | — | — | — |
| Incarnatus | — | — | — | — | — | — |
| Crucifixus | — | — | — | — | — | — |
| O salutaris | — | — | — | — | — | — |
| Domine, salvum | — | — | — | — | — | — |
| Eroffnungs-Rezitativ des Erzahlers | — | — | — | Piano, Harp, Organ, Flute, Oboe, Voice, Bassoon, Choir, Horn, Clarinet, Trombone, Piccolo, English Horn, percussi | Classical | 1 |
| Le songe d'Herode / Herodes' Traum / Herod's Dream | — | — | — | Piano, Harp, Organ, Flute, Oboe, Voice, Bassoon, Choir, Horn, Clarinet, Trombone, Piccolo, English Horn, percussi | Classical | 1 |
| La fuite en Egypte / Die Flucht nach Agypten / The Flight into Egypt | — | — | — | Piano, Harp, Organ, Flute, Oboe, Voice, Bassoon, Choir, Horn, Clarinet, Trombone, Piccolo, English Horn, percussi | Classical | 1 |
| L'arrivee a Sais / Die Ankunft in Sais / The Arrival at Sais | — | — | — | Piano, Harp, Organ, Flute, Oboe, Voice, Bassoon, Choir, Horn, Clarinet, Trombone, percussion, Cornet, Harmonium | Classical | 1 |
| Hungarian March from Damnation of Faust | — | — | — | — | — | — |
| Akt 1 | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, percussion, Cornet | Classical | — |
| Zwischenakt | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, percussion, Cornet | Classical | — |
| 2 Faksimiles | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, percussion, Cornet | Classical | — |
| Anhang: Scenario of "Benedict et Beatrix" (ca 1852) | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, percussion, Cornet | Classical | — |
| L'arrivee a Sais / Die Ankunft in Sais / The Arrival in Sais | — | — | — | Harp, Organ, Flute, Oboe, Bassoon, Choir, Clarinet, Trombone, Piccolo, English Horn, percussion, Cornet, Harmoni | Classical | — |
| Volume 8b: Supplement: Foreword, Critical Notes, Errata. Appendix 1: Autorship of the Libretto | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Trombone, Tuba, Cornet | Classical | — |
| Appendix 2: The Original Form of the "Marche hongroise" | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Trombone, Tuba, Cornet | Classical | — |
| Appendix 3: Transpositions of "Le roi de Thule" and "Serenade de Mephistopheles" | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Trombone, Tuba, Cornet | Classical | — |
| Appendix 5: Changes of detail | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Trombone, Tuba, Cornet | Classical | — |
| Volume 2b: Acts III-V | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, Piccolo, Cornet | Classical | — |
| Volume 2c Supplement: Foreword (englisch/franzosisch/deutsch), Critical Notes, Errata. Appendix I: "La Prise de Troje" and "Les Troyens a Carthage" as separate operas | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, Piccolo, Cornet | Classical | — |
| Appendix II: Authorised cuts and reductions | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, Piccolo, Cornet | Classical | — |
| Appendix III: Rejected scenes | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, Piccolo, Cornet | Classical | — |
| Appendix IV: Other rejected music | — | — | — | Flute, Oboe, Bassoon, Choir, Horn, Clarinet, Trombone, Piccolo, Cornet | Classical | — |
| 7 Faksimiles | — | — | — | Flute, Oboe, Bassoon, Clarinet, Trombone, Piccolo, English Horn, percussion, Cornet | Classical | 1 |
| 5. Christe, Rex Gloriae | — | — | — | — | — | — |
| Symphonie fantastique: episode de la vie d'un artiste - I. Reveries, passions | — | — | — | — | — | — |
| Symphonie fantastique: episode de la vie d'un artiste -II. Un bal | — | — | — | — | — | — |
| Symphonie Fantastique, Op.14 | — | Op.14 | — | — | — | 1 |
| The Roman Carnival Overture Op.9 | — | Op.9 | — | — | — | 1 |
| The Shepherds' Farewell To The Holy Family | — | — | — | — | — | — |
| 9 Faksimiles | — | — | — | Harp, Flute, Oboe, Bassoon, Horn, Clarinet, Trombone, percussion, Cornet | Classical | — |
| 1. Symphonie Fantastique, Op. 14: March to the Scaffold | — | Op. 14 | — | — | — | 1 |
| 4. La Damnation de Faust, Op. 24: Hungarian March | — | Op. 24 | — | — | — | 1 |
| Serenade to the Madonna | — | — | — | Flute, Oboe, Bassoon, Horn, Clarinet | — | 1 |
| Roman Carnival and Damnation of Faust, Requiem | — | — | — | — | — | — |
| Symphonie Fantastique, Harold of Italy | — | — | — | — | — | — |
| Queen Mab, Benevenuto Cellini, Damnation of Faust | — | — | — | — | — | — |
| Fausts Verdammnis op. 24 | — | op. 24 | — | — | Classical | 1 |
| Fausts Verdammnis op. 24 -Ungarischer Marsch- | — | op. 24 | — | — | Classical | 1 |
| Romeo and Juliet | — | — | — | Cello, violin, Clarinet, Tuba | Classical | — |