Composer
Kurt Weill
1950–1900
269 works in the index
- Born
- 1950
- Died
- 1900
Biography
Kurt Julian Weill studied music composition with Ferruccio Busoni in the early 1920s. The first work of his performed publicly anywhere was his children’s pantomime, Die Zaubernacht (The Magic Night) performed in November 1922. But Weill’s lasting reputation is based on his collaboration with Bertolt Brecht on The Threepenny Opera in 1928. Theodor Wiesengrund-Adorno described Weill’s compositions for this work thus: “The harmonies, the fatal diminished seventh chords, the chromatic alterations of diatonic melodic steps, the expressivo that expresses nothing, they sound false to us …” That was, surprisingly, intended as praise. These features of the score have to “sound false,” as a way of establishing that something new and dangerous is afoot. Weill died of a heart attack after a half century of life. His wife, Lotte Lenya, lived on until 1981, and her name has become a fixture in English-language versions of the most famous song from The Threepenny Opera, “Mack the Knife.”
In this catalogue
- Common listed instruments
- Voice, Piano, Guitar, Vocal, Horn
- Genres represented
- Classical, Jazz, pop, Pop, Broadway
- Works with composition dates
- 0 of 269
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 1 of 6
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| September Song | — | — | — | Piano, Guitar, Voice, Vocal, Choir | Classical | 17 |
| My Ship | — | — | — | Piano, Voice | Classical | 14 |
| Happy End: Bilbao-Song | — | — | — | Piano, Guitar, Voice | Classical | 9 |
| One Touch of Venus: Speak Low | — | — | — | Piano, Guitar, Voice, Vocal, Accordion | Jazz, Classical, Broadway | 12 |
| What Good Would The Moon Be? | — | — | — | Piano, Voice | Classical | 10 |
| The Right Guy For Me | — | — | — | Piano | Classical | 7 |
| Lady in the Dark: One Life to Live | — | — | — | Piano, Guitar, Voice | Classical | 11 |
| Alabama Song | — | — | — | Piano, Guitar, Voice | Rock, Classical, Pop | 10 |
| Song Of The Rhineland Additional credits Ira Gershwin, Kurt Weill | — | — | — | Guitar, Voice | Classical | 9 |
| Ballade Von Der Sexuellen | — | — | — | — | Classical | 8 |
| Der Backer Backt Ums Morgenrot | — | — | — | Piano, Voice | Classical | 6 |
| Die Dreigroschenoper: Akt II. Die Ballade vom angenehmen Leben | — | — | — | Piano, Guitar, Voice | Classical | 7 |
| Lied Von Den Braunen Inseln | — | — | — | Piano, Voice | Classical | 5 |
| Dirge For A Soldier | — | — | — | Piano, Voice | Classical | 6 |
| Konnen Einem Toten Nicht Helfen | — | — | — | — | Classical | 4 |
| Pirate Jenny Additional credits Kurt Weill | — | — | — | Guitar, Voice | Classical | 5 |
| Westwind Additional credits Ogden Nash, Kurt Weill | — | — | — | Guitar, Voice | Classical | 7 |
| River Chanty Additional credits Maxwell Anderson, Kurt Weill | — | — | — | Guitar, Voice | Classical | 5 |
| Big Mole Lost In Additional credits Maxwell Anderson, Kurt Weill | — | — | — | Guitar, Voice | Classical | 6 |
| My Heart Is Showing | — | — | — | — | Classical | 4 |
| Is It Him Or Is It Me? | — | — | — | — | Classical | 5 |
| A Rhyme For Angela | — | — | — | — | Classical | 4 |
| There'll Be Life, Love And Laughter | — | — | — | Piano | Classical | 6 |
| Berlin Im Licht-Song | — | — | — | Piano, Guitar, Voice | Classical | 7 |
| Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer | — | — | — | Piano, Voice, Horn, Trombone, Trumpet, Tuba | Jazz, Classical, Pop | 8 |
| Knickerbocker Holiday: It Never Was You | — | — | — | Piano, Guitar, Voice | Classical | 8 |
| Green-Up Time | — | — | — | Piano, Voice | Classical | 7 |
| The Little Gray House | — | — | — | Piano, Voice | Classical | 6 |
| Mack the Knife | — | — | — | Piano, Voice, Choir | Jazz, Classical, Pop | 12 |
| Muschel Von Margate | — | — | — | — | Classical | 6 |
| Les Filles De Bordeaux | — | — | — | Piano, Voice | Classical | 5 |
| As Long As I Love | — | — | — | Piano, Voice | Classical | 4 |
| Boy Like You | — | — | — | — | Classical | 4 |
| Moon-Faced, Starry-Eyed | — | — | — | Piano, Voice | Classical | 7 |
| Mile After Mile | — | — | — | Piano, Voice | Classical | 6 |
| Oh The Rio Grande | — | — | — | — | Classical | 6 |
| Right Guy For Me | — | — | — | — | Classical | 4 |
| The Song Of The Free Additional credits Archibald MacLeish, Kurt Weill | — | — | — | Guitar, Voice | Classical | 6 |
| Ballad Of The Robbers Additional credits Maxwell Anderson, Kurt Weill | — | — | — | Piano, Guitar, Voice | Classical | 6 |
| Ain't It Awful, The Heat? | — | — | — | Voice | Classical | 5 |
| Apple Jack | — | — | — | — | Classical | 4 |
| Mr. Right | — | — | — | — | Classical | 4 |
| One Touch of Venus: That's Him | — | — | — | Piano, Guitar, Voice | Classical | 7 |
| Marie Galante: J'attends un navire | — | — | — | Piano, Guitar, Voice | Classical | 4 |
| Here I'll Stay | — | — | — | Piano, Voice | Classical | 6 |
| Lost In The Stars | — | — | — | Piano, Voice, Choir | Classical | 7 |
| Mon Ami, My Friend | — | — | — | Piano, Voice | Classical | 5 |
| Sing Me Not A Ballad | — | — | — | Piano, Voice | Classical | 6 |