Ludwig van Beethoven

Beethoven sits on the hinge between the Classical style he inherited and the Romantic one he made possible, and the catalogue spans both: thirty-two piano sonatas, sixteen string quartets, nine symphonies, five piano concerti and a large body of songs and chamber music.

The piano sonatas are the most-bought and the most misjudged. The famous ones — the Moonlight, the Pathétique, the Waldstein — are advanced works, and the first movement of the Moonlight being playable early does not make the rest of it so. The genuine starting points are the two sonatas of Op. 49 and the bagatelles, including the one everyone knows as Für Elise.

He revised heavily and his manuscripts are difficult, so editions disagree about specific notes and markings more than you might expect from a composer this recent. If you are working with a teacher, use theirs.