Composer
Max Bruch
German romantic composer and conductor (1838-1920)
1838–1920
109 works in the index
- Born
- 1838
- Died
- 1920
- Birthplace
- Cologne
- Citizenship / historical state
- Germany
- Period (estimated from birth year)
- Romantic
Biography
Max Bruch — German romantic composer and conductor (1838-1920). Max Bruch was born in 1838 in Cologne. The recorded year of death is 1920. The biographical record lists citizenship or historical state as Germany.
In this catalogue
- Common listed instruments
- violin, Piano, Cello, Clarinet, Viola
- Genres represented
- Classical
- Works with composition dates
- 21 of 109
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 2 of 3
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Bruch: Violin Concerto in G Minor, Op. 26 | — | Op. 26 | G minor | — | Classical | 2 |
| Kol Nidrei, Op.47 | — | Op.47 | — | — | — | — |
| Andante Sostenuto | — | — | — | Piano, violin | Classical | — |
| Finale: Allegro Gurriero - Un Poco Tranquillo - Tempo I - Adagio - Allegro | — | — | — | Piano, violin | Classical | — |
| Vospiel | — | — | — | Piano, violin | Classical | — |
| 1. Klavierstuck in B | — | — | — | Piano | Classical | — |
| 3. Impromptu in G | — | — | — | Piano | Classical | — |
| 4. Klavierstuck in D minor | — | — | D minor | Piano | Classical | — |
| 5. Waltz in F-sharp | — | — | — | Piano | Classical | — |
| 6. Klavierstuck in E | — | — | — | Piano | Classical | — |
| Adagio from Violin Concerto in G minor | — | — | G minor | — | — | — |
| Kol Nidrei - d-Moll/D minor | — | — | — | — | — | — |
| Geh, wo Ruhm dir winket, Op. 86 no. 4 - Es-Dur/Eb major | — | Op. 86 no. 4 | — | Choir | Classical | — |
| Prelude to "Lorelei" | — | — | — | Horn | Classical | 1 |
| Kol Nidrei , op. 47 Performed by Max Bruch | — | op. 47 | — | — | — | — |
| Violin Concerto No. 1 in G minor, op. 26: II. Adagio | — | op. 26 | G minor | — | — | 1 |
| Violin Concerto Op.26 Slow Movement | — | Op.26 | — | Saxophone | Classical | — |
| Theme from Violin Concerto | — | — | — | violin | Classical | — |
| "Impromptu in G, Op. 12 No. 3" | — | Op. 12 No. 3 | — | Piano | Classical | 1 |
| "Klavierstuck in D minor, Op. 12 No. 4" | — | Op. 12 No. 4 | D minor | Piano | Classical | — |
| "Walzer in F sharp, Op. 12 No. 5" | — | Op. 12 No. 5 | — | Piano | Classical | — |
| "Klavierst?ck No. 2, Op. 12 No. 2" | — | Op. 12 No. 2 | — | Piano | Classical | — |
| Concerto No. 1 in G Minor, Op. 26 | — | Op. 26 | G minor | violin, Orchestra | Classical | 1 |
| Four Pieces, Op. 70 | — | Op. 70 | — | Cello | Classical | 1 |
| Adagio Performed by Max Bruch | — | — | — | Piano | Classical | — |
| Allegro Appassionato [Saint-Saens, Camille] | — | — | — | Cello | Classical | — |
| Après Un Rêve [Faure, Gabriel] | — | — | — | Cello | Classical | — |
| Arioso [Bach, Johann Sebastian] | — | — | — | Cello | Classical | — |
| Elegie [Faure, Gabriel] | — | — | — | Cello | Classical | — |
| Kol Nidrei Op. 47 (Hebrew Melody) [Bruch, Max] | — | Op. 47 | — | — | — | — |
| Song Without Words [Mendelssohn, Felix] | — | — | — | Cello | Classical | — |
| The Swan (Carnival Of The Animals) [Saint-Saens, Camille] | — | — | — | Cello | Classical | — |
| First Violin Concerto | — | — | — | violin | Classical | — |
| Summer Delights In The Wood | — | — | — | Tenor, Alto | Classical | — |
| The Jolly Musician | — | — | — | Tenor, Alto | Classical | — |
| To Music | — | — | — | Tenor, Alto | Classical | — |
| Music's Sweet Voice | — | — | — | Tenor, Alto | Classical | — |
| Spring Come Again | — | — | — | Tenor, Alto | Classical | — |
| Morning Song Of Praise | — | — | — | Tenor, Alto | Classical | — |
| Adagio Appassionato | — | — | — | violin | Classical | — |
| Eight Pieces | — | — | — | Cello, violin, Clarinet, Viola | Classical | — |
| Op.83 No.2 | — | Op.83 No.2 | — | Clarinet | Classical | — |
| 8 Pieces Op.83 No.5 | — | Op.83 No.5 | — | Cello, violin, Clarinet, Viola | Classical | — |
| 8 Pieces Op.83 No.7 | — | Op.83 No.7 | — | Cello, violin, Clarinet, Viola | Classical | — |
| Op.83 No.7 | — | Op.83 No.7 | — | Clarinet | Classical | — |
| 8 Pieces Op.83 No.8 | — | Op.83 No.8 | — | Cello, violin, Clarinet, Viola | Classical | — |
| Kol Nedrei Op.47 | — | Op.47 | — | violin | Classical | — |
| Schottische Fantasie | — | — | — | violin | Classical | — |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. This short biography is assembled from the recorded facts. Authority record: VIAF 2655561. Portrait: What We Hear in Music , Anne S. Faulkner, Victor Talking Machine Co., 1913, Imported from English Wikipedia: [1] originally uploaded by User:RJHall, Public domain, via Wikimedia Commons.