Composer
Sergei Rachmaninoff
1873–1943
1,041 works in the index
- Born
- 1873
- Died
- 1943
- Birthplace
- Semenovo
- Citizenship / historical state
- Russian Empire
- Period (estimated from birth year)
- Modern
Biography
Rachmaninoff wrote for his own hands, which were exceptionally large, and the catalogue carries the consequences: much of the piano music demands a stretch that a substantial number of players simply do not have.
The C sharp minor prelude, Op. 3 No. 2, is the piece everyone starts with and it is genuinely playable early. The rest of the Op. 23 and Op. 32 preludes vary from difficult to very difficult. The Vocalise exists in arrangements for almost every instrument and is the most useful thing here for non-pianists. The Second and Third Concertos are professional repertoire.
Check the stretch before buying. Editions occasionally offer alternative smaller-hand versions of specific chords, and where they do, the listing usually says so.
In this catalogue
- Common listed instruments
- Piano, Voice, Orchestra, Clarinet, violin
- Genres represented
- Classical, Jazz, Pop
- Works with composition dates
- 108 of 1,041
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 8 of 22
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| 15 Romances | 1906IMSLP | — | — | voice piano | — | 2 |
| Spring | 1902IMSLP | — | — | Harp, Clarinet, Triangle, Timpani, Tuba, Tamtam, English Horn, Cymbals, Drum | — | 2 |
| "I Came To Her" | — | — | — | Voice | Classical | 4 |
| Love's Flame | — | — | — | Voice | Classical | 4 |
| Loneliness | — | — | — | Voice | Classical | 4 |
| Melody | — | — | — | Voice | Classical | 4 |
| Before The Image | — | — | — | Voice | Classical | 4 |
| Sorrow In Springtime | — | — | — | Voice | Classical | 4 |
| "Beloved, Let Us Fly" | — | — | — | Voice | — | 4 |
| To The Children | — | — | — | Voice | Classical | 4 |
| "When Yesterday We Met" | — | — | — | Voice | — | 3 |
| The Ring | — | — | — | Voice | — | 4 |
| Arion | — | — | — | Voice | — | 4 |
| The Raising Of Lazarus | — | — | — | Voice | — | 4 |
| "What Wealth Of Rapture" | — | — | — | Voice | — | 3 |
| Dreams | — | — | — | Voice | — | 4 |
| With Holy Banner Firmly Held | — | — | — | Voice | — | 3 |
| No. 4: Valse | — | — | — | Piano | Classical | 3 |
| Opus 23, No. 6 | — | Opus 23, No. 6 | — | Piano | Classical | 3 |
| Opus 23, No. 8 | — | Opus 23, No. 8 | — | Piano | Classical | 3 |
| Opus 32, No. 3 | — | Opus 32, No. 3 | — | Piano | Classical | 3 |
| Opus 32, No. 8 | — | Opus 32, No. 8 | — | Piano | Classical | 3 |
| Opus 32, No. 13 | — | Opus 32, No. 13 | — | Piano | Classical | 3 |
| Opus 33, No. 1 | — | Opus 33, No. 1 | — | Piano | Classical | 3 |
| Opus 33, No. 2 | — | Opus 33, No. 2 | — | Piano | Classical | 3 |
| Opus 33, No. 3 | — | Opus 33, No. 3 | — | Piano | Classical | 3 |
| Opus 33, No. 6 | — | Opus 33, No. 6 | — | Piano | Classical | 3 |
| Opus 39, No. 1 | — | Opus 39, No. 1 | — | Piano | Classical | 3 |
| Opus 39, No. 2 | — | Opus 39, No. 2 | — | Piano | Classical | 3 |
| Opus 39, No. 5 | — | Opus 39, No. 5 | — | Piano | Classical | 3 |
| Opus 39, No. 6 | — | Opus 39, No. 6 | — | Piano | Classical | 3 |
| Tarantella | — | — | — | Piano | Classical | 3 |
| Prelude (C Sharp Minor) | — | — | — | Piano | — | 2 |
| Thirteen Preludes Op. 32 | — | Op. 32 | — | Piano | — | 3 |
| Etude Tableaux Op. 39 No. 7 | — | Op. 39 No. 7 | — | Piano | Classical | 3 |
| Etude Tableaux Op. 39 No. 9 | — | Op. 39 No. 9 | — | Piano | Classical | 3 |
| Polichinelle in F-Sharp Minor Op. 3 No. 4 | — | Op. 3 No. 4 | F-Sharp minor | Piano | Classical | 5 |
| Tears | — | — | — | Piano | — | 3 |
| Elegie In Eb Minor Op. 3, #1 | — | Op. 3 | E-flat minor | Piano | Classical | 3 |
| Prelude in Gb Major Op. 23, #10 | — | Op. 23 | G-flat major | Piano | Classical | 3 |
| Prelude in F Minor Op. 32, #6 | — | Op. 32 | F minor | Piano | Classical | 3 |
| Prelude in F Major Op. 32, #7 | 1910Wikidata | Op. 32 | F major | Piano | Classical | 3 |
| Prelude in B Minor Op. 32, #10 | — | Op. 32 | B minor | Piano | Classical | 3 |
| Valse In A Major Op. 10, #2 | — | Op. 10 | A major | Piano | Classical | 3 |
| Morceau de fantasie | — | — | — | Piano | Classical | 3 |
| Variations on a Theme of Corelli, Opus 42 | — | Opus 42 | — | Piano | Classical | 3 |
| No. 1: Nocturne | — | — | — | Piano | Classical | 2 |
| No. 2: Valse | — | — | — | Piano | Classical | 2 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 60326614. Portrait: Kubey-Rembrandt Studios, Public domain, via Wikimedia Commons.