Composer
Thomas Morley
English composer, organist and editor
1557–1602
201 works in the index
- Born
- 1557
- Died
- 1602
- Birthplace
- Norwich
- Citizenship / historical state
- Kingdom of England
- Period (estimated from birth year)
- Renaissance
Biography
Thomas Morley — English composer, organist and editor. Thomas Morley was born in 1557 in Norwich. The recorded year of death is 1602. The biographical record lists citizenship or historical state as Kingdom of England.
In this catalogue
- Common listed instruments
- Choir, Voice, Recorder, Piano, Viola
- Genres represented
- Classical
- Works with composition dates
- 0 of 201
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 1 of 5
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Now is the month of Maying | — | — | — | Piano, Cello, Voice, Choir, Trombone, Tuba, Recorder, A Cappella, Mezzo Soprano Voice | Classical | 17 |
| It Was A Lover And His Lass | — | — | — | Piano, Voice, Recorder, Low Voice | Classical | 14 |
| 1. Agnus Dei (Lamb of God) | — | — | — | Voice, Choir, Tuba | Classical | 8 |
| Sing We and Chaunt It | — | — | — | — | — | 10 |
| See, mine own sweet jewel | — | — | — | Cello, violin, Voice, Choir, Recorder, Viola | Classical | 6 |
| Il Lamento (2. Stimme Violinschlussel) | — | — | — | violin, Recorder, Viola da gamba, Viola | Classical | 8 |
| Innsbruck, I Now Must Leave Thee | — | — | — | Voice, Choir | Classical | 6 |
| Come Lovers Follow Me | — | — | — | — | Classical | 4 |
| April is in my Mistress' face | — | — | — | Piano, Voice, A Cappella | Classical | 6 |
| 18. Fire and Lightning | — | — | — | Recorder | Classical | 6 |
| First Booke of Balletts to Five Voyces | — | — | — | — | Classical | 6 |
| La Girandola | — | — | — | Flute | Classical | 6 |
| My Bonny Lass | — | — | — | Voice, Horn, Trombone, Trumpet, Tuba, A Cappella | Classical | 4 |
| Dainty, fine, sweet nymph | — | — | — | Voice, A Cappella | Classical | 7 |
| Though Philomena Lost Her Love | — | — | — | Recorder | Classical | 6 |
| Lasciate Mi Morire(Leave Me,Love | — | — | — | Voice, Choir | Classical | 5 |
| O Grief Ev'n On The Bud | — | — | — | Voice, Choir | Classical | 6 |
| Fyer, Fyer! | — | — | — | Voice, A Cappella | Classical | 6 |
| My Bonny Lass She Smileth | — | — | — | Voice, A Cappella | Classical | 7 |
| Said I That Amaryllis? | — | — | — | Choir | Classical | 5 |
| Sing we and chant it - G-Dur/G major | — | — | — | Choir | Classical | 5 |
| Alman | — | — | — | Harp | Classical | 2 |
| Loe Heere Another Love | — | — | — | Recorder | Classical | 6 |
| Ay me! The fatal arrow | — | — | — | Choir | Classical | 3 |
| Miraculous love's woundind | — | — | — | Voice, A Cappella | Classical | 6 |
| Strike It Up, Tabor (Weelkes) | — | — | — | Choir | Classical | 5 |
| Il Doloroso (2. Stimme Altschlussel) | — | — | — | violin, Recorder, Viola da gamba, Viola | Classical | 4 |
| Aria | — | — | — | — | Classical | 4 |
| Quand Mon Mary Vient De Dehors | — | — | — | Voice, Choir | Classical | 3 |
| Fantasia | — | — | — | Recorder | Classical | 3 |
| 1. Now is the gentle season | — | — | — | — | — | 2 |
| I Will No More Come to Thee | — | — | — | — | Classical | 3 |
| Joy Doth So Arise | — | — | — | — | Classical | 2 |
| Lirum Lirum | — | — | — | Choir, A Cappella | Classical | 5 |
| A Plain and Easy Introduction to Practical Music | — | — | — | — | Classical | 3 |
| Sing we and chant it | — | — | — | Piano, Cello, violin, Voice, Choir, A Cappella, Viola | Classical | 5 |
| Awake Sweet Love | — | — | — | Choir | Classical | 2 |
| The Old English March | — | — | — | Choir | Classical | 2 |
| Seek Sweet Content (Wilbye) | — | — | — | Choir | Classical | 4 |
| The Nightingale (Thomas Weelkes Arr. Henry Leslie) | — | — | — | Choir | Classical | 4 |
| The Silver Swan (Orlando Gibbons Arr. John E. West) | — | — | — | Choir | Classical | 3 |
| What Saith My Dainty Darling (Thomas Morley Arr. John E. West) | — | — | — | Choir | Classical | 4 |
| Farewell, disdainful | — | — | — | Cello, violin, Voice, Choir, Recorder, Viola | Classical | 2 |
| La Rondinella / Das Schwalbchen (2. Stimme im Altschlussel) | — | — | — | violin, Recorder, Viola da gamba, Viola | Classical | 3 |
| 4. Nolo Mortem Peccatoris | — | — | — | Tenor, Tuba, Alto | Classical | 2 |
| My Bonnie Lass She Smileth | — | — | — | Voice, Choir | Classical | 3 |
| Now,O Now I Needs Must Part | — | — | — | Voice, Choir | Classical | 2 |
| Hard by a Crystal Fountain | — | — | — | Voice, A Cappella | Classical | 3 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. This short biography is assembled from the recorded facts. Authority record: VIAF 77117535.