Composer
Wolfgang Amadeus Mozart
1756–1791
11,841 works in the index
- Era
- Classical
- Nationality
- Prince-Archbishopric of Salzburg
- Born in
- Salzburg
Mozart wrote across every form available to him in a career of barely thirty years, and the catalogue reflects it: symphonies, concerti, opera, chamber music, sacred works and a body of keyboard music that has been the backbone of piano teaching ever since.
The sonatas are where most players start, and they are harder than they look — the writing is thin enough that every note is exposed and nothing can be hidden behind pedal. K.545 is the famous "easy" one and is still a genuine test of evenness. Singers come to him through the operas; the concert arias are unfairly neglected and often more approachable.
Works are identified by K. numbers, from Köchel's catalogue, which has been revised repeatedly — you will meet the same piece under more than one number in older editions. Where a listing gives a K. number, that is the most reliable way to confirm you are buying the piece you meant.
Catalogue
Works page 159 of 247
Das Lied der Trennung, K519
Grazie agl'inganni tuoi, K532
Recitative and Aria: Pupille amate non lagrimate, No. 21 from "Lucio Silla", Act 3
"Soffre il mio cor con pace", No. 2 from "Mitridate, rè di Ponto", Act 1, K74a - Full Score
Aer tranquillo e dì sereni, No. 3 from "Il Re Pastore", Act 1 - Full Score
Se vincendo vi rendo felici, No. 9 from "Il Re Pastore", Act 2 - Full Score
Idomeneo, rè di Creta, Act 1, No. 3 "Godiam la pace, trionfi Amore" - Full Score
Idomeneo, rè di Creta, Act 1, No. 9 "Nettuno s'onori!" - Full Score
Idomeneo, rè di Creta, Act 2, No. 15 "Placido è il mar, andiamo" - Full Score
Idomeneo, rè di Creta, Act 3, No. 21 "Andrò ramingo e solo" - Full Score
Idomeneo, rè di Creta, Act 3, No. 27 "No, la morte, la morte io non pavento" - Full Score
"Venga pur, minacci", No. 6 from "Mitridate, rè di Ponto", Act 1, K74a - Full Score
"Son reo, l'error confesso", No. 15 from "Mitridate, rè di Ponto", Act 2, K74a - Full Score
"Se il rigor d'ingrata sorte", No. 20 from "Mitridate, rè di Ponto", Act 3, K74a - Full Score
"Venga, venga de' sommi eroi", No. 6 from "Ascanio in Alba", Act 1, K111 - Full Score
"Per la gioia in questo seno", No. 12 from "Ascanio in Alba", Act 1, K111 - Full Score
"Di te più amabile, nè Dea maggiore", No. 18 from "Ascanio in Alba", Act 1, K111 - Full Score
"Che strano evento turba la Vergine in questo dì!", No. 24 from "Ascanio in Alba", Act 2, K111 - Full Score
"Scendi, celeste Venere", No. 30 from "Ascanio in Alba", Act 2, K111 - Full Score
"Deh se piacer mi vuoi", No. 2 from "La Clemenza di Tito", Act1 - Full Score
"Serbate, o Dei custodi", No. 5 from "La Clemenza di Tito", Act 1 - Full Score
"Parto, parto, ma tu ben mio", No. 9 from "La Clemenza di Tito", Act 1 - Full Score
"Ah grazie si rendano", No. 15 from "La Clemenza di Tito", Act 2 - Full Score
"Deh, per questo istante solo", No. 19 from "La Clemenza di Tito", Act 2 - Full Score
"Tu, è ver, m'assolvi, Augusto?", No. 26 from "La Clemenza di Tito", Act 2 - Full Score
"Meine Seele hüpft vor Freuden", No. 5 from "Zaide", Act 1, K336b - Full Score
"Wer hungrig bei der Tafel sitzt", No. 10 from "Zaide", Act 2, K336b - Full Score
"Ein ergrimmter Löwe brüllet", No. 2 from "Die Schuldigkeit des ersten Gebotes", K35 - Full Score
"Manches
"Iam pastor Apollo", No. 3 from "Apollo et Hyacinthus" - Full Score
"Ut navis in aequore luxuriante", No. 7 from "Apollo et Hyacinthus" - Full Score
"Troppa briga a prender moglie", No. 2 from "La Finta Semplice", Act 1, K46a - Full Score
"Se a maritarmi arrivo", No. 14 from "La Finta Semplice", Act 2, K46a - Full Score
"T'ho detto, buffone, se parli con lei", No. 21 from "La Finta Semplice", Act 2, K46a - Full Score
"Che scompiglio, che flagello", No. 24 from "La Finta Semplice", Act 3, K46a - Full Score
"O, Isis und Osiris" , No. 10 from "Die Zauberflöte", Act 2 - Full Score
"Alles fühlt der Liebe Freuden", No. 13 from "Die Zauberflöte", Act 2 - Full Score
"O, Isis und Osiris, welche Wonne!", No. 18 from "Die Zauberflöte", Act 2 - Full Score
"Die Entführung aus dem Serail", Act 3, No. 17 "Ich baue ganz auf deine Stärke" - Full Score
"Notte e giorno faticar", No. 1 from "Don Giovanni", Act 1, K527 - Full Score
"Là ci darem la mano, là mi dirai di si", No. 7 from "Don Giovanni", Act 1, K527 - Full Score
"Dalla sua pace la mia dipende", No. 11 from "Don Giovanni", Act 1, K527 - Full Score
"Eh via, buffone", No. 15 from "Don Giovanni", Act 2, K527 - Full Score
"Sola, sola in buio loco palpitar", No. 20 from "Don Giovanni", Act 2, K527 - Full Score
"Hm! hm! hm!" , No. 5 from "Die Zauberflöte", Act 1 - Full Score
"Die Entführung aus dem Serail", Act 1, No. 1 "Hier soll ich dich denn sehen, Constanze!" - Full Score
"Die Entführung aus dem Serail", Act 1, No. 7 "Marsch, marsch, marsch! trollt euch fort" - Full Score
"Die Entführung aus dem Serail", Act 2, No. 12 "Welche Wonne, welche Lust herrscht nun mehr in meiner Brust" - Full Score
Dates, era and nationality from Wikidata, matched on name and verified against any dates already held here. The biography above is our own. Portrait: Barbara Krafft, Public domain, via Wikimedia Commons.