Composer
Wolfgang Amadeus Mozart
1756–1791
10,379 works in the index
- Born
- 1756
- Died
- 1791
- Birthplace
- Salzburg
- Citizenship / historical state
- Prince-Archbishopric of Salzburg
- Period (estimated from birth year)
- Classical
Biography
Mozart wrote across every form available to him in a career of barely thirty years, and the catalogue reflects it: symphonies, concerti, opera, chamber music, sacred works and a body of keyboard music that has been the backbone of piano teaching ever since.
The sonatas are where most players start, and they are harder than they look — the writing is thin enough that every note is exposed and nothing can be hidden behind pedal. K.545 is the famous "easy" one and is still a genuine test of evenness. Singers come to him through the operas; the concert arias are unfairly neglected and often more approachable.
Works are identified by K. numbers, from Köchel's catalogue, which has been revised repeatedly — you will meet the same piece under more than one number in older editions. Where a listing gives a K. number, that is the most reliable way to confirm you are buying the piece you meant.
In this catalogue
- Common listed instruments
- Piano, violin, Orchestra, Voice, Flute
- Genres represented
- Classical, pop, Jazz, Pop, New Age
- Works with composition dates
- 453 of 10,379
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 2 of 217
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Vedrai, Carino | — | — | — | Piano, Voice, Voice High, Low Voice | Classical | 28 |
| Papageno's Song | — | — | — | Piano, Guitar, Clarinet | Classical | 21 |
| Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | — | K. 467 | C major | Piano, Flute, Recorder | Classical | 17 |
| Requiem in D minor, K. 626: VI. Benedictus. Andante - allegro | — | K. 626 | D minor | Piano, Organ, Voice, bass, Tenor, Choir, Timpani, Alto, percussion, Voice High | Classical | 28 |
| La clemenza di Tito, K. 621: Ouverture | — | K. 621 | — | Orchestra | Classical | 25 |
| Ach, ich fuhl's | — | — | — | Piano, Voice, Mezzo Soprano Voice | Classical | 18 |
| Porgi, Amor | — | — | — | Piano, Voice | Classical | 11 |
| Third Movement Excerpt (From Horn Concerto No. 3 in Eb Major) | — | — | E-flat major | Piano | Classical | 14 |
| Air | — | — | — | Piano, Flute, violin, Clarinet, Trombone, Recorder, Harmonica | Classical | 27 |
| Mozart: 'Kurf | 1778IMSLP | — | — | Piano, violin | Classical | 15 |
| Bester Jungling! | — | — | — | — | Classical | 15 |
| Piano Piece In F Major, K. 33B | — | K. 33B | F major | Piano | Classical | 18 |
| Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" | 1782–83IMSLP | K. 417a/427 | C minor | Piano, Organ, Voice, bass, Tenor, Choir, Timpani, Alto, percussion | Classical, Latin | 20 |
| Gloria | — | — | — | Piano, Organ, Voice, bass, Tenor, Choir, Timpani, Alto, percussion, Handbell | Classical | 21 |
| Ein Madchen Oder Weibchen | — | — | — | Piano, Flute, Voice | Classical | 21 |
| Andante Grazioso | — | — | — | Piano, Organ, Cello, violin, Horn, Clarinet, Trombone, Recorder, Euphonium, Dulcimer, Viola | Classical | 18 |
| Alla Turca | — | — | — | Piano, Guitar | Classical | 18 |
| Sonata in C, K. 545 | — | K. 545 | — | Piano | Classical | 19 |
| Piano Concerto In Bb - Slow Movement | — | — | — | Piano | Classical | 16 |
| Romance | — | — | — | Piano, Cello, Flute, violin, Recorder, percussion, Xylophone, Marimba, Viola | Classical | 15 |
| Piano Sonata In C Major, K. 545: III. Rondo | — | K. 545 | C major | — | — | 19 |
| Concerto for Piano no. 20 in D minor, K. 466 | — | K. 466 | D minor | Piano, violin | Classical | 14 |
| The Abduction from the Seraglio | — | — | — | Orchestra | Classical | 19 |
| Easy Duets | — | — | — | Cello, Flute, violin, Clarinet, Trombone, Trumpet, Tuba, Viola | Classical | 19 |
| Papageno Suite, Full Score | — | — | — | Piano, Cello, violin, bass, Orchestra, percussion, Viola | Classical | 19 |
| Symphony No.25 | 1773 (October 5)IMSLP | — | — | Piano, strings | Classical | 12 |
| 3. O, wie will ich triumphieren (Die Entfuhrung) | — | — | — | Low Voice | Classical | 12 |
| Piano Sonata In C | — | — | — | Piano, Guitar, Flute | Classical | 15 |
| First Movement | — | — | — | Piano | Classical | 13 |
| Mozart: Twenty Sonatas (Ed. Béla Bartók) | — | — | — | Piano | Classical | 18 |
| Requiem in D minor, KV 626: III. Dies irae | — | — | D minor | Piano, Organ, Voice, Choir, Timpani, percussion | Classical | 23 |
| 5. Come scoglio immoto resta (Cosi fan tutte) | — | — | — | — | Classical | 12 |
| Soave sia il vento | — | — | — | Piano | Classical | 15 |
| Sonata in C Minor | — | — | C minor | Piano, Voice | Classical | 16 |
| Sonata in A | — | — | — | Piano, Guitar | Classical | 17 |
| Sonata In C Major, K. 545 | — | K. 545 | C major | Piano | Classical | 14 |
| Andante in C Major | — | — | C major | Piano, Organ, Flute | Classical | 17 |
| Two Mozart Canons, Full Score | — | — | — | Piano, Cello, violin, bass, Orchestra, Viola | Classical | 17 |
| Mozart: Variations, Complete | — | — | — | Piano | Classical | 17 |
| Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" | 1782–83IMSLP | K. 417a/427 | C minor | Piano, Organ, Voice, bass, Tenor, Choir, Alto | Classical | 23 |
| Violin Concerto in D | 1777 ?IMSLP | — | — | Piano | Classical | 15 |
| Ariette Dans un bois solitaire | 1777-78 (Winter), MannheimIMSLP | — | — | Piano, Flute, Voice | Classical | 15 |
| Welche Wonne, welche Lust | — | — | — | Piano | Classical | 18 |
| L'Amero, Saro Costante | 1775IMSLP | — | — | Piano, Mezzo Soprano Voice | Classical | 16 |
| Sonata in D | — | — | — | Piano | Classical | 15 |
| 12 Variations on Je suis Lindor, K. 354/299a | 1778IMSLP | K. 354/299 | — | Piano | Classical | 15 |
| Das Klinget So Herrlich | — | — | — | Piano, Flute | Classical | 14 |
| Requièm Mass in D minor, K. 626 | — | K. 626 | D minor | Piano, violin, Double Bass, Choir, Timpani, percussion, Viola | Classical, Pop | 15 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 32197206. Portrait: Barbara Krafft, Public domain, via Wikimedia Commons.