Composer

Wolfgang Amadeus Mozart

1756–1791

11,841 works in the index

Era: Classical
Nationality: Prince-Archbishopric of Salzburg
Born in: Salzburg

Mozart wrote across every form available to him in a career of barely thirty years, and the catalogue reflects it: symphonies, concerti, opera, chamber music, sacred works and a body of keyboard music that has been the backbone of piano teaching ever since.

The sonatas are where most players start, and they are harder than they look — the writing is thin enough that every note is exposed and nothing can be hidden behind pedal. K.545 is the famous "easy" one and is still a genuine test of evenness. Singers come to him through the operas; the concert arias are unfairly neglected and often more approachable.

Works are identified by K. numbers, from Köchel's catalogue, which has been revised repeatedly — you will meet the same piece under more than one number in older editions. Where a listing gives a K. number, that is the most reliable way to confirm you are buying the piece you meant.

Works page 53 of 247

Allegretto

5. Allegro

Konzert in C fur Oboe und Orchester KV 314 (285d)

Konzert in G fur Flote und Orchester KV 313 (285c)

Theme and Variations Ah, vous dirai-je, Maman, K. 265

Menuetto-Trio

Anhang II: Erste deutsche Ubersetzung (Faksimile-Wiedergabe nach dem Partitur-Erstdruck, Leipzig 1809)

5 Faksimiles

3 Faksimiles

Horn Concerto K447 (2nd movement)

Anhang V Skizzen zu No. 31

Rondo C-dur, KV 373. 2 Ob,2 Hn,Str / 6'

Sonaten fur Klavier, Violine (Flote) und Violoncello in B KV 10, G KV 11, A KV 12, 1 KV 13, C KV 14, B KV 15

Anhang 3: Originale Bearbeitungen; Klavierauszuge (Fragmente) zu Nr. 11 und 12

[This Divertimento is possibly an arrangement by Mozart]

Anhang II: Zwei Fragmente eines Entwurfs zur Arie des Guglielmo (=No. 26) in Atto secondo / Scena VIII

Divertimento a 3 in B fur Klavier, Violine und Violoncello KV 254

Andante in C fur Flote und Orchester KV 315 (285e)

1. Allegro moderato

Anhang 1: Striche anlasslich der Urauffuhrung Munchen 1781

Adagio E-dur, KV 261. 2 Fl,2 Hn,Str / 8'

Anhang 3: Skizzierter Vokalentwurf zu Arie Nr. 30a

Vorwort / Zum vorliegenden Band

Trio (Sonata) in G fur Klav

Konzert in D fur Flote und Orchester KV 314 (285d)

Konzert in B fur Fagott und Orchester KV 191 (186e)

Anhang I: Erster Satz zu einem Konzert in F fur Oboe und Orchester (Fragment) KV 293 (416f)

Anhang II Melodieskizze zum ersten Satz des Konzerts in C fur Oboe und Orchester KV 314 (285d) (Faksimile und Ubertragung)

Anhang I: Skizzen und Entwurfe zu den Nummern 1, 3, 10, 14, 15 und 23

Anhang 2 Andere Fassung der Takte 51-54 aus Nr. 30

Rondo B-dur, KV 269 (261a). 2 Ob,2 Hn,Str / 6'

Piano Concerto No. 21 (2nd movement)

Anhang I: Ursprungliche Arie des Guglielmo in Atto primo / Scena XI (No. 15: "Rivolgete a lui lo sguardo")

Anhang III: Abweichende Rezitativ-Fassungen: 1. Autographer Schluss des Rezitativs in Atto secondo / Scena X, 2. Andere Fassung des Rezitativs in Atto secondo / Scena XI-XII

Anhang IV: Alternativ-Fassung fur die Takte 173-207 von No. 31

Anhang: Mozarts erste und zweite Fassung der Arie "Sie schallt, die Posaun'"

Anhang: Autographe Skizze zur Arietta Nr. 1

Anhang 1: Verworfene Fassung der Takte 79ff. zu Nr. 17

Anhang 2 Skizze zu Nr. 2, Takte 176ff. (Faksimile und Ubertragung). Entwurf zur Entfuhrungsszene

2. Menuetto I

3. Adagio

4. Menuetto II

6. Paride ed Elena: Allegro moderato

7. Paride ed Elena: Allegro molto

8. Paride ed Elena: Allegro non troppo

Anhang 1: Zusatze und Anderungen der Wiener Fassung

Anhang 2: Skizze zur Ballszene aus dem Finale I (Faksimile und Ubertragung)

Papgeno's Song