Composer
Wolfgang Amadeus Mozart
1756–1791
11,841 works in the index
- Era
- Classical
- Nationality
- Prince-Archbishopric of Salzburg
- Born in
- Salzburg
Mozart wrote across every form available to him in a career of barely thirty years, and the catalogue reflects it: symphonies, concerti, opera, chamber music, sacred works and a body of keyboard music that has been the backbone of piano teaching ever since.
The sonatas are where most players start, and they are harder than they look — the writing is thin enough that every note is exposed and nothing can be hidden behind pedal. K.545 is the famous "easy" one and is still a genuine test of evenness. Singers come to him through the operas; the concert arias are unfairly neglected and often more approachable.
Works are identified by K. numbers, from Köchel's catalogue, which has been revised repeatedly — you will meet the same piece under more than one number in older editions. Where a listing gives a K. number, that is the most reliable way to confirm you are buying the piece you meant.
Catalogue
Works page 65 of 247
The Abduction from the Seraglio
13. Duet - Go on (Bastien and Bastienna)
6. Aria - If I played the courtesan like that one (Bastienna)
Come scoglio (Fiordiligi) from Cosi fan tutte
S'altro che lagrime from La Clemenza di Tito
Pupille amate from Lucio Silla
3. Aria
Per pieta ben mio (Fiordiligi) from Cosi fan tutte
Introduction
2. Aria - I walk the fields and tend to My flock (Bastienna)
16. Trio - Dear Friends, Good Friends (Colas, Bastien, and Bastienna)
Eh via, buffone
Crudele?
8. Aria - Mister Colas, all my thanks (Bastien)
Sola, sola in bujo
O statua gentilissima
7. Duet - This advice (Colas and Bastienna)
9. Aria - That's a silly piece of fiction (Bastien)
La Clemenza di Tito
Die Zufriedenheit, K 473
"Idomeneo, K. 366"
Per queste tue
Protegga il giusto (Mozart-Don Giovanni)
Riposate, vezzose (Mozart-Don Giovanni)
No. 4 Finale "Jeder Kunstler strebt nach Ehre"
Ah, taci, inguisto
Treme, scelerato! (Mozart-Don Giovanni)
Welche Wonne, welche lust from Die Entfuhrung aus dem Serail
"Cos? fan tutte, K. 588"
1. Aria - I never thought my love would leave me (Bastienna)
4. Aria - Young girls are always asking me to be their fortune teller (Colas)
5. Aria - Bastien often stole my flowers (Bastienna)
10. Aria - Diggy, daggy, scurry, murry (Colas)
11. Aria - How I long for her caresses (Bastien)
12. Aria - He told me if I'd be his true love (Bastienna)
14. Recitative and Arioso - I'm sick that you should be so stubborn (Bastien and Bastienna)
15. Duet - Go, go. You can't be trusted (Bastien and Bastienna)
Dove sono (Contessa) from Le nozze di Figaro
Or sai chi l'onore (Donna Anna) from Don Giovanni
Non mi dir (Donna Anna) from Don Giovanni
Mi tradi (Donna Elvira) from Don Giovanni
Ach ich fuhl's (Pamina) from Die Zauberflote
Notte e giorno (Mozart-Don Giovanni)
Non sperar (Mozart-Don Giovanni)
Lasciala, indegno (Mozart-Don Giovanni)
Ma qual mai s'offre (Mozart-Don Giovanni)
Giovinette, che fate (Mozart-Don Giovanni)
Presto, pria ch'ei (Mozart-Don Giovanni)
Dates, era and nationality from Wikidata, matched on name and verified against any dates already held here. The biography above is our own. Portrait: Barbara Krafft, Public domain, via Wikimedia Commons.