Composer
Wolfgang Amadeus Mozart
1756–1791
11,841 works in the index
- Era
- Classical
- Nationality
- Prince-Archbishopric of Salzburg
- Born in
- Salzburg
Mozart wrote across every form available to him in a career of barely thirty years, and the catalogue reflects it: symphonies, concerti, opera, chamber music, sacred works and a body of keyboard music that has been the backbone of piano teaching ever since.
The sonatas are where most players start, and they are harder than they look — the writing is thin enough that every note is exposed and nothing can be hidden behind pedal. K.545 is the famous "easy" one and is still a genuine test of evenness. Singers come to him through the operas; the concert arias are unfairly neglected and often more approachable.
Works are identified by K. numbers, from Köchel's catalogue, which has been revised repeatedly — you will meet the same piece under more than one number in older editions. Where a listing gives a K. number, that is the most reliable way to confirm you are buying the piece you meant.
Catalogue
Works page 67 of 247
Un' aura amorosa
Nichts labt mich als Wein (Kanon TTT, KV 233)
Mi lagnero tacendo/Einsam und still will ich klagen (SSB/Klav, KV 437)
Der Odem der Liebe
Dir Seele des Weltalls (TTB/Klav, KV 429)
Alles f?hlt der Liebe Freuden
Leck mich im Arsch (Lasst froh uns sein) KV 231 (382c)
La Partenza/ Der Abschied (Ecco quel fiero istante/Gotter, welch schwere Prufung SSB/Klav, KV 436)
"Per Pieta, bell'idol mio", Arie fur Sopran und Orchester KV 78 (73b)
Caro bell' idol mio/Ach, susses, teures Leben (Kanon TTT/Klavierbegleitung von B. Paumgartner ad lib, KV 562)
10 Faksimiles
In den Jahren
Dies Bildnis ist bezaubernd sch?n
Wie stark ist nicht dein Zauberton
Nur ihrem Frieden
Folget der Hei
Piu non si trovano/Glaubt ihr Bestandigkeit (SSB/Klav, KV 549)
La Liberta/Die ungetreue Nice ( Grazie agl'ingani tuoi/Dank, Nice, deinen Ranken STB/Klav, KV 532)
Auf den Tod einer Nachtigall /Sie, sie ist dahin (Kanon SSS, KV 229 mit unterlegtem Text nach Holty)
Essen, trinken (Kanon TTT, KV 234)
"Va, dal furor portata", Arie fur Tenor und Orchester KV 21 (19c)
"Conservati fedele", Arie fur Sopran und Orchester KV 23
"Oh, t
"Ombra felice!"
"Io ti lascio", Rezitativ und Arie (Rondo) fur Alt und Orchester KV 255
"Clarice cara mia sposa", Arie fur Tenor und Orchester KV 256
"Ah, t'invola"
"Deh, non var
"Nehmt meinen Dank, ihr holden Gotter!", Arie fur Sopran und Orchester KV 383
"Ah non sai qual pena sie", Rezitativ und Arie (Rondo) fur Sopran und Orchester KV 416
Dritter Akt / Nr. 20 - Chor und Priester, "O furchtbar Gelubde!"
"Non so d'onde viene", Rezitativ und Arie fur Bass und Orchester KV 512
"Mentre ti lascio, oh figlia", Arie fur Bass und Orchester KV 513
"Resta, oh cara", Rezi
O Isis und Osiris (Sarastro) from Die Zauberflote
Textierte Kanons und ein Instrumentalkanon: Kyrie KV 89 (737)
"Vorrei spiegarvi, oh
Dritter Akt / Nr. 21 - Marsch
Dritter Akt / Nr. 22 - Duett Idomeneo / Priester, "Erhor', o Gott des Meeres"
Dritter Akt / Nr. 22 - Chor und Rezitativ Idomeneo / Arbaces, "Der Sieg ist errungen"
Dritter Akt / Nr. 23 - Rezitativ Idamantes / Idomeneo, "Vater, mein teurer Vater!"
Dritter Akt / Nr. 23 - Arie Idamantes, "Ja, ich lasse gern mein Leben"
Dritter Akt / Nr. 23 - Rezitativ, "Doch wie, du zogerst?"
Dritter Akt / Nr. 24 - Rezitativ, "Barmherz'ger Himmel"
Dritter Akt / Nr. 24 - Arie Elektra, "Orestes und Ajax!"
Dritter Akt / Nr. 25 - Rezitativ Idomeneo, "Einmal noch, eh' ich den Thron verlasse"
Dritter Akt / Nr. 25 - Arie Idomeneo, "Sanfte Ruhe kehret wieder"
Dritter Akt / Nr. 26 - Chor, "Steig herab aus fernen Hohen"
Dates, era and nationality from Wikidata, matched on name and verified against any dates already held here. The biography above is our own. Portrait: Barbara Krafft, Public domain, via Wikimedia Commons.