Composer
Wolfgang Amadeus Mozart
1756–1791
11,841 works in the index
- Era
- Classical
- Nationality
- Prince-Archbishopric of Salzburg
- Born in
- Salzburg
Mozart wrote across every form available to him in a career of barely thirty years, and the catalogue reflects it: symphonies, concerti, opera, chamber music, sacred works and a body of keyboard music that has been the backbone of piano teaching ever since.
The sonatas are where most players start, and they are harder than they look — the writing is thin enough that every note is exposed and nothing can be hidden behind pedal. K.545 is the famous "easy" one and is still a genuine test of evenness. Singers come to him through the operas; the concert arias are unfairly neglected and often more approachable.
Works are identified by K. numbers, from Köchel's catalogue, which has been revised repeatedly — you will meet the same piece under more than one number in older editions. Where a listing gives a K. number, that is the most reliable way to confirm you are buying the piece you meant.
Catalogue
Works page 89 of 247
2 Freimaurerlie
Sonate in F fur Violine und Bass KV 46e
1. "Berliner Skizzenblatt"
Missa c-moll, KV 139 / 47a
Missa brevis G-dur, KV 49 / 47d
Sinfonie in B KV 319
Sinfonie in C KV 425
Anhang 1: Fragment KV Anh. 223c
Duo in B fur Violine und Viola KV 424
Kassation in G KV 63
Leck mir den Arsch fein recht schon sauber KV 233
1. Entwurf zum Schluss des ersten Satzes
Fragment eines 1. Satzes zu einem Trio in G fur Violine, Viola und Bass KV Anh. 66
Streichung nach Takt 132 des "Pignus" aus KV 125
Kassation in D: Marsch KV 62 und Serenade KV 100 . Anhang Autographe Entwurfspartitur zum "Gallimathias musicum"
Chorus "God is our refuge" fur Sopran, Alt, Tenor und Bass KV 20
Das Bandel "Liebes Manndel, wo ist's Bandel?", Terzett fur Sopran, Tenor und Bass mit Begleitung von 2 Violinen, Viola und Bass KV 441
Sinfonie in G KV 318
Sinfonie in C KV 338
Sinfonie in D KV 385
Anhang: Im Autograph gestrichenes Menuett zur Sinfonie in C KV 338
Sinfonie in D KV 504
Anhang: Skizzen zum ersten Satz der Sinfonie in D KV 504
2. "Salzburger Skizzenblatt"
Leck mich im Arsch KV 231
Duos: Sonate in C fur Violine und Bass KV 46d
Sonate in B fur Fagott und Violoncello KV 292
Duo in G fur Violine und Viola KV 423
Zwolf Duos fur 2 Horner KV 487
Trios: Adagio und Menuetto in B fur 2 Violinen und Bass KV 266
25 Stucke fur 3 Bassetthorner KV 439b
Adagio in F fur 2 Bassetthorner und Fagott KV 410
Anhang: Anderer Schlusssatz zu Divertimento II aus KV 439b
Entwurf eines Triosatzes in C fur 2 Violinen und Violoncello, erwahnt bei KV 266
Missa C-dur KV 167
Fragmentarische Entwurfe KV Anh. 69
Missa brevis d-moll, KV 65 / 61a
Missa C-dur, KV 66
Missa brevis G-dur, KV 140 / Anh.235d
Anhang 1: Erste, verworfene Fassung des Menuett-Trios und des Finalsatzes zu KV 174. 2: Gestrichener erster Entwurf der Takte 212ff. aus dem 4. Satz zu KV 515. 3: Klavierauszug des 3. Satzes, Skizze zum 4. Satz und Skizze zu einer angeblichen U
Litaniae Lauretanae B.M.V. fur Soli, gemischten Chor, Orchester und Orgel KV 109
Litaniae de venerabili altaris Sacramento fur Soli, gemischten Chor, Orchester und Orgel KV 125
Litaniae Lauretanae B.M.V. fur Soli, gemischten Chor, Orchester und Orgel KV 195
Litaniae de venerabili altaris Sacramento KV 243. Anhang: 1. gestrichene Fassung des "Viaticum" aus KV 125
Streichung nach Takt 94 des "Pignus" aus KV 125
Streichung nach Takt 118 des "Pignus" aus KV 125
Gallimathias musicum KV 32
Kassation in B KV 99
Dates, era and nationality from Wikidata, matched on name and verified against any dates already held here. The biography above is our own. Portrait: Barbara Krafft, Public domain, via Wikimedia Commons.