Composer
Wolfgang Amadeus Mozart
1756–1791
11,841 works in the index
- Era
- Classical
- Nationality
- Prince-Archbishopric of Salzburg
- Born in
- Salzburg
Mozart wrote across every form available to him in a career of barely thirty years, and the catalogue reflects it: symphonies, concerti, opera, chamber music, sacred works and a body of keyboard music that has been the backbone of piano teaching ever since.
The sonatas are where most players start, and they are harder than they look — the writing is thin enough that every note is exposed and nothing can be hidden behind pedal. K.545 is the famous "easy" one and is still a genuine test of evenness. Singers come to him through the operas; the concert arias are unfairly neglected and often more approachable.
Works are identified by K. numbers, from Köchel's catalogue, which has been revised repeatedly — you will meet the same piece under more than one number in older editions. Where a listing gives a K. number, that is the most reliable way to confirm you are buying the piece you meant.
Catalogue
Works page 92 of 247
KV 278 C-dur /4`
I. Divertimenti fur Blasinstrumente: Divertimento in Es KV 289
Sinfonie in C KV 96
15. Missa in C KV 317 "Kroenungsmesse"
Sinfonie in G KV 110
Quintet K. Anh 79 In A Minor - Fragment
Divertimento B-dur, Auffuhrungsdauer ca 12`
Sinfonie in G KV 124
Tina: Tina tanzt mit ihrem Django / O du eselhafter Martin / Zum Wohle: Freunde, lasset uns beim Zechen , KV 560
Anhang IV: Konzert in D KV 412 + 514 . Traditionelle Fassung
Kyrie in G KV 89
Kyrie in d KV 90
Hosanna in G KV 223
Kyrie in C KV Anh. 18
Kyrie in D KV KV Anh. 19
Kyrie in Es KV 322 = KV Anh. 12
Kyrie in G KV Anh. 16
Kyrie in C KV 323 = KV Anh. 15
Gloriaa in C KV Anh. 20
Kyrie in D KV Anh. 14
Kyrie in C KV Anh. 13
Kyrie in d KV 341
Anhang: Skizze zu einem Sanctus in Es KV Anh. 12 , Faksimile und Ubertragung
Divertimento in Es KV Anh. 226
Orchesterwerke: Sinfonie in a KV Anh. 220 / Sinfonie in B KV Anh. 216 / Ouverture und drei Kontretanze KV 106 / Zwei deutsche Tanze KV deest / Klavierkonzert-Kadenz KV 624
Kadenzen und Eingange zu den Klavierkonzerten: KV 175, KV 382 , KV 238, KV 242 , KV 242 , KV 246 , KV 271 , KV 365 , KV 414, KV 413,
Anhang: Altere Fassung der Kadenz zum 3. Satz des Konzertes KV 365, 2 Kadenzen zweifelhafter Echtheit zum Konzert KV 453, Kadenz zum 1. Satz des Konzertes KV 456, Kadenzen und Eingang zum Konzert KV 456 nach der Kopie im Glinka-Museum Moskau
KV 329 /4`
Sonate G-dur KV 357
Divertimento D-dur, Auffuhrungsdauer ca 12`
Divertimento F-dur, Auffuhrungsdauer ca 9`
KV 346 : Luci care, luci belle
Lieber Freistadtler, lieber Gaulimauli / Phantasie: Seht, da steht er , KV 232
Gehn wir in den
Kegelduett
Quintet K. Anh 80 In Bb Major - Fragment
Quintet K. Anh 87 In F Major - Fragment
Sinfonie in F KV 75
Quintet K. Anh 83 In D Major - Fragment
Sinfonie in D: Overtura und No. 1 zu "Ascanio in Alba" KV 111 und Finale KV 120
Sinfonie in F KV 112
Sinfonie in A KV 114
Anhang: Anderes, im Autograph gestrichenes Menuett zur Sinfonie in A KV 114
Anhang II: Fragmente KV6: deest, KV 400 , KV Anh.31 , KV Anh. 29 , KV Anh. 30 , KV Anh. 37
14. Missa in B KV 275
16. Missa in C KV 337 "Missa Solemnis"
Anhang: Erste, nicht vollendete Fassung des Credo aus der Missa in C KV 337 = Nr. 16
Kyrie in F KV 23
Dates, era and nationality from Wikidata, matched on name and verified against any dates already held here. The biography above is our own. Portrait: Barbara Krafft, Public domain, via Wikimedia Commons.