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Baroque sheet music

34,823 titles in the index · page 1 of 200

Almost all Baroque music is out of copyright, which means the question is never whether you can get it free — you can — but whether the free version is good enough for what you are doing. Baroque editions differ more than any other period, because the scores leave more unspecified.

The listing below covers keyboard, string, wind, vocal and continuo repertoire from roughly 1600 to 1750.

Seven Chromatic Baroque Motets

Various

Pop Goes The Weasel

17th Century English Folk Music

6 Sonatas or Duets for Two German Flutes or Violins, Op.2

Johan Agrell

Sonata a Violino Sono

Johan Agrell

Abendlied: Der Tag ist hin

Johann Rudolf Ahle

Aria: Ach Herr, mich armen Sünder

Johann Rudolf Ahle

Dialog: Es sei denn

Johann Rudolf Ahle

Dialog: Sie haben meinen Herrn weggenommen

Johann Rudolf Ahle

Dialog: Wer ist der, so von Edom kommet

Johann Rudolf Ahle

Geistliches Concertlein: Exaudi, Domine, clamantem

Johann Rudolf Ahle

Jairus begehrt, Jesus gewährt

Johann Rudolf Ahle

Lerne dich selbst kennen

Johann Rudolf Ahle

Magnificat

Johann Rudolf Ahle

Menschliche Nichtigkeit

Johann Rudolf Ahle

Merk auf mein Herz

Johann Rudolf Ahle

Missa (1668)

Johann Rudolf Ahle

Motette: Unser keiner lebet ihm selber

Johann Rudolf Ahle

Song: Alles vergehet / Musik bestehet

Johann Rudolf Ahle

Song: Bleib bei'uns Herr

Johann Rudolf Ahle

Song: Demut ist allen Menschen gut

Johann Rudolf Ahle

Song: Fürchtet euch nicht

Johann Rudolf Ahle

Song: Gedult und Demut / Bringt Ehr' und Gut

Johann Rudolf Ahle

Song: Mein bester Freund, mein Jesus weint

Johann Rudolf Ahle

Song: Oster oder Auffahrtsfreude

Johann Rudolf Ahle

Song: Teufel, dass du dich erkühnest

Johann Rudolf Ahle

Song: Was säumest du dich doch

Johann Rudolf Ahle

Splitter-Richter-Bösewichter

Johann Rudolf Ahle

Supply Belcher -

Johann Rudolf Ahle

Wir glauben all' an einen Gott

Johann Rudolf Ahle

Motetti et Antifone della B. Vergine A' Voce Sola con Strumenti del Conte Pirro Albergati. Opera Settima. - In Bologna, per Gioseffo Micheletti. 1691.

Pirro Capacelli Conte Albergati

VIII Sonate per Cembalo

Domenico Alberti

Adaigo et Vivace

Giorgio Antoniotto

Sonata a Due Mandolini (Gimo 12)

Emanuele Barbella

Sonata a Due Mandolini (Gimo 14) (Barbella, Emanuele)

Emanuele Barbella

6 Sonatas for Violoncello

Jean-Baptiste Barrière

Fuga per Organo o Cembalo

Giuseppe Bencini

Sonata per Cembalo od Organo

Giuseppe Bencini

Concerto I in D Minor, for violin, strings & b.c.

Gianluca Bersanetti

Inventio II in G Major

Gianluca Bersanetti

Inventio VI in Bb Major

Gianluca Bersanetti

Inventio VII in E Major

Gianluca Bersanetti

Passacaille en Rondeau

Gianluca Bersanetti

Sonata I in F Min.

Gianluca Bersanetti

Sonata III, in G Minor

Gianluca Bersanetti

Sonata a Tre II in A Minor

Gianluca Bersanetti

Sonata in E Major

Gianluca Bersanetti

Cædmon's Hymn

Peter Bird

Gloria in excelsis Deo

Peter Bird

Buying guide

What to know before you buy

What the composer left out

Baroque notation records less than modern notation. Dynamics are sparse or absent, articulation is often unmarked, ornaments are indicated by symbols whose realisation was a matter of local convention, and the keyboard accompaniment is written as a bass line with figures rather than as notes.

Every edition therefore makes decisions. An urtext presents the source and leaves you to make them. A performance edition supplies ornaments, dynamics and a written-out continuo realisation. Nineteenth-century editions — which is what most free scans are — supply a great deal and reflect performance practice that has since been thoroughly revised.

Figured bass and continuo

A continuo part is a bass line with numbers indicating the harmony above it, historically improvised at a keyboard with a cello or bassoon doubling the bass. Modern editions usually print a realisation: a written-out keyboard part. If you are not able to improvise from figures, check the edition includes one, because a good many scholarly editions deliberately do not.

Pitch, and why your edition may be in the wrong key

Baroque pitch was lower than modern concert pitch and varied by city. Editions intended for period instruments are sometimes transposed accordingly, and recordings on period instruments will sound roughly a semitone below a modern edition. This surprises people playing along with a recording.

Common questions

Is Baroque sheet music free?
The music is out of copyright, so free scans are widely available. Modern scholarly editions are copyrighted as editions in their own right, and they are frequently worth paying for because Baroque scores leave so much for the editor to decide.
What is a continuo realisation?
A written-out keyboard part derived from the figured bass line. Historically the player improvised it from numbers under the bass. Most modern practical editions include one; scholarly editions often do not.
Urtext or performance edition?
Urtext if you know the conventions and want to make your own decisions about ornaments and articulation. A performance edition if you want a playable text with those decisions already made.