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Organ sheet music

37,713 titles in the index · page 1 of 200

Organ music divides on one practical question before any question of style: does it need pedals. A large part of the published catalogue is written for manuals only, which makes it playable on a two-manual instrument without a pedalboard, or indeed on a piano at a pinch.

The listing below covers classical organ repertoire, liturgical and service music, and collections for smaller instruments. Where an edition states its requirements we surface them on the result.

Ave Maria

Charles F. Gounod; Johann Sebastian Bach

  • Organ

Organ sonatas

Anonymous

  • Organ

Gašper Jereb - Christmas cantata

  • Piano
  • Organ
  • Choir

Ignacy Krzyżanowski - Gavotte, Op.56

  • Piano
  • Organ
  • Trombone

Ignacy Krzyżanowski - 2 Nocturnes, Op.50

  • Piano
  • Organ
  • Cello

Musette

Anonymous

  • Piano
  • Harp
  • Organ

Sketch in Eb, Op. 47 No. 4

Gli

  • Piano
  • Organ

1. Prelude

,Matteo Carcassi Arr: Mel Bay

  • Piano
  • Organ

6. Pastorale

,Matteo Carcassi Arr: Mel Bay

  • Piano
  • Organ

Chanson Russe: No. 15 from '24 Pieces Caracteristiques pour la Jeunesse', Op. 34

Gli

  • Piano
  • Organ

Regret: No. 5 from '24 Pieces Caracteristiques pour la jeunesse', Op. 34

Gli

  • Piano
  • Organ

8. Andante (Anon.)

,Matteo Carcassi Arr: Mel Bay

  • Piano
  • Organ

1. Basse et Dessus de Trompette

,Matteo Carcassi Arr: Mel Bay

  • Organ

2. Plein-jeu (Cl?rambault)

,Matteo Carcassi Arr: Mel Bay

  • Organ

3. Dernier Couplet du Gloria: Amen (F. Couperin)

,Matteo Carcassi Arr: Mel Bay

  • Organ

4. Cinquieme Couplet du Gloria: Domine Deus (F. Couperin)

,Matteo Carcassi Arr: Mel Bay

  • Organ

5. Musette in A

,Matteo Carcassi Arr: Mel Bay

  • Organ

6. Musette in G

,Matteo Carcassi Arr: Mel Bay

  • Organ

7. Noel avec Variations en re mineur

,Matteo Carcassi Arr: Mel Bay

  • Organ

8. Recit de Tierce en Taille

,Matteo Carcassi Arr: Mel Bay

  • Organ

9. Deux Points d'Orgue en Triple (P?rotin)

,Matteo Carcassi Arr: Mel Bay

  • Organ

10. Veni Creator

,Matteo Carcassi Arr: Mel Bay

  • Organ

11. Coelestis urbs Jerusalem

,Matteo Carcassi Arr: Mel Bay

  • Organ

24. Chant Arabe

Anonymous

  • Organ
  • Harp

1. Offertoire sur des Noels

,Matteo Carcassi Arr: Mel Bay

  • Organ

2. Suite Gothique, Op. 25: Pirere a Notre-Dame

,Matteo Carcassi Arr: Mel Bay

  • Organ

4. Alleluia

,Matteo Carcassi Arr: Mel Bay

  • Organ

6. Marche de Fete

,Matteo Carcassi Arr: Mel Bay

  • Organ

7. Marche Nuptiale

,Matteo Carcassi Arr: Mel Bay

  • Organ

9. Cantabile

,Matteo Carcassi Arr: Mel Bay

  • Organ

10. Piece Heroique

,Matteo Carcassi Arr: Mel Bay

  • Organ

11. Choral No. 3

,Matteo Carcassi Arr: Mel Bay

  • Organ

Zwei Stucke aus dem Buxheimer Orgelbuch - d-Moll/D minor

Anonymous

  • Organ

Magnificat du 5eme ton - C-Dur/C major

Anonymous

  • Organ

1. Larghetto

,Matteo Carcassi Arr: Mel Bay

  • Organ

2. Fuga

,Matteo Carcassi Arr: Mel Bay

  • Organ
  • Cello

3. Toccata Cromatica

,Matteo Carcassi Arr: Mel Bay

  • Organ

4. Toccata

,Matteo Carcassi Arr: Mel Bay

  • Organ

5. Canzone IV

,Matteo Carcassi Arr: Mel Bay

  • Organ

6. Elevazione

,Matteo Carcassi Arr: Mel Bay

  • Organ

8. Aria da Chiesa

,Matteo Carcassi Arr: Mel Bay

  • Organ

9. Allegro

,Matteo Carcassi Arr: Mel Bay

  • Organ
  • Cello

10. Sonata No. 2: Adagio

,Matteo Carcassi Arr: Mel Bay

  • Organ

11. Sonata No. 7: Preludio ed Assai moderato

,Matteo Carcassi Arr: Mel Bay

  • Organ

Track 1: Complete version with SATB Chorus

Anonymous

  • Piano
  • Organ
  • Flute

Track 2: Accompaniment only

Anonymous

  • Piano
  • Organ
  • Flute

Away In A Manger

Anonymous

  • Organ
  • Recorder

Pavane

Anonymous

  • Organ
  • Guitar
  • harpsichord

Buying guide

What to know before you buy

Pedals, manuals and registration

Organ scores are written on three staves — two for the hands, one for the feet — unless they are manuals only, in which case two staves suffice. Manuals-only collections exist precisely because many church and practice instruments have no pedalboard, and they are a large and useful part of the catalogue rather than a beginner's compromise.

Registration — which stops to draw — is where editions differ most. Some specify in detail for a particular historical instrument; others give only a general indication because no two organs are alike. Neither approach is wrong, but a score registered for a French Romantic instrument will need rethinking on an English parish organ.

Liturgical and service music

A great deal of organ publishing is functional: voluntaries, hymn accompaniments, service music and seasonal collections. These are bought for use rather than study, and the practical criteria are length, difficulty and whether the piece fits the moment in the service it is needed for. Collections are usually better value than single pieces here.

Hymnody in particular is heavily out of copyright, and the free archives we index hold enormous quantities of it, including full harmonisations.

Bach and the core repertoire

The central organ repertoire — Bach above all, then Buxtehude, Franck, Widor, Vierne and Messiaen for the later period — is well served by both scholarly editions and free scans. For Bach specifically the editorial questions are real: ornamentation, articulation and even attribution differ between editions, and the free nineteenth-century scans reflect performance practice that has since been substantially revised.

For reading and for learning notes, a free scan is entirely adequate. For anything you will perform, a modern edition is worth the outlay.

Common questions

What does "manuals only" mean?
The piece needs only the keyboards, not the pedalboard, so it can be played on an instrument without pedals. It is written on two staves rather than three. Manuals-only collections are a substantial part of the catalogue, not just beginner material.
Can I play organ music on a piano?
Manuals-only pieces transfer reasonably well. Anything with a pedal part does not, because the pedal line is frequently the bass of the harmony and cannot simply be dropped. Some publishers issue piano arrangements of organ works for exactly this reason.
Why do editions specify different stops?
Because no two organs have the same stops. Registration in a score is a suggestion shaped by the instrument the composer or editor had in mind, and it has to be adapted to whatever you are actually playing.