JustSheetMusic
Portrait of Bobby Owsinski

Composer

Bobby Owsinski

American audio engineer, producer and author

b. 1952

468 works in the index

Born
1952
Birthplace
Minersville
Period (estimated from birth year)
Contemporary

Biography

Bobby Owsinski is an American audio engineer, producer, musician, and author based in Los Angeles.

He is best known as author of over 20 books in the field of music, music recording and social media, and audio engineering, especially in surround mixing with credits including Jimi Hendrix, The Who, Pantera, Weird Al Yankovic, Willie Nelson, Elvis Presley, Neil Young, Iron Maiden, The Ramones, and Chicago.

Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.

Source revision used for this excerpt

Life and musical career

Occupations
writer; record producer; audio engineer; musician; manufacturer; composer
Official website
https://www.bobbyowsinski.com/
VIAF ID
85632064
ISNI
0000000080056055
GND ID
13320698X
Library of Congress ID
nr00022594

Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.

In this catalogue

Works with composition dates
0 of 468

These details describe the indexed sheet music, including arrangements.

Catalogue

Works page 4 of 10

Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.

Works and available sheet music details
WorkYear composedCatalogue / opusKey in titleListed instrumentsGenreEditions
Exercise Pod: Balancing the Keyboards — —— —— 2
Loops — —— —— 2
Exercise Pod: Balancing Loops — —— —— 2
CHAPTER 14: THE FINAL R*E*CORDING — —— —— 1
Glossary — —— —— 2
Bibliography — —— —— 2
Index — —— —— 2
Preface — —— —— 2
Welcome to the Audio Recording Basic Training — —— —— 1
CHAPTER 1: MONITORING — —— —— 2
The Listening Environment — —— —— 2
Determining the Listening Position — —— —— 2
Standing Waves — —— —— 2
Acoustic Quick Fixes — —— —— 2
Exercise Pod: Improving the Listening Environment — —— —— 2
Basic Monitor Setup — —— —— 2
Exercise Pod: Speaker Placement — —— —— 2
How to Listen — —— —— 2
Basic Listening Technique — —— —— 2
Exercise Pod: What to Listen For — —— —— 2
How Loud Should I Listen? — —— —— 2
CHAPTER 2: THE MICROPHONE — —— —— 1
Microphone Types — —— —— 1
The Dynamic Microphone — —— —— 1
Dynamic Microphone Characteristics — —— —— 1
Typical Dynamic Microphone Applications — —— —— 1
Dynamic Microphone Examples — —— —— 1
The Ribbon Microphone — —— —— 1
Ribbon Microphone Characteristics — —— —— 1
Typical Ribbon Microphone Applications — —— —— 1
Ribbon Microphone Examples — —— —— 1
The Condenser Microphone — —— —— 1
Condenser Microphone Characteristics — —— —— 1
Typical Condenser Microphone Applications — —— —— 1
Condenser Microphone Examples — —— —— 1
Microphone Directional Response — —— —— 1
Omnidirectional — —— —— 1
Cardioid — —— —— 1
Hyper-Cardioid — —— —— 1
Figure Eight — —— —— 1
Proximity Effect — —— —— 1
Microphone Controls — —— —— 1
High-Pass or Rolloff Filter — —— —— 1
-10 or -20dB Pad — —— —— 1
Pattern Selector — —— —— 1
Microphone Accessories — —— —— 1
Pop Filters — —— —— 1
Shock Mounts — —— —— 1

Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 85632064.