JustSheetMusic
Portrait of Bobby Owsinski

Composer

Bobby Owsinski

American audio engineer, producer and author

b. 1952

468 works in the index

Born
1952
Birthplace
Minersville
Period (estimated from birth year)
Contemporary

Biography

Bobby Owsinski is an American audio engineer, producer, musician, and author based in Los Angeles.

He is best known as author of over 20 books in the field of music, music recording and social media, and audio engineering, especially in surround mixing with credits including Jimi Hendrix, The Who, Pantera, Weird Al Yankovic, Willie Nelson, Elvis Presley, Neil Young, Iron Maiden, The Ramones, and Chicago.

Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.

Source revision used for this excerpt

Life and musical career

Occupations
writer; record producer; audio engineer; musician; manufacturer; composer
Official website
https://www.bobbyowsinski.com/
VIAF ID
85632064
ISNI
0000000080056055
GND ID
13320698X
Library of Congress ID
nr00022594

Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.

In this catalogue

Works with composition dates
0 of 468

These details describe the indexed sheet music, including arrangements.

Catalogue

Works page 5 of 10

Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.

Works and available sheet music details
WorkYear composedCatalogue / opusKey in titleListed instrumentsGenreEditions
Exercise Pod: The Microphone — —— —— 1
Direct Boxes — —— —— 1
Direct Box Types — —— —— 1
Amplifier Emulators — —— —— 1
CHAPTER 3: BASIC R*E*CORDING GEAR — —— —— 1
The Microphone Preamplifier — —— —— 1
Exercise Pod: Using the Equalizer — —— —— 1
The Magic High-Pass Filter — —— —— 2
Exercise Pod: Using the High-Pass Filter — —— —— 1
The Principles of Equalization — —— —— 1
CHAPTER 5: MICROPHONE PLACEMENT BASICS — —— —— 1
Microphone Technique 101 — —— —— 1
Choosing the Best Place in the Room — —— —— 1
Exercise Pod: Microphone Placement 101 — —— —— 1
Choosing the Right Mic — —— —— 1
The Secret to Mic Placement — —— —— 1
Phase Cancellation: The Sound Destroyer — —— —— 1
Acoustic Phase Cancellation — —— —— 1
The 3 to 1 Principle — —— —— 1
Electronic Phase Cancellation Audio Recording Basic Training — —— —— 1
Checking Phase — —— —— 1
Exercise Pod: Checking Phase — —— —— 1
Checking Phase by Listening — —— —— 1
CHAPTER 6: R*E*CORDING THE DRUMS — —— —— 1
The Keys to a Great Sounding Drum Kit — —— —— 1
The Tuning Technique — —— —— 1
Exercise Pod: Tuning the Drums — —— —— 1
Tuning Tips and Tricks — —— —— 1
Snare Tuning Tips — —— —— 1
Kick Drum Tuning Tips — —— —— 1
Tom Tuning Tips — —— —— 1
Cymbals Tips — —— —— 1
Miking the Individual Drums — —— —— 1
Miking the Bass Drum — —— —— 1
Exercise Pod: Miking the Individual Drums — —— —— 1
The Subkick Mic — —— —— 1
Miking the Snare Drum — —— —— 1
Snare Drum Bottom Head Miking — —— —— 1
Miking the High-Hat — —— —— 1
Miking the Toms — —— —— 1
Miking the Cymbals — —— —— 1
Overhead Position Two — —— —— 1
Miking the Room — —— —— 1
Sound Check — —— —— 1
Individual Drum Sound Check — —— —— 1
Exercise Pod: Drum Sound Check — —— —— 1
CHAPTER 13: THE FINAL MIX — —— —— 1
Welcome to the Audio Mixing Bootcamp — —— —— 1

Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 85632064.