JustSheetMusic
Portrait of Bret Willmott

Composer

Bret Willmott

195 works in the index

About this catalogue entry

We do not yet have a verified biography for Bret Willmott. This catalogue lists sheet music attributed to this name.

In this catalogue

Common listed instruments
Guitar
Works with composition dates
0 of 195

These details describe the indexed sheet music, including arrangements.

Catalogue

Works page 1 of 5

Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.

Works and available sheet music details
WorkYear composedCatalogue / opusKey in titleListed instrumentsGenreEditions
Voice leading — —— Guitar— 6
Song Example 3 "Third Tune" (exs. a, b, and c) — —— Guitar— 6
Theory / II - V - I examples / extended musical examples — —— Guitar— 3
Voice-leading Chord Scales — —— Guitar— 5
Three Tensions (9, 11, and 13) — —— Guitar— 5
Song Example 6 "Symmetrical Song" (exs. a and b) — —— Guitar— 5
Approach Voicings — —— Guitar— 4
4. Triads over tensions — —— Guitar— 4
2. Different rhythms and string combinations are examined. — —— Guitar— 4
Song Example 10 "In Gee" (exs. a, b, c, and d) — —— Guitar— 4
Song Example lb - CD selection #18 (slow ex.) / selection #19 (up-tempo ex.) — —— Guitar— 3
Exercise no. 8 - CD selection #3 / selection #4 — —— Guitar— 3
Song Example la - CD selection #16 / selection #17 — —— Guitar— 3
Song Example 1d - CD selection #22 / selection #23 — —— Guitar— 3
Song Example 3a - CD selection #32 / selection #33 — —— Guitar— 3
2. Introduction of non-drop 2 type voicings; 9th or 9th chords. — —— Guitar— 3
Voicing Considerations — —— Guitar— 3
Chord Symbol Notation — —— Guitar— 3
5. 9th chords presented in extended musical examples. — —— Guitar— 3
Two Tensions — —— Guitar— 3
- Tensions 9 and 11 — —— Guitar— 3
Additional Substitutions in II - V - I examples — —— Guitar— 3
New Voicings — —— Guitar— 3
2. Musical examples including II - V - I situations. — —— Guitar— 3
Fourth Voicings — —— Guitar— 3
1. Modal and diatonic approaches to quartal harmony. — —— Guitar— 3
- Examination of chromatic motion in each voice or voices of four-part harmonic structures. — —— Guitar— 3
1. Organization of major and minor triads over various bass notes. — —— Guitar— 3
Song Examples — —— Guitar— 3
Song Example 2a - CD selection #28 (slow ex.) / selection #29 (up-tempo ex.) — —— Guitar— 2
Song Example 4a - CD selection #38 (slow ex.) / selection #39 (up-tempo ex.) — —— Guitar— 2
Song Example 7a - CD selection #47 (slow ex.) / selection #48 (up-tempo ex.) — —— Guitar— 2
Exercise no. 19a - CD selection #11 / selection #12 — —— Guitar— 2
Song Example 1f - CD selection #26 / selection #27 — —— Guitar— 2
Song Example 3c - CD selection #36 / selection #37 — —— Guitar— 2
Introduction — —— Guitar— 2
1. Construction of "drop 2" inversions on the middle four strings of the guitar. — —— Guitar— 2
3. Drop 2 inversion notation or "voice leading." — —— Guitar— 2
3. Incomplete structures formed by tension additions and substitutions. — —— Guitar— 2
Dominant Substitute V7 Chords — —— Guitar— 2
2. Introduction of non-drop 2 type voicings; 9th(no5) or 9th(no3) chords. — —— Guitar— 1
Tension 11 — —— Guitar— 2
Altered 9th Tensions (Flat 9 and Sharp 9) on Dom. 7th Chords — —— Guitar— 2
Enharmonic Chordal Substitutions — —— Guitar— 1
Altered Dominant — —— Guitar— 2
3. 32-bar song form demonstrating the various uses of fourth voicings. — —— Guitar— 2
1. Chromatic guidelines over a single chord: — —— Guitar— 2
one line / two lines / three and four lines — —— Guitar— 2