JustSheetMusic
Portrait of Bret Willmott

Composer

Bret Willmott

198 works in the index

Our index holds 198 works attributed to Bret Willmott. Each entry below links to the editions we track and what they cost, including any free public-domain sources.

Catalogue

Works page 1 of 5

Voice leading

Bret Willmott

5 offers

Three Tensions (9, 11, and 13)

Bret Willmott

4 offers

Voice-leading Chord Scales

Bret Willmott

4 offers

Theory / II - V - I examples / extended musical examples

Bret Willmott

4 offers

Additional Substitutions in II - V - I examples

Bret Willmott

2 offers

Voicing Considerations

Bret Willmott

2 offers

Chord Symbol Notation

Bret Willmott

2 offers

- Tensions 9 and 11

Bret Willmott

2 offers

Two Tensions

Bret Willmott

2 offers

5. 9th chords presented in extended musical examples.

Bret Willmott

2 offers

Introduction

Bret Willmott

1 offer

3. Drop 2 inversion notation or "voice leading."

Bret Willmott

1 offer

Altered 9th Tensions (Flat 9 and Sharp 9) on Dom. 7th Chords

Bret Willmott

1 offer

Enharmonic Chordal Substitutions

Bret Willmott

1 offer

Tension 11

Bret Willmott

1 offer

3. Incomplete structures formed by tension additions and substitutions.

Bret Willmott

1 offer

Dominant Substitute V7 Chords

Bret Willmott

1 offer

1. Construction of "drop 2" inversions on the middle four strings of the guitar.

Bret Willmott

1 offer

2. Introduction of non-drop 2 type voicings; 9th(no5) or 9th(no3) chords.

Bret Willmott

1 offer

2. 13th chords presented in extended musical examples

Bret Willmott

- Tensions 9 and 13

Bret Willmott

- Tensions 11 and 13

Bret Willmott

- An organized approach to the enharmonic realizations of the various chords presented in the tension addition chapters.

Bret Willmott

Additional Enharmonic Chordal Substitutions

Bret Willmott

- New enharmonic possibilities of chords already presented.

Bret Willmott

- Included at the end of this chapter is a list of the "incomplete" dominant-Sub V chords that were produced by their "Sub V" relation to the original dominant chords presented in the tension chapters.

Bret Willmott

Relative Major - Minor

Bret Willmott

1. Examination of the relative major, minor, or minor 7 Flat 5 of selected chords.

Bret Willmott

2. Newly discovered chords and functions are listed and presented in various II - V - I examples.

Bret Willmott

- The remaining new chordal discoveries from the "Additional Enharmonic Chordal Substitutions" chapter are presented in various II - V - I examples.

Bret Willmott

Drop 2 type voicings

Bret Willmott

2. Construction of the various four-part chords (6th and 7th chords) through chord spelling.

Bret Willmott

- Included are various voice-led line patterns.

Bret Willmott

- Rules and considerations governing various voicing possibilities.

Bret Willmott

- Included are "Low Interval Limits."

Bret Willmott

- Problems and suggested solutions to chord symbology

Bret Willmott

Tensions

Bret Willmott

1. Theory governing tension selections including tension addition chart

Bret Willmott

2. Voicing formulas for tension additions and substitutions to basic four-part structures.

Bret Willmott

Tension 9

Bret Willmott

1. Enharmonic chordal substitutions produced by the addition of tension 9 to a four-part harmonic structure.

Bret Willmott

3. 9th chords presented in various II - V - I examples.

Bret Willmott

4. Tension 9 additions by string

Bret Willmott

1. Enharmonic chordal substitutions produced by the addition of tension 11 to a four-part harmonic structure.

Bret Willmott

2. 11th chords presented in various II - V - I examples.

Bret Willmott

3. 11th chords presented in extended musical examples.

Bret Willmott

Tension 13

Bret Willmott

1. 13th (and 6th) chords presented in various II - V - I examples.

Bret Willmott