JustSheetMusic
Portrait of Bret Willmott

Composer

Bret Willmott

195 works in the index

About this catalogue entry

We do not yet have a verified biography for Bret Willmott. This catalogue lists sheet music attributed to this name.

In this catalogue

Common listed instruments
Guitar
Works with composition dates
0 of 195

These details describe the indexed sheet music, including arrangements.

Catalogue

Works page 2 of 5

Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.

Works and available sheet music details
WorkYear composedCatalogue / opusKey in titleListed instrumentsGenreEditions
6. Symmetrical motion — —— Guitar— 2
1. Various rhythms and chord omissions (rests) are suggested to be used over the existing examples throughout this text. — —— Guitar— 2
1. Harmonic Foundations — —— Guitar— 2
Includes musical examples; Exercise nos. 11 - 14 — —— Guitar— 2
Including 7th-width/four-note structures, Fourth voicings, Upper-structure triads, Open-string voicings, Ninth (no 5) voicings, Pentatonic voicings, and Half-step voicings. Includes musical examples; Exercise nos. 15 - 24 — —— Guitar— 2
Song Example 2 "In Dee" (exs. a, b, and c) — —— Guitar— 2
Exercise no. 6k - CD selection #1 (slow ex.) / selection #2 (up-tempo ex.) — —— Guitar— 1
Song Example le - CD selection #24 (slow ex.) / selection #25(up-tempo ex.) — —— Guitar— 1
Drop 2 type voicings — —— Guitar— 1
2. Construction of the various four-part chords (6th and 7th chords) through chord spelling. — —— Guitar— 1
- Included are various voice-led line patterns. — —— Guitar— 1
- Rules and considerations governing various voicing possibilities. — —— Guitar— 1
- Included are "Low Interval Limits." — —— Guitar— 1
- Problems and suggested solutions to chord symbology — —— Guitar— 1
Tensions — —— Guitar— 1
1. Theory governing tension selections including tension addition chart — —— Guitar— 1
2. Voicing formulas for tension additions and substitutions to basic four-part structures. — —— Guitar— 1
Tension 9 — —— Guitar— 1
1. Enharmonic chordal substitutions produced by the addition of tension 9 to a four-part harmonic structure. — —— Guitar— 1
3. 9th chords presented in various II - V - I examples. — —— Guitar— 1
4. Tension 9 additions by string — —— Guitar— 1
1. Enharmonic chordal substitutions produced by the addition of tension 11 to a four-part harmonic structure. — —— Guitar— 1
2. 11th chords presented in various II - V - I examples. — —— Guitar— 1
3. 11th chords presented in extended musical examples. — —— Guitar— 1
Tension 13 — —— Guitar— 1
1. 13th (and 6th) chords presented in various II - V - I examples. — —— Guitar— 1
2. 13th chords presented in extended musical examples — —— Guitar— 1
- Tensions 9 and 13 — —— Guitar— 1
- Tensions 11 and 13 — —— Guitar— 1
- An organized approach to the enharmonic realizations of the various chords presented in the tension addition chapters. — —— Guitar— 1
Additional Enharmonic Chordal Substitutions — —— Guitar— 1
- New enharmonic possibilities of chords already presented. — —— Guitar— 1
- Included at the end of this chapter is a list of the "incomplete" dominant-Sub V chords that were produced by their "Sub V" relation to the original dominant chords presented in the tension chapters. — —— Guitar— 1
Relative Major - Minor — —— Guitar— 1
1. Examination of the relative major, minor, or minor 7 Flat 5 of selected chords. — —— Guitar— 1
2. Newly discovered chords and functions are listed and presented in various II - V - I examples. — —— Guitar— 1
- The remaining new chordal discoveries from the "Additional Enharmonic Chordal Substitutions" chapter are presented in various II - V - I examples. — —— Guitar— 1
- Completes the available voicings within this text's established framework on the middle four strings. — —— Guitar— 1
Enharmonic Substitutions on 9th Chords with omitted third or fifth — —— Guitar— 1
- Examination of the various functions in these non-drop 2 type voicings — —— Guitar— 1
Tension Additions on Diminished 7th Chords — —— Guitar— 1
- Symmetrical and diatonic approach to the addition of tensions on diminished chords and examination of various functions. — —— Guitar— 1
Constant Structure Harmonic Motion — —— Guitar— 1
1. Multi-function examination of a single voicing and chord type — —— Guitar— 1
Symmetrical Dominant Substitutions — —— Guitar— 1
- Dominant functions of whole-tone and diminished are examined. — —— Guitar— 1
- Examination of harmonies derived from the "altered" scale; 1 Flat 2 Sharp 2 3 Flat 5 Sharp 5 Flat 7. — —— Guitar— 1
- In depth examination of chromatic, diatonic, and dominant approach techniques relative to four-note voicings. — —— Guitar— 1