Composer
Franz Schubert
1797–1828
6,176 works in the index
- Born
- 1797
- Died
- 1828
- Birthplace
- Himmelpfortgrund
- Citizenship / historical state
- Archduchy of Austria
- Period (estimated from birth year)
- Romantic
Biography
Schubert wrote over six hundred songs before dying at thirty-one, and it is the songs that dominate this catalogue. If you sing, this is the central repertoire; if you accompany, the piano parts are full partners rather than support, and considerably harder than they sound.
The song cycles — Die schöne Müllerin, Winterreise, Schwanengesang — are published complete and in high, medium and low keys. Buying the wrong transposition is the standard mistake here, because the cycles sit in a range that punishes guessing.
For pianists the Impromptus and Moments musicaux are the accessible way in, and the four-hand duets are among the best music written for two people at one instrument. The late sonatas are enormous and are not a place to start.
In this catalogue
- Common listed instruments
- Piano, Voice, Low Voice, violin, Clarinet
- Genres represented
- Classical, pop, Pop, Jazz, Children
- Works with composition dates
- 322 of 6,176
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 14 of 129
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Andante In A Flat Major From Moments Musicaux Op. 94/D. 780, No. 2 | — | Op. 94; D. 780, No. 2 | A-Flat major | Piano | Classical | 5 |
| Polkas | — | — | — | Piano | Classical | 6 |
| Waltz From Der Rosenkavalier | — | — | — | Piano | Classical | 6 |
| "Minuet and Trio from Sonatina in C minor, Op.137 No.3" | — | Op.137 No.3 | C minor | Piano, violin | Classical | 3 |
| Ava Maria | — | — | — | Voice | Classical | 6 |
| Valse Sentimentale, Op. 50 , No. 13 Performed by Franz Schubert | — | Op. 50 , No. 13 | — | Piano | Classical | 4 |
| Symphony No.8 'Unfinished' in B Minor - 2nd Movement | — | — | B minor | Piano | Classical | 4 |
| Symphony No.4 'Tragic' in C Minor - 2nd Movement | — | — | C minor | Piano | Classical | 4 |
| Stabat Mater, D383, No. 2: "Bei des Mittlers Kreuze standen bang" | — | — | — | Piano | Classical | 3 |
| March Militaire Op.51 No. 1D773 - Cello | — | Op.51 No. 1D | — | Piano, Cello, Flute, violin | Classical | 5 |
| Das Weinen Op.106 No. 2 D926 - Score | — | Op.106 No. 2 | — | Piano, Cello, Flute, Oboe, violin, Bassoon | Classical | 5 |
| Schubert: Three Sonatas, Op. 137 | — | Op. 137 | — | — | Classical | 6 |
| Das Weinen Op.106 No. 2 D926 | — | Op.106 No. 2 | — | Piano, Cello, Flute, Oboe, violin, Bassoon | — | 0 |
| Die Winterreise, op. 89, D. 911: XV. Die Krähe | — | op. 89; D. 911 | — | Piano, Voice, Low Voice | Classical | 11 |
| Die schöne Müllerin, D. 795: Nr. 17. Die böse Farbe | — | D. 795 | — | Piano, Voice, Tenor, Choir, Low Voice | Classical | 10 |
| Die schöne Müllerin, D. 795: Nr. 13. Mit dem grünen Lautenbande | — | D. 795 | — | Piano, Voice, Tenor, Choir, Low Voice | Classical | 8 |
| Die schöne Müllerin, D. 795: Nr. 9. Des Müllers Blumen | — | D. 795 | — | Piano, Voice, Tenor, Choir, Low Voice | Classical | 9 |
| Die schöne Müllerin, D. 795: Nr. 10. Tränenregen | — | D. 795 | — | Piano, Tenor, Choir, Low Voice | Classical | 10 |
| Die schöne Müllerin, D. 795: Nr. 6. Der Neugierige | — | D. 795 | — | Piano, Flute, Voice, Choir, Low Voice | Classical | 17 |
| Die schöne Müllerin, D. 795: Nr. 14. Der Jäger | — | D. 795 | — | Piano, Voice, Tenor, Choir, Low Voice | Classical | 8 |
| Suleika II, D. 717 | — | D. 717 | — | — | Classical | 9 |
| Mondenschein, D. 875 | — | D. 875 | — | Choir | Classical | 6 |
| Abschied von der Erde, D. 829 | 1826 (17 February)IMSLP | D. 829 | — | Piano, Voice | Classical | 20 |
| Die Einsiedelei, D. 393 | — | D. 393 | — | Piano, Voice, Choir | Classical | 4 |
| Geist der Liebe, D. 747 | — | D. 747 | — | Piano, Voice, Choir | Classical | 5 |
| Abendlied, D.499 | 1816 (November)IMSLP | D.499 | — | Piano, Voice, voice piano | Classical | 3 |
| Abends unter der Linde, D.235 | 1815 (24 July)IMSLP | D.235 | — | voice piano | Classical | 5 |
| Abends unter der Linde, D.237 | 1815-07-25 (both versions)IMSLP | D.237 | — | voice piano | Classical | 4 |
| Adagio in E major, D.612 | 1818 (April)IMSLP | D.612 | E major | Piano | Classical | 4 |
| Alinde, D.904 (Op.81 No.1) | 1827 (January)IMSLP | D.904; Op.81 No.1 | — | voice piano | Classical | 9 |
| Allegretto, D.346 | 1816 (?)IMSLP | D.346 | — | Piano | Classical | 7 |
| Allegretto, in C minor | 1828IMSLP | — | C minor | Piano | Classical | 4 |
| Allegro Moderato, D.347 | 1813 (?)IMSLP | D.347 | — | — | Classical | 8 |
| Allegro, D.154 | 1815 February 11IMSLP | D.154 | — | — | Classical | 4 |
| Allegro, D.571 | 1817 JulyWikidata | D.571 | — | — | Classical | 4 |
| Alte Liebe rostet nie, D.477 | 1816 (September)IMSLP | D.477 | — | voice piano | Classical | 5 |
| Am Bach im Frühling, D.361 (Op.109 No.1) | 1816IMSLP | D.361; Op.109 No.1 | — | voice piano | Classical | 4 |
| Am Flusse, D.160 | 1815 (27 February)IMSLP | D.160 | — | Voice, voice piano | Classical | 7 |
| Ammenlied, D.122 | 1814 (December)IMSLP | D.122 | — | voice piano | Classical | 5 |
| Amphiaraos, D.166 | 1815 (1 March)IMSLP | D.166 | — | voice piano | Classical | 5 |
| An den Frühling, D.283 | 1815IMSLP | D.283 | — | Voice, voice piano | Classical | 6 |
| An den Frühling, D.587 | 1815 (1st version)1817 (2nd version)IMSLP | D.587 | — | voice piano | Classical | 4 |
| An die Apfelbäume, wo ich Julien erblickte (D.197) | 1815/05/22IMSLP | D.197 | — | Piano, Voice, voice piano | Classical | 5 |
| An die Freude, D.189 (Op.111 No.1) | 1815IMSLP | D.189; Op.111 No.1 | — | Piano | Classical | 4 |
| An die Harmonie, D.394 -- also called Gesang an die Harmonie | 1816 (March)IMSLP | D.394 | — | voice piano | Classical | 5 |
| Antigone und Oedip, D.542 (Op.6 No.2) | 1817 MarchIMSLP | D.542; Op.6 No.2 | — | voice piano | Classical | 7 |
| Auf der Bruck/Auf der Brücke | 1825IMSLP | — | — | Voice, voice piano | Classical | 12 |
| Auf einen Kirchhof, D.151 | 1815/02/02IMSLP | D.151 | — | voice piano | Classical | 5 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 48146998424018940534. Portrait: Wilhelm August Rieder, Public domain, via Wikimedia Commons.